MATRIXSYNTH


Wednesday, January 12, 2011

Introducing the Moog Phatty Tuner - Alternate Scales Editor

"The Moog Heard ‘Round the World

Introducing PHATTY TUNER Alternate Scale Editor for the Slim Phatty and Little Phatty

ASHEVILLE, N.C. (January, 2011) – For decades, Moog instruments have been used by adventurous musicians to map the sonic universe. Now they can be used to explore the more exotic reaches of our own planet. With Moog’s Phatty Tuner software, musicians can retune each note of the octave and compose in scales once available only to players of hard-to-find world instruments. Indian, Chinese and Turkish scales are now easily accessible along with Meantone, Pythagorean, Just and other historic and experimental temperaments.

Available for the Slim Phatty and coming soon for the Little Phatty with OS v3.0, this free download makes experimenting with alternate scales a breeze. Tuning data is easily editable and is displayed as a ratio, frequency and in cents. Scala files (www.huygens-fokker.org/scala) can be imported and exported for use with other tuning software. An unlimited number of tunings can be saved on your computer and the synthesizer’s hardware can store up to thirty-two different tunings; enough to take you around the world and back again.

'The alternate scale capabilities of the Slim Phatty and Little Phatty make Moog’s analog synths right at home in everything from Indian ragas and Arabic maqaams to Balinese gamelan scales.” said Mike Adams, President of Moog Music. “The world may be a little smaller, but the sound just got a lot bigger.'

If your musical explorations actually take you around the world, the Little Phatty and Slim Phatty’s convenient size and universal power supplies make them ideal travel partners.

Check out the demo video: [posted here]

Visit moogmusic.com/slimphatty for more information.

About Moog Music: Moog Music and its customers carry on the legacy of Bob Moog, the inventor of the synthesizer. Moog designs and manufactures electronic musical instruments, including Little Phatty® and Minimoog® Voyager® synthesizers, Moogerfooger® effects modules, Etherwave® theremins, Taurus Bass Pedals and The Moog Guitar. Founded by Bob Moog, Moog Music designs and manufactures its products in Asheville, N.C."

NAMM: Akai SynthStation49 with iPad Dock

"Create the tracks of tomorrow, today.

SynthStation49 is the most advanced, intuitive music controller designed specifically for use with the iPad and the first true iPad performance tool for musicians. Working seamlessly with Akai Professional’s heralded SynthStation software, SynthStation49 provides unparalleled music creation capabilities, including direct in-app MIDI recording from its velocity-sensitive keyboard, nine MPC-style drum pads and array of transport controls. In addition to its integration with the SynthStation app, SynthStation49 is also completely iOS CoreMIDI compatible, making it instantly compatible with dozens of music apps already in the App Store and hundreds more on the way.

Dock, power and position the iPad perfectly using the adjustable-angled cradle, or establish commanding control over your favorite computer software using SynthStation49‘s USB/MIDI port. Professional ¼” outputs and extreme portability ensure you’ll be able to take your sequences straight to the stage at a moments notice.

SynthStation49 is the only full-featured, professional keyboard controller allowing direct MIDI performance recording onto an iPad. Bridging Akai Professional’s popular MPK controllers with the previously released SynthStation25, SynthStation49 provides immense software control with forty-nine, full-size velocity-sensitive keys, nine backlit MPC-style drum pads and full transport buttons. An adjustable-angled dock for iPad allows the user to easily slide their tablet into the SynthStation49’s cradle and position the screen to their preference.

SynthStation49’s keyboard, pitch/modulation wheels and sustain pedal input provide great feel and the essential controls for musicians and producers to compose, record and perform. The nine drum pads of SynthStation49 give users immediate, intuitive beat-creation capabilities over the 50 classic and modern kits available within the SynthStation software. Program, Sequence, Song select and Transport buttons also provide quick navigation to the SynthStation App’s most used components for a seamless, efficient workflow.

SynthStation49 also contains a stereo pair of professional ¼” TRS outputs with volume knob for easy connecting to other pro audio equipment on stage or in the studio. A headphone output also lets users practice and compose in private. The SynthStation49’s USB port can be connected directly to a Mac or PC computer to receive power in addition to transmitting MIDI to and from music software – a great way to turn the SynthStation App or other CoreMIDI compatible App into a sound module. You can even use SynthStation49 as a traditional USB MIDI controller with your computer - no iPad required!

AkaiConnect SDK allows third-party developers to take advantage of all the professional controls and capabilities of Akai Pro’s SynthStation49 keyboard controller and incorporate support for those controls within their iPad applications. Software developers interested in creating programs compatible with SynthStation49 can submit an application now at SynthStationApp.com.

Pending certification from Apple.
iPhone and iPod touch are trademarks of Apple Inc., registered in the U.S. and other countries."

Additional details here: http://www.akaipro.com/synthstation49

Update:

NAMM 2011: Synthgeek.tv - Akai SynthStation 49

YouTube via productionroom | January 15, 2011 |

"SynthStation49 is the most advanced, intuitive music controller designed specifically for use with the iPad and the first true iPad performance tool for musicians. Working seamlessly with Akai Professional's heralded SynthStation software, SynthStation49 provides unparalleled music creation capabilities, including direct in-app MIDI recording from its velocity-sensitive keyboard, nine MPC-style drum pads and array of transport controls."

Update:

Akai SynthStation 49

Jupiter 8


YouTube via glendamster | January 12, 2011 |

"Just got the jup8, took a quick crap iPhone video of my little synth studio before I strip it down and make it more useable. Just messing with synth, will make better video when I "can afford" a video camera.."

ether^ra STUNUSUAGE


YouTube via potterpaint2000 | January 12, 2011 |

"an improv featuring my Buchla 200e.. http://etherra.blogspot.com/"

This Second Sleep - Staged as Cochlear Clairvoyancy

arthurpainter | January 12, 2011 |

"http://thissecondsleep.blogspot.com/
Here's an attractive little number that employs a punishing Buchla 200e loop and live improv. Enjoy!"

This Second Sleep - Privileged Said

arthurpainter | January 12, 2011 |

"http://thissecondsleep.blogspot.com/
A Buchla 200e blurred into abstraction."

stock samples


YouTube via drmoonstien | January 12, 2011
drmoonstien on eBay

KORG X5D 61 Note Synthesizer

via this auction

CASIO CZ-101 with RAM Cartridge

via this auction

# CASIO CZ-101
# CASIO RA-3 RAM MEMORY CARTRIDGE


Chimera BC8 Synthesizer

via this auction
"The bC8 is probably the smallest production synthesizer in the world and certainly the cutest.

Packed into the bC8's tiny round body is a hand-assembled gold plated circuit board, eight high-quality potentiometers, a stereo jack socket, push-button, no less than four LED's, battery holder (3xAAA cells) with a robust stainless steel base.

Sophisticated digitally based oscillators are housed on the DSP as well as an innovative recording system and internal control voltage patching. Choose between single-shot and repetive envelope generator modes; use the seperate ATTACK and RELEASE knobs to create long and soulful drones; select the recording system to record and playback complex patterns of control knob movement, speed up or slow down the pattern playback to add > extra glide detail or confusion, override any of the controls during playback to adapt, complicate or simplifiy your composistion.

The bC8's VCO goes from the subsonic to the upper end of human hearing, introduce suble amounts of modulation from the LFO or envelope generator to create gentle vibratos or progressively wind in more than 700% modulation for almost impossible-to-predict and perhaps never-heard-before sounds. VCO is capable of 'thru-zero' modulation (frequencies run backwards).

To sum up: Eight LFO and four VCO morphing waveshapes, 128 different patchings, deep modulation options, wide ranging ATTACK/DECAY envelope generator and recording sequencer in a hand-built-by-one-man-in-a-tiny-factory-in-England - pocket sized - self powered - round package carefully machined from high-quality acrylic plastic (Perspex)."

technological terror - cmos-based noise synth by f.l.o.


YouTube via lacolumnadurruti | January 12, 2011 |

"part one of demo video for the technological terror: a modular noise synth by feisty little one (http://feistylittleone.wordpress.com/)"



via this auction
Sold For: US $300.00
redandblackcontact on eBay

"the technological terror is a cmos-based, squarewave noise synthesizer. there are ten, patchable modules (yeah, we really packed them in there) for your aural and tactile enjoyment. these include:

OSCILLATORS – 6 single oscillators of varying frequency ranges. highest frequencies at the top. the bottom two oscillators are sub-audio frequencies and can be used as lfo’s.

SYNC’D OSCILLATORS – one oscillator running through another into the same output

DUAL INPUT OSC – patch two oscillators into this module to create tremolo or ring modulator type sounds. there is also a knob that changes the waveshape a little bit.

SHIFT REGISTER – patch two oscillators into this 4-stage shift register for even weirder ring mod-ish sounds. or send sub-audio oscillators into it to get different rhythms with which you can control the arpeggiator or dual input osc. top input is for data, bottom for clock. the reset switch turns the sound off/on. all four stages are summed together into one ouput.

FILTER – this is a resonant, low-pass filter based on the one in ray wilson’s weird sound generator. the left knob is the cut-off frequency, right knob is resonance

ARPEGGIATOR – this is a simple arpeggiator. the three inputs determine which tones are heard and when. doesn’t sound like the kind you are used to, but we think it’s still neat.

MIXER – a passive four channel mixer with separate volume controls. you have to plug things into here if you want to hear anything.

EXTERNAL INPUTS – these allow you to plug other instruments into the technological terror. the left input is for things like guitar, microphones, most synthesizers and keyboards. going straight from this input to the mixer gives your instrument a nice, gated fuzz effect. the right input is for other squarewave instruments like your atari punk consoles and optical theremins and whatnot.

OUTPUT- from here you can plug into your amp or other, external effects. (might we suggest phaser and delay pedals?) there is also a master volume control.

the modules are patched together via banana jacks. we will provide you with six cheap (homemade) patch cables to get you started. but we suggest that you look into getting some good cables with stackable banana plugs. these will allow you to use each output or input for multiple purposes at the same time.

red banana jacks are the inputs

black banana jacks are the outputs.

the technological terror is powered by a 9volt, negative tip dc adapter…like most boss pedals. this is not included, sorry. there is no battery option."

Sequential Circuits Multi-Trak MultiTrak Wood Panels


via these auctions
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