Roland Juno-106

via this auction

"From the front cover of the owner's manual:

"The Roland Juno-106 is 61 Key, six voice fully programmably polyphonic synthesizer.

The digitally controlled oscillator (DCO) guarantees an extremely stable pitch.

The Juno-106 is the complate 6 voice synthesizer provided with 6 VCF's, 6 VCA's, and 6 ENV's.

The Juno-106 includes memory capcity to retain up to 128 different patch programs

The Juno-106 features battery back up system to retain the programs even when switched off.

If connecting the Pedal Switch to the PATCH SHIFT jack, you can call the 8 patch programs stored in the same bank one after another, simply by pressing the pedal.

Transposition to any key is possible by the Transpose function.

The Portament funtion is provided.

The Chorus effect produces rich and expansive sounds.

Featured with MIDI BUS, the Juno-106 can be set up with other MIDI devices."

1979 Remco SoundFx Machine - 9V Toy Synthesizer

via this auction

"The Remco Electronic Sound FX machine operates on a 9 Volt battery, weighs less than a pound (including the battery), is made of thin, hard plastic with cardboard backing [while flaunting burly tough-guy handlebars] and produces a seemingly endless array of loops, shrieks, whoops, buzzes, distortion, dirty noise and pure chaos. To take it to another level, fit it with a quarter inch output. The small built in speaker is loud for a battery operated machine, but I have heard one unleashed through real speakers and it basically can sound like an EMS Synthi; mean, angry and demanding attention.

These are becoming increasingly rare and sought after. Comes with a booklet of instucitons and dial settings for "Hollywood" effects such as: Ricocheting Bullet, Diesel Generator, Bionic Strength, Laser Beam, UFO Landing and Taking Off, Revving Moped and dozens more. (The booklet is complete, but many of the pages are stuck together. I thought about putting in the oven, but decided to leave it up the next owner so I don't ruin it!) Comes with the original box, which is in okay shape, but the unit itself is in Near Mint condition. Works perfectly."

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Beat Repeat

YouTube via AbletonInc
"Robert Henke explains the details of Live's innovative Beat Repeat effect in this video."

Moog Modular for Sale

here
Update: word is this was an old auction. I'm not seeing any contact info listed, so this is most likely the case. If anyone has any more info on this feel free to comment.
"The bottom cabinet is an original Moog cabinet and made of beautiful sold walnut with no hacks, scratches, dings, or dents. It includes 22 separate modules each with the r.a. Moog logo on the front indicating that it was made between 1967 and 1972. Quality-control stickers on the back of most of the modules indicate the specific date of manufacture, the serial #, and different performance tests. The list of modules in the bottom cabinet include -from left to right/top to bottom: (1) 901-A OSC Controller, (2) 901-B VCO’s, (1) 991 Filter/ Attenuator Panel, (1) 901 VCO/LFO, (1) 901-A OSC Controller, (2) 901-B VCO’s, (1) 907 Fixed Filter Bank, (1) 904-A Low Pass Filter, (2) 902 VCA, (2) 911 Envelope Generators, (1) Multiple Jack, (1) 903-A Random Signal Generator, (3) CP3A Mixer Input/Outputs, (1) CP2 CV/Trigger Outputs and Filters, (1) CV/Trigger/ Multiple Control Panel, (1) CP8 Power Switch/Fuse Control Panel. This bottom cabinet has the original power supply and was rewired 5 years ago (as needed). The previous owner indicated that the bottom cabinet and all of the modules in it were purchased at the same time, directly from the Moog factory in New York.
The top cabinet is not an original Moog cabinet but is nonetheless finely made, and matches the bottom cabinet. There are 8 modules in this cabinet that were randomly collected through the 1970’s and 80’s. The list of modules in the top cabinet includes: (1) Blank Filler Panel, (1) 961 Sequencer Interface, (1) 962 Sequencer Switch, (1) 960 Sequential Controller with 3 Rows of 8 Steps, (1) Moog Custom Designed Dual Sample and Hold, (1) 911 Envelope Generator, (1) 904A Low Pass Filter, (1) 904B High Pass Filter, and (1) 905 Reverberation Unit. With the exception of the 905 Reverb Module, the other modules have the Moog logo instead of the r.a. Moog logo, indicating that they were manufactured from 1972-1981. The top cabinet has a brand new power supply installed and was completely rewired 5 years ago.
Also included in this package is (1) 951 - 61 Note Keyboard - beautiful wood and in excellent working condition, (1) 952 - 61 Note Duo-Phonic Keyboard - beautiful wood and in excellent physical condition, but not currently operational, (1) 952 - 49 Note Duo-Phonic Keyboard - black tolex, in excellent working and physical condition, (1) 956 Ribbon Controller - with r.a. Moog logo, in excellent condition, (1) 1130 Drum Controller, (1) Owner's Manual, and (1) Service Manual."

Yimmys Yayo

via Dropular

Yamaha CS70M
Sequential Circuits Prophet-VS
Moog Polymoog
Sequential Circuits Prophet T8
EMS Polysynthi
PPG Wave 2.2/2.3

Synth drawing / painting

anyone know if there are more?

Update: EMS Polysynthi, not an ARP Odyssey, and apparently it's not a drawing according to waveterm in the comments. Pretty amazing shot then.

Update: see this post.

The electribe vs the Sonic Alienator and the Teaspoon

YouTube via RothHandle

Treating a Radio through the Murf

YouTube via RothHandle. I love the tap dancing comment right after 3:00.
Yamaha's first synthesizer, the Yamaha SY-1 makes an appearance at the end.
"I am currently working on some music for a norwegian film together with Matti Bye. We have previously recorded one album together called Elephant & Castle. An album loosely based wround cirkus music using a lot of different organs, mellotrons and optigans. For this film we are working with more modern sounds...We are planning to use a lot of synthesizers, modular stuff, drummachines and try to create good textures.

This little mobile film was shot on Sunday the 1st of March at Roth Händle studios in Stockholm. The studio started as a small bedroom studio in my apartment in Kungsholmen, Stockholm. I starterd out using a Akai DPS-12. I also had a mellotron, an acoustic guitar and a handful of stompboxes. My first "real" location was at an old abandoned shipyard outside of Stockholm. It was 30 square meters. Since then I have moved twice and I am now located in Sundbyberg where I have a fairly large space. If you are curious to find out more about the studio please visit www.roth-handle.nu"

Cinematic recording Danelectro Baritone vs Moogerfoogers

tr-808 controlled by ableton = shuffle

YouTube via pac209
"CHD Elektroservis MIDI interface installed -
with this interface, midi clock and note commands with velocity can be received, the Sync I/O function is maintained (everything like original state) and no extra holes have to be drilled in the case"

Blacet Suitcase, Euro Step Sequence w/ MPC

YouTube via wonkythomas
"The SEQ-02 is running the same A-B cycle all the way thru, all the variations in timing are created by programming differant "clock" patterns into the MPC.

Pitch of 2 VCOs is controlled by a mixture of Sequencer CV, MIDI/CV Pitch & Binary Zone, then quantized by the Blacet Miniwave."

Doepfer A - 152 Digital Outs 3 step Sequencer

YouTube via wonkythomas
"Quick patch exploring the idea of Andreas. To use the Digital Out section of the 152 processed by a mixer as a sequencer!

Nothing fancy here like VC address, cos I only have 3 inputs on the Blacet Mixer / Processor, so if you have an 8 chan. mixer then you can extend this & modulate the VC Address to create more complex sequences. The 152 rocks!!!

M.F.B SEQ-01 is master of the SEQ-02 runnng 16 steps into the Clock in, the SEQ-02 Gate out is clocking the A-152. The SEQ-01 is doing a few other important jobs. Its triggering the VCS which modulates the 1st "note" in the sequence & its triggering a Blacet Binary Zone which is modulating the VC Waveshape of the Klangwerks modulator. An M.F.B Dual LFO is modulating the Rise time on the VCS & being CV'd by the CV out of the same SEQ-02 track that is clocking the 152.

Came out dark again... If I use overhead light its actually worse for shadows, need to strike a happy medium between quality & size."