Saturday, June 12, 2010
Bass Seq 1 .mp4
video upload by TheAdambee7 — June 02, 2010 —
"A Triangle VCO in progress. I wanted a really dirty Triangle osc that would distort without much effort. Its going through an Attack Release generator come VCA for gating effects. Its recorded dry without effects i.e. no reverb and delay. I'll post more as this takes shape. Cheers." Bass Seq 2 Dub Step Bass.mp4
"Put it through an EQ this time to bring out more bass end. Good Dub Step, Drum'n'Bass sound. Again using the AR envelope to create gating effects. No reverb or delay used." Bass Seq 3 Dub Step Bass.mp4
"Using a cmos 4089 frequency multiplier here which is connected to the sequencers external clock input. I wired its input straight from the sequencers clock. Even though it multiplies its actually dividing the clock pulses which create cyclical musical phrases. This is done by using 4 cmos 40106 osc to turn the 4089 4 data inputs on or off. Adjust the rate of the osc and you get different phrases from the 16 variations of on and off.. Cool yeah."
Boresite
YouTube via ittaital — June 12, 2010 — "First track out of the "Opticks" series...
All synthesis work done on a "Waldorf Blofeld".
Drums, percussions and metronomic parts, done with "NI Maschine".
Sound and production on Cubase DAW.
If you like, please visit my www.soundcloud.com/ittai-barkai web site, for more..."
Sequential Circuits Pro-One Analog Synth w/CPU upgrade
"SEQUENTIAL CIRCUITS - PRO-ONE -- ANALOG SYNTHESIZER --- WITH MTG PRO-ONE REPLACEMENT CPU CHIP - (musictechnologiesgroup.com/)"
Circuit Bent Speak & Math Vintage Analog Glitch Synth
YouTube via radial77 — June 11, 2010
via eBay
"This is a carefully designed Circuit Bent instument. The unit functions as normal, but includes the following added modifications:
* LFO activation Toggle
* LFO shape knob
* LFO rate knob
* LFO depth knob
* Tone hold button
* Tone lock toggle
* Repeater loop toggle
* Three fixed glitch toggles which can be used individually or combined
* Pitch activation
* Pitch high/low adjustment knob
* Speaker on/off
* 1/4" mono output jack for routing to amp, mixer, DAW, etc.
* Master power/reset toggle"
Antonio Onorato-Breath guitar Yamaha G10(Solo)
via this auction"These units were made in the early 1990's, and are among the most accurate midi tracking controllers ever made. Latency is essentially nil with these units. Far superior to any of the current pitch to midi conversion systems on the market today (Roland, Axon, etc.), the G10 uses pulse waves to determine pitch, and is extremely fast and expressive, as you can see in the
video clips below."

YouTube via domrnico61 — October 28, 2007 — Tavagnacco Jazz '07
Yamaha G 10 guitar synth, City Blues (instr) by Dr. Ika
YouTube via pickmaster — March 16, 2007 — "Yamaha G 10 guitar synth in "left hand only" mode, G 10C controller, Audity 2000 synth module, stereo PA. Dr.Ika plays groovy contemporary blues with different patches."
LA synth gathering summer 2010

via Justin:
"When: July 10th, 2010 from Noon 'til ???
Where: See map here.
8535 Dice Road
Santa Fe Springs, CA 90670-2509
More info to come!"
PROPHET 5 REV 2
PROPHET 5 REV 2 from Logan Mannstrane on Vimeo.
"Prophet 5 REV 2 Improvisation with Video MontageCreated for my good friend Nap. Lines only buddy.
Signal flow is: PROPHET 5==>SRE-555 Tape Echo==> Siemens 295b EQ ==> Eventide 2016 Reverb==> Prism Orpheus AD/DA
Left Channel is SRE-555 Output A, Right channel is SRE-555 Output B. Chorus is output from A+B. Spring Reverb is output from B. Tape Delay is Output B. Direct Signal is output A.
All video shot with a Nikon D90 using a Nikkor 1.4 Aperture 50mm lens, along with 18-200mm f/3.5-5.6G zoom."
Hammond L-143 - Audio-Technica PRO 24-CM Test
YouTube via Organgrinder010 — June 12, 2010 — "A little test of the Audio-Technica PRO 24-CM Test that I bought for my Canon 7D. The unfortunate fact is that the AGC in the camera is not yet bypass-able so the quieter the source the more hissss you are going to hear. The good thing about this mic is that it records XY stereo pattern vs. the internal mono mic, but there is also a noted increase in audio quality and frequency range. I would recommend this mic if you do lots of run n' gun concert recording or other venues which provide a nice loud sound. If you're a filmmaker looking for a mic for your DSLR to record high quality sound for most situations, then I would look elsewhere. A good preamp would then be needed.
The organ is my old trusty Hammond L-143. No leslie, just stock output through the internal speakers. I don't know my Santana as well as I should..."
inside a Hammond organ. Note I try to only post organ vids that are somewhat synth related, otherwise the number of posts going up would get even more out of control. I'm posting this as you can see the internals of the organ compared to synths.
Korg Radias demo (1 of 2) by syntezatory.prv.pl
YouTube via Jexus — June 12, 2010 — "Demo of 2006 Korg Radias (=R3). All sounds programmed by WC Olo Garb. Video editing by WC Olo Garb.
Syntezatory.prv.pl Videos: showing you not what a synthesizer can do, but what a man can do with a synthesizer."
Update:
Korg Radias demo (2 of 2) by syntezatory.prv.pl
YouTube via Jexus | July 01, 2010
"Demo of 2006 Korg Radias (=R3). All sounds programmed by WC Olo Garb. Video editing by WC Olo Garb.
Syntezatory.prv.pl Videos: showing you not what a synthesizer can do, but what a man can do with a synthesizer."
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH























