MATRIXSYNTH

Thursday, March 24, 2011

Claudia Triozzi - Ni vu ni connu

Video Excerpt - Live @F.I.S.Co. 11 - 12/4/2011

With the new caleidoscopic project, "Ni vu ni connu", Claudia Triozzi continues her research on the voice, that she considers in its physical and choreographic dimension. In this solo she's never alone on stage, as well in her internal world. An acoustic sculpture by the Baschet brothers conceived in the 60’s, a glass harp, an organ, a computer give the music a performative a vision. The voice declines in a succession of unwise monologues, of incomprehensible psalmodies, pretext for a labial choreography.

Claudia Triozzi dancer choreographer, performer, visual artist. She creates iconoclastic pieces from which dance never comes out unscathed. Claudia Triozzi always sets herself the task of putting preconceived ideas one might have regarding choreographic pieces into question."

"From the 8th to the 15th of april, Xing presents in Bologna the 11th edition of F.I.S.Co. Festival Internazionale sullo Spettacolo Contemporaneo, entitled "Segue" (Follow).

Held in various locations, F.I.S.Co.11 hosts spectacles as well as polymorphic experiences of transdisciplinary nature: not stabilized spaces where dance, performance, vision and critical observation flow together.

'I follow, I follow me'

Follow: accounts for the first time a system of returns to Bologna of some of the artists we most admire, offering in-depths to their works that also disclose personal aspects. There isn’t a particular interest in autobiography but in the weaving between individual, professional and human choices; between creations and circumstances; roles and functions; between the grounded knowledge and its reformulations.
The frame of the festival shifts the expectations of the encounter with the artists. One day on stage; another day driving a passenger vehicle; and yet another among the running crew, assuring a redistribution of the roles and degrees of relation between spectator and performer.
As Bruno Latour suggests, an actor is no more than ‘what it transforms, modifies, perturbs and creates’. An actor is what an actor does.
The explorations and personal solutions of these artists are showed in their development (together they constitute the transformation, testimony, and object of a narrated spectacle): from the performance that questions the architecture of the book; to a micro-facial choreography; to the domestic filmic remake; to the re-Butoh working session with Google to incorporate a foreign tradition; to the work about summoning the invisible; to the performance of embodied music, up to an unclassifiable psalming cabaret.
No aesthetic thread. Pluriverse.

F.I.S.Co. will take place in an elegant and dated theatre all’Italiana, the Theatre Duse, overturning it once, to return to its classical axis on a second moment; in two laboratory spaces of the city, Sì and DOM, managed by close independent companies; and in the compartment of the private taxis of Critical Cab: place/time of a critical reflection on the route that could lead to the places of the spectacle. Brainstorming Camera di Decompressione per gli Spettatori will accompany the festival on line in a space suspended between creation and fruition, strongly dependent on public participation.

F.I.S.Co.11: Zachary Oberzan (USA), Antonia Baehr (D), Xavier Le Roy (F/D), Mette Edvardsen (N/B), Claudia Triozzi (F/I), Jonathan Burrows/Matteo Fargion (UK), Cristina Rizzo (I), Michele Di Stefano (I), Massimo Conti (I), Mårten Spångberg (Sw), Luca Trevisani (I), Lucio Apolito (I), Riccardo Benassi (I)/D.

F.I.S.Co. is conceived and created by Xing, a cultural network based in Bologna with the purpose of planning, supporting and promoting products and events characterized by an interdisciplinary approach toward the issues of contemporary culture.

Partners: Ministero per i Beni e le Attività Culturali, Regione Emilia Romagna, Comune di Bologna, Reale Ambasciata di Norvegia, Fondazione del Monte di Bologna e Ravenna. Media partners: Alias, Il Manifesto, Edizioni Zero, Mousse, Kaleidoscope, Nero, Art'o, UnDo.Net, Città del Capo - radio metropolitana, Radio Città Fujiko.

Venues: Sì, DOM la cupola del pilastro, Teatro Duse.

Xing info and reservations: Via Ca' Selvatica 4/d Bologna tel +39.051.331099 info@xing.it
Xing press: tel +39.051.331099 mob +39.339.1503608 pressoff@xing.it

www.xing-fisco.it
www.xing.it"

Wednesday, March 23, 2011

ELI ELI LEMA SABACHTHANI? Electronic Music Studios (EMS) Synthi A, AKS, 100

YouTube Uploaded by minimoogeryanlo on Feb 27, 2009

"Electronic Music Studios (EMS),Synthi A, AKS, 100 appears on the film ELI ELI LEMA SABACHTHANI?"

ELI ELI LEMA SABACHTHANI? 01

ELI ELI LEMA SABACHTHANI ? 02

dubstep bass with triggered kick [1]

YouTube Uploaded by 87bpm on Jan 12, 2011

See this post for what a Coron DS-8 looks like.

"Oli Rubow demonstrates how to realize the typical dubstep bass (wobble bass) on a triggered acoustic kick drum.
An analogue drum synth (Coron DS-8) is hooked on the kick drum, goes through the Vermona Filter DAF-1 (low-pass filter modulated with lfo), finally through a Boss DD-20 delay.

To make the groove vivid he also adds delays and reverb-shots to the snare/hihat mic signal (with Boss VE-20, Re-20) and is turning those knobs:
@Vermona: Cutoff, LFO Speed, LFO Intensity, E.V. Intensity
@Coron: Sweep, Mode and Intensity-switch

PS. Other electronics in this video: snare mic is gained (and reverved) with a Boss VE-20 preamp, and delayed by a Boss RE-20 echo machine.
http://e-beats.net"

the comet Galaxy Samsung

YouTube Uploaded by djgalactic on Mar 23, 2011

Evil Red Satanophonic Hellsynth & Greenotronic Cacophonetic Heterodyne Space Explorer

YouTube Uploaded by 66outsider99 on Mar 23, 2011

"SWC Spaceyards' 4th DIY 'synth' creation (enclosure still under construction). This is a 40106 IC based project, with a 741 based resonant LPF circuit. Control details: LFO knob X 1, Voltage Sag knob X 1, Panic Button X 1, OSC pitch knob X 5, OSC hi/lo capacitor switch X 5 (osc range), OSC PWM knob X 5, OSC 1n914 diode/33k resistor mix out switch X 5, Filter Cutoff Coarse knob X 1, Filter Cutoff Fine knob X 1, Filter Resonance knob X 1, Master Volume knob X 1. Additional Tomfoolery: LED chaser circuit controlled by LFO pot.

The circuit is self-designed, with extensive reference/modification to circuits found on the Beavis Audio Research homepage, and the Cacophonator and the Weird Sound Generator projects."

GCHSE

Uploaded by 66outsider99 on Mar 9, 2011

"The Greenotronic Cacophonetic Heterodyne Space Explorer... This is my 3rd DIY 'synth-a-like' after 2 Atari Punks... I based this unit on a combination of schematics I found online, with the basic idea coming from Beavis Audio Research's Heterodyne Space Explorer. I added a dual LFO inspired by the Cacophonator, and a resonant filter as found on the Weird Sound Generator. I also added an extra set of SPDT switches (white capped deals near the top of the faceplate) which alter the octave of the oscillators (capacitor choice really). Not so visible are LEDs I wired inline with the outputs of each oscillator. The second generation of this beast is already under construction... mwuhahahahaaaaa"

Native Instruments - Absynth SoundScape (alla fine)

YouTube Uploaded by ANTsynth on Mar 23, 2011

"Absynth sound design Using the Aetherizer effect."

Native Instruments - Absynth Sound Design ( Station to Station)

Uploaded by ANTsynth on Mar 23, 2011

"Sound of a untuned radio surfing through stations. Osc 1 carries the untuned sound, Osc 2 carried the radio static and Osc 3 carries the music samples that are controlled by the sample start envelope. If anyone would like the patch you can email me and I will send it to you."