YouTube via ISOTROPOSPHERE — April 09, 2010 — "A brief walk around of my Studio space, the modular has changed from what is seen here, more modules, more modules, more modules............. Layout is still the same with some additional pieces of hardware gear besides the modular changes. The music is just something I threw together for the video."
YouTube via RothHandle — April 09, 2010 — "A good day in the studio...mumbling about in a new confusing shirt having some sound fun...This shows me doing some treatments on some Necromonkey drums. Later on I destroyed some White Willow ones.
This film was recorded at Roth Händle studios in Stockholm. This is where I spend my days and some oif my nights trying to record and produce music. This is a lot of fun. The studio is open to the public so if you feel like coming by for a cup of coffee or to record a triple concept album about goblins all performed on glitchy cables you are more than welcome."
YouTube via ISOTROPOSPHERE — April 09, 2010 — "Testing the Flame Tame machine with the Technosaurus Cyclodon sequencer. The sounds heard are from the Microcon I, a Sine wave from the Tiptop Z3000, the square wave osc. from the Effexon, and the Thingamagoop2 being processed through the WMD Giger Counter with flanger effect from the Alesis mixer. First three sounds sources are going through the QMMG and out to the mixer (no effects) from the Format Jumbler.
Tame machine controlling all event timing and receiving cv from the cyclodon sequencer. Not much visually here, turned the lights off to enjoy the ambiance and added a camera effect to the video. Enjoy!!"
YouTube via NovationTV — April 09, 2010 — "The second of Ableton and Novation's quarterly Innovations events took place in early April. The venue was the super-cool Jamm in Brixton, and the line-up included Echaskech, Jon Hopkins and Hexstatic, as well as Matt Masters, Paddy Freeform and the Ableton All-Stars DJs."
YouTube via syntesen — April 09, 2010 — "Just two short pieces this time ;)
The Ach Was Soll Ich Sünder Machen choral prelude. And a new version of "O Jesulein Süß". The former is played on the Access Virus TI synth, the latter on the Nord Lead 2X.
They are in two very different styles - the choral prelude is a fast staccato piece, whereas the SATB choral has a more sustained, ethereal feel."
YouTube via NativeInstruments — April 09, 2010 — "This video demonstrates the powerful and dramatic content of Evolve Mutations 2. See how Heavyocity and Native Instruments take sound design for the modern composer into new realms."