MATRIXSYNTH


Friday, April 08, 2011

Kawai K3m Rackmount Digital/Analog Hybrid with RC-2 Memory Cartridge


via this auction

The auction states the K3R is a wavetable synth, but it actually isn't. The oscillators have digital waveforms you can select from but they are not wavetables. It does have SSM 2044 analog filters (see this post). It is a nice sounding synth.

"It has 32 waveforms, some of which are samples of acoustic instruments like piano and percussion as well as some unique waveforms. By combining two of these waveforms you can create unique new sounds or add a twist to a traditional sound. Since there are only 32 of these waveforms, the K3 also features a programmable digital waveform where you can tweak the harmonic content of a waveform allowing for added flexibility and range of sounds."

Fender Rhodes Chroma Expander


via this auction

via the description:
"I bought this Chroma Expander in either 1986 or 1987 directly from Fender to use as a backup and programming synth when I was working with Josef Zawinul in all technical capacities. As you can see from the pictures, I added forced air cooling (a fan) to the rear panel and cut an air intake hole on the bottom of the synth adjacent to the power transformer location. I did this mod to all of Joe's Expander's and he had already had it done to his Chroma's. European Jazz Festivals in the summer were not forgiving to his analog synth gear. The fan will run at the same speed regardless of the Mains Voltage selected. Even though we never took this unit on the road with us, it had to be ready to travel just in case.

I have completely rebuilt the power supply. C3 is now 50,000ufd 16VDC rated allowing me to remove the OverVoltage Crowbar circuit and all Series Pass elements have been replaced as well as the rectifiers and electrolytic capacitors. The capacitors have been replaced with 105 degree Panasonic FC or Nichicon types with higher microfarad values. The Dual Channel Voice Card Motherboard has been upgraded as well. The batteries have been replaced with rechargable Li-ion types and the battery holder was replaced as well.

The Midi Converter is from my friend Ken Ypparila at Syntech and is installed internally. I will include a copy of the manual I made back in the day. The midi jacks are not labeled, however, I used patch-bay wiring convention of Send upper and Receive lower...

Shipping will be expensive. Roughly 60 lb.'s and because of double boxing the packaging will be 50 inches X 20 inches X 15 inches. "

Audio To Synth converter on Breadboard


YouTube Uploaded by hesed23 on Apr 8, 2011

"New test.....

Convert audio in this case guitar in to a synth sound with variable PW, triangle LFO speed and depth.
It sound also amazing with voice thru mic or piezo... :)"

Raymond Scott techno w/Cyclebox + Sound of Shadows


YouTube Uploaded by s0LVentCIty on Apr 8, 2011

"Hi my name is Solvent and this is my 3rd Eurorack modular system video. Today I've made some Raymond Scott techno, with the help of my newly arrived Cylonix Cyclebox and Flight of Harmony Sound of Shadows. I haven't really got a clue how to use the Cylonix yet, but I thought this sounded good, so I pressed record. Drums and everything else are being triggered/sequenced from the MFB Urzwerg."

ether^ra CELLFRAC


YouTube Uploaded by potterpaint2000 on Apr 8, 2011

"a Serge Creature/Seq A improv w/delay. http://etherra.blogspot.com/"

Tutorial: track event editing in BeatStudio


YouTube Uploaded by FrontierDesignGroup on Apr 8, 2011

"http://fdgm.us/BeatStudioBuy - BeatStudio now available at a special introductory price!

Laying down a couple simple tracks and then using the editor to add more instruments and flesh out the song."

Frontier Design Group
iPads on eBay
iPod Touch on eBay

Triassic-Alnitak


YouTube Uploaded by Kobolnova on Apr 8, 2011

"The Triassic is a geologic period that extended from about 250 to 200 Mya (million years ago). As the first period of the Mesozoic Era, the Triassic follows the Permian and is followed by the Jurassic. Both the start and end of the Triassic are marked by major extinction events.
So sorry i upload this again,i made a mistake:it should be named Triassic and not Jurassic, and also the Pinnacle studio 14 made some clicking and distorted sound in previous video when i tried to merging the both versions,this is the NEW video,with the right title and with no merge and with not one audio problem:AND both full versions(1and 2)are in full 1080p quality for the first time!
The lead voice of both full versions is the sound of the incredible Creamware Minimax(the only tru and very good MOOG Minimoog model D emulation)the padsound comes from the Roland XP-50 and the bass and noise from the analoge Roland JX-8P
The music comes from my heart,from my soul;i do not need sheet music,music is the language of emotion and from the heart!
The Triassic-Alnitak music-video is composed,performed and live performed here by Alnitak(Bert Anjewierden)c2010/2011
To you J.L and azzarbprime:i want to thank you for your support in me and i want to thank for your trust in me,your are one of my best friends! :)"

A musical analysis of Oxygene 2 - JMJ - Part 2/3 : "light cover" by Thierry Lebon


Uploaded by tlnet37 on Apr 8, 2011
Part 1 posted here
"- download the mp3 file here : http://goo.gl/gaxar -

How to make a soft version of Oxygene 2 with minimal equipment : only 2 synths !
All is hand and by ear played .This is a very "light" cover ! I recorded 10 audio tracks with Presonus Studio One, but without automation and I have to add 2 tracks for noises with the Roland SH-101.
I only use Rythmus (by ElektroStudio), Alesis Fusion 8 HD, Roland SH-101, Electro-Harmonix Small Stone (Phaser) and Memory Boy (Tape Delay).
I'm beginner, and not a musician, so ... sorry for bad hand playing and tempo not respected sometimes !

Cheers from Thierry ! next step : Equinoxe & Rendez-vous ..."

New Synthwerks Modules - FSR-2P, SP-1P & FSR-1T

via Synthwerks
"The Synthwerks FSR-2P

Dual Passive Force Sensing Resistor Module

The FSR-2P has two 1.5" square FSR force sensors that are wired directly to two sets of 1/8" jacks. There are no active electronics in the module. The module can pass both audio (AC) and control voltage (DC) signals with output levels proportional to the force applied to the associated pads. With no force applied the FSR appears to the circuit as an 1 Meg resistor (approximately). The Jacks and FSRs are mounted to a 14 HP reversible panel. The panel graphics are so that the panel can be rotated so the user can choose left-handed or Right handed operation.

The FSR-2P is 14HP in width and has a MSRP of $75.(US)"


"The Synthwerks SP-1P Single Passive Slidepot Module

The SP-1P has a single 60mm throw high quality slide pot with its taps wired to a set of 1/8" jacks. There are no active electronics in the module. The module can pass both AC and DC signals with output levels proportional to the position of the slider. The Jacks and slide pot are mounted to a 8 HP reversable panel. The panel graphics are so that the panel can be rotated to choose if the jacks are above (desktop) or below (cabinet) the slide pot.

The SP-1P is 8HP in width and has a MSRP of $75.(US)"

"The Synthwerks FSR-1T Force Sensing Resistor Module with Toggle Switch/Gate

The FSR-1T is a single channel FSR module, based on the FSR-1N, but has a large square Force Sensing Resistor sensor that translates the pressure the performer applies to its sensing pads into a user adjustable scaleable control voltage, and an adjustable threshold dependent gate signal. The FSR-1T also adds a section with an electronic bi-directional switch that toggles one input/output between two other inputs/outputs (A & B) or visa versa. This toggle action is driven from the standard gate out from the FSR’s gate out. An internal jumper can choose whether the switch operates in toggle (on-off-on) or momentary modes. The electronic switch is bi-directional and able to pass DC and AC voltages. The IN/OUT jack is normalize to a +V and its output at A & B in toggle mode, will act as a toggling gate at one half the frequency of the standard Gate out. LEDs indicate the active state of all gate outputs.

The FSR-1T is 10HP in width and has a MSRP of $195 (US)"

You can find discussion on Muff's here and here.

TheHarvestman: Double Andore

flickr By Analogue Haven

"Finally, a photo of a finished module, here is the Double Andore. This also means that it will be available soon. A run of Piston Hondas are just now finishing up with their factory assembly meaning those same production machines can start building the Double Andore. We expect stock sometime in May.

The Double Andore is a dual A-D envelope generator and 2-channel VCA with digital curve shaping and VCA law selection. More details via our website"

"dual a-d envelope generator and 2-channel vca with digital curve shaping and vca law selection. double andore is to function as your synthesizer's keystone and its meridian.

double andore features a symmetrical control layout with two identical sides. the top section of each half is an a-d envelope generator. a trigger input is provided, along with "freeze" and "mirror" gate inputs. the former holds the envelope at its current position, and the latter inverts the position of the envelope within its voltage range. the envelope signal passes through a digital curve shaper whose selected curve is numerically displayed. normally, each half of the module has its shape selection apply to both the attack and delay phases of its envelope, but you can enable an alternate mode where the left and right shape select controls instead select different curves for attack and decay. two banks of envelopes are available.

the envelopes can behave in three ways. ad mode runs through its phase upon receipt of a trigger or gate. ahd mode holds the envelope at its maximum value if there is still a gate present at the end of the attack phase. lfo mode freely cycles back and forth between attack and decay phases with no trigger necessary. all three modes will retrigger to the beginning of the attack phase if another trigger event is applied. each envelope features one cv input which can be assigned to any of the following parameters: attack time, decay time, and curve shape. negative voltages are valid input and will correctly add or subtract from the manual voltage of the assigned parameter(s). each envelope has three outputs with led indicators: the 0-8v envelope voltage, and trigger signals that fire at the end of both attack and decay phases.

the lower part of each half is a dc-coupled vca. the envelope output is normalled to the vca control input, and can be overridden by patching into the ctl jack. the gain law of each vca is switchable between linear and exponential. the exponential mode can distort if excess audio or control input is given, and its sensitivity can be adjusted by an internal trimmer. by holding down the law selection button for two seconds, you can enable cross-modulation from the opposite vca channel.

the center section of the module features mixers for both envelopes and vcas. the envelope mixer is a maximum circuit that outputs only the highest voltage from the two envelopes, with a balance control to adjust the strength of each input. the vca mixer simply mixes the output of both amplifiers with no additional controls necessary.

miscellaneous information:
envelope voltage range: 0-8v
10v trigger outputs
envelope time ranges from 30 seconds per cycle to 3khz
2 banks of 16 envelope shapes each
envelope curves writable with "wave256" software (interpolated to a greater resolution within the module)
+/-12v doepfer-style power connector
panel size: 21hp
current draw: 225ma

for more info, please click here to visit the website of the harvestman."
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