MATRIXSYNTH

Alesis A6 Andromeda Synthesizer

via this auction

"Serial number 106, one of the very first produced. QC sticker hand initialed "MP", for Mike Peake, one of the designers of the synth. Included is the original preliminary pre-release manual and the original shipping box."

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Arcade MIDI Controller for iPhone & iPad

"This App is MIDI Controlle for use with iPhone, connects PC over Wifi.
This needs to DSMIDIWifi Server.

> What is DSMI
http://dsmidiwifi.tobw.net/"

Arcade MIDI Controller - hommebrew
iPads on eBay
iPod Touch on eBay

ether^ra RUMORE

YouTube Uploaded by potterpaint2000 on Mar 21, 2011

"a Serge Creature/Seq A vs. Doepfer Dark Energy improv w/a speaking part. http://etherra.blogspt.com/"

BuchlaPoemTransformPart2

BuchlaPoemTransformPart2 from deb76 on Vimeo.

Part 1 here "A short clip on the subsequent construction of the patch to treat / process in real time from Gilbert Desmée poem, a poem will be published next April. This time, while maintaining the same guideline, I used the 259e and 261e oscillators for frequencies, the Control and Signal Router for routing de CV, the 281e for envelopes, Quad Dynamics Manager for the 292e management dynamics, the 285e in its two functions combined Balanced Modulator and Frequency Shifter (which can at times get two votes together) and of course the 222e, the tactile surface for the frequency modulations, envelopes, dynamics and panoramic.
Une courte séquence sur la suite du construction du patch pour traiter/transformer en temps réel le poème de Gilbert Desmée, poème qui va être publié en avril prochain. Cette fois-ci, tout en conservant la même ligne directrice, j'ai utilisé les oscillateurs 259e et 261e pour les fréquences, le Control and Signal Router pour des routages de CV, le 281e pour les enveloppes, le Quad Dynamics Manager 292e pour la gestion des dynamiques, le 285e dans ses deux fonctions combinées Balanced Modulator et Frequency Shifter (ce qui permet d'obtenir à des moments deux voix ensemble) et bien entendu le 222e, la surface tactile pour les modulations des fréquences, enveloppes, dynamiques et panoramiques .

deb76blog.wordpress.com/
soundcloud.com/deb76
d758076.eu/index.html"

DP7convertaudiomidi

DP7convertaudiomidi from deb76 on Vimeo.

"One possibility proposed by Digital Performer is the conversion of an audio file, mono or stereo, but also in midi track, thereby to score.
A handy tool, even if not perfect, can be very useful for performing countermelodies with instruments or synthesizers on an audio track. Here, for example, from a melodic line made with a Buchla 200e, convert audio-midi is played by Arturia Origin.
Une des possibilités proposées par Digital Performer est la conversion d'un fichier audio, mono ou stéréo, en piste midi mais aussi, de ce fait en partition.
Un outil pratique qui, même si ce n'est pas parfait, peut se révéler très utile pour effectuer des contrechants avec des instruments ou des synthétiseurs sur une piste audio. Ici, pour l'exemple, à partir d'une ligne mélodique faite avec un Buchla 200e, la conversion audio-midi est jouée par l'Origin d'Arturia."

misa kitara digital guitar palm muting

YouTube Uploaded by misadigital on Mar 21, 2011

"http://www.misadigital.com - for preorder and more info

my personal opinion is that a true digital guitar is not just about "triggering notes" - it's about controlling sound. it's about making the instrument feel like it was designed FOR synthesis, instead of the other way around. playing guitar involves complex interactions, and synthesizers have complex parameters. the misa kitara meshes these two concepts together not with overly complex algorithms, but with an (IMHO) elegant solution that works with the core concepts in synthesis.

all sound in the video is generated by the kitara only."

"Wish You Were Here" cover on the Eigenharp Alpha

YouTube Uploaded by gbevin on Mar 21, 2011

"A few weeks ago Greg from Orange Tree Samples was so kind to send me a pre-release of his upcoming Evolution Acoustic Guitar - Steel Strings (EAG) product (http://www.orangetreesamples.com/evolution-acoustic-guitar-steel-strings).

I set it up so that the first six percussion keys of the Alpha correspond to the strings of an actual guitar for which I play the chords on the upper split of the keyboard with the EAG strum instrument. The lower split of the main keyboard also uses EAG but with the lead instrument to play the melody line. I also use a foot pedal to sustain notes and chords when needed.

I'm really amazed by how natural the combination of the Eigenharp Alpha together with Evolution Acoustic Guitar feels. You can strum, pick, release chords to play muted strums, do hammer-ons and pull-offs, ... etc.

I'll be looking at an even tighter integration to correctly play up and down stroke samples based on the direction by which you're strumming over the percussion keys ... stay tuned."