MATRIXSYNTH


Sunday, November 22, 2009

monotonic labs Type N38 Synthesizer: Sequencer VCO Analog FM PWM Noise

via these auctions
"Overview
The Type-N38 is the next iteration of the monotonic labs N-Series synthesizers. The N38 is a completely self contained musical instrument featuring a 4-step sequencer and a voltage controlled oscillator (VCO). The sequencer features control voltage (CV) dials for each step, a clock/tempo dial, and a step hold actuator. The VCO features Frequency and Pulse Width Modulation (FM/PWM), as well as a HI/LO octave toggle. The N38 output waveform is square wave (or an infinite sum of sine waves) providing an extremely rich harmonic portrayal of the fundamental. The output can be shaped to other waveforms (sine, triangle, etc.) by applying external filtering circuits to the signal path prior to amplification. The result is a unique and compact device enabling artists to add new dimensions to their musical projects.

How it works
Everything begins with the clock rate control – this determines how fast the sequencer changes steps. Each step of the sequencer has a CV setting which drives the VCO (which can really be thought of as a voltage-to-frequency converter). The more voltage applied to the VCO, the higher the output tone. The sequencer provides a means to program the output sequence of tones from the VCO which can sped up or slowed down with the clock control. The Center Frequency control sets the reference tone on the VCO which CV from the sequencer modulates. For example, if the center frequency on the VCO is set to 440 Hz, applying CV data from the sequencer (i.e. setting any CV dial greater than zero) will proportionally increase the tonal frequency of the VCO above 440 Hz. The Pulse Width control sets the duty cycle of the VCO which creates several interesting effects such as stepped tones and high pass filtering. See demonstration below.
[posted here]

Improvements
Although the N38 is very similar to the N37 synthesizer, it has several improvements. Several N37 users have commented that the Center Frequency (or Frequency Modulation) control is too sensitive. To address this we have broken the Center Frequency control into 2 octaves (switchable by the HI/LO octave toggle) allowing finer tuning of the VCO reference tone. We have also added a step hold actuator to the sequencer which acts as a “pause” button. Internal circuitry improvements include a completely new PCB layout, thicker traces, and a new buffered output stage."

Links
Website
Myspace Page

Synthesizers.com Q171 Quantizer Bank

Prelim info from Synthesizers.com:

"The Q171 Quantizer accepts a varying input voltage and produces a voltage that is locked into a pre-selected scale.

The main purpose of a quantizer is to simplify tuning of an analog sequencer, but there are many other musical applications. Any voltage source can be processed by the quantizer including envelope generators, oscillators, noise sources, etc. The Q171 can also be synchronized with external events and operated as a programmable Sample & Hold using the Gate Inputs.

Three independent channels are provided. Each channel uses a 12-note per-octave semitone scale unless an alternative scale is selected using the option switches. Possible scales include Major, Minor, Augmented, Diminished versions of 7-note scales, Triad chords, and Root+5th."

Open Labs SoundSlate

"Introducing Open Labs' SoundSlate™, the ultimate virtual instrument player and hardware DAW for your keyboard workstation or MIDI controller, contained in a sexy 1U rackmountable case.

SoundSlate™ redefines music production and performance by incorporating Open Labs' music operating environment including the critically acclaimed virtual instrument host Riff™, 8000+ of sounds and effects, a robust audio i/o, and a powerful computer core running Windows XP into a 1U-ultra compact case that packs a punch."

Stylophone

flickr set by mrmole
(click for more)

You'll find scans of the user manual and shots of the Stylophone. Circuit diagram pictured below.

"Rolf Harris at his best!"
via wikipedia: "Harris went on to use an array of unusual instruments in his music, including the didgeridoo (the sound of which was imitated on "Sun Arise" by four double basses), Jew's harp and, later, the stylophone (for which he also lent his name and likeness for advertising)."

TETR4 (part5)


YouTube via Dogboy73. more
"5th video of sounds from the DSI TETR4.

http://launch.groups.yahoo...."

LowG accelerometer as MIDI controller


YouTube via hotchk155
"Just an experiment but it might be fun in a smaller package! This is a Sure Electronics low G 3-axis accelerometer prototype board connected to a Miduino (Arduino clone) streaming continuous MIDI controller info to Reason. There are 3 controllers mapped here to delay feedback on drums, and mod wheel/pitchbend on a bass synth. The Arduino code if pretty much the same as the lava lamp midi controller code, but with just 3 controllers"

Understanding roland 303 bass sound with Absynth


YouTube via soundsynthesis
"This video explains the principle of the famous roland 303 sounds. The synthesizer Absynth is used to approximate the 303 sound."

Modular Tiptop A-149 Buchla


YouTube via belempa1

"Une présentation sommaire des modules Doepfer A149-1 RCV et , A149-2 .
Le A-149-1 est basé sur le 266e Source of Uncertainty de Don' Buchla , difficile à maîtriser mais passionnant .
Le but de ce patch est de tourner en boucle sans l'aide de séquenceur et de clavier externe .

A summary presentation of modules Doepfer A149-1 RCV and, A149-2.
A-149-1 is based on 266e Source of Uncertainty : Don ' Buchla.
Difficult to master but fascinating.
The purpose of this patch is to turn(shoot) in buckle without the help of sequencer and external keyboard.

( Reverso translator )."

Cartier Santos Sweet Lady LIVE@Make: Tokyo Meeting 04


YouTube via omnibotoom. more here
"Cartier Santos Sweet Lady LIVE@Make: Tokyo Meeting 04
2009.11.22

Fluorescent Lamp controlled with
/I/F GAINER
/Finger move
/Hand move
/Voice volume"

Test Globale


YouTube via gaufresderiz
"Ho usato tutto il modulare... Per sincronizzare le varie parti ho messo al centro il Math di MakeNoise... un modulo veramente incredibile! La cassa è creata dallo stesso Math con l'aiuto del D-LFO Cwejman... Le varie parti escono dal mod e vengono filtrate da vari effetti, ibanez, Korg, Dynacord, Vermona... Il sottofondo viene dal ThingAMaKit della Bleep Labs..."
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