VORTEX DOME Practice - KORG EMX - 1 Moonchild - 2 The Future is Coming Soon

YouTube Uploaded by VJFranzK on Sep 14, 2011

"'No Mystery or Surprise, The Future is Coming Soon...' - Vj FK"

Klirrfaktor: MakeNoise René + Pressure Points driving modular Noise

YouTube Uploaded by TheKlirrfaktor on Sep 14, 2011

"It's abaout what my modular system is doing with me :D

MakeNoise René triggering MFB Schlagzwerg.
Kick (Outupt) processed thru WMD Geiger Counter (Wavetable controlled by PressurePoints)
Snare (Output) processed thru 4ms Nois Swash & Metasonix R-52

More Noise Sounds by MakeNoise Wiard WoggleBug, Pittsburgh Generator, Bubblesound uLFO & Livewire Dalek Modulator.

More @ http://www.klirrfaktor.com

Twitter: @TheKlirrfaktor or @p0litix (more political stuff [german])

cya

Klirrfaktor"

Waldorf Q Rack Virtual Analog Synthesizer

via this auction

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1971 MELLOTRON M400S SN 348

via this auction where you'll find tons of pics including more of the inside.

"For your consideration is this vintage original 1971 Mellotron M400S keyboard by Mellotronics Limited. Favored by many musical giants from the 1960s to the present, the Mellotron is the signature sound of countless hit songs. The M400 model, the iconic white Mellotron, is still quite rare. Though they were manufactured from 1970-78, there were only about 1800 made, and significantly less are still working, or even in existence. This particular example, serial number 348, is an extremely early Mellotronics-manufactured example in complete condition with he original expression/volume pedal and the original Bulgin power cable! Take advantage of this very reasonable Buy it Now/Best Offer listing, and become the proud owner of a magnificent piece of history!

This example has an SMS-3 circuit board, while Mellotrons from this era are usually equipped with a CMC-10 board. It is possible that this 'Tron was serviced sometime in the mid-70s and that the circuit board was replaced, as the CMC-10 boards are very unreliable and were known to slow the motor down causing a change in pitch.

Cosmetically, this 'Tron has lots of authentic vibe. While it's not in perfect shape, it is in excellent condition with the usual weather-checking, faded paint and finish scuffs. The overall appearance is quite handsome with no significant condition flaws, no modifications, and no repairs. All of the components display matching serial numbers (348) AND matching cabinet numbers, (131). When they were being manufactured, Mellotron M400s keyboards carried a retail price in the area of $5,200... ...in 1973, which is approximately $25,000 in 2010. Yikes. With seemingly timeless musical applications, this unique sounding keyboard with beautiful eccentricities and idiosyncratic behaviors, has yet to be accurately reproduced with even most advanced sampling technologies.

This particular example was removed form storage, and has not been used within the last 30 years. The unit is missing one fuse cap, and has consequently not been turned on. It is being sold in as-is (assumed) non-working condition as a unit that needs to be completely serviced. It does not include a tape rack."

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Yamaha CS-01

via this auction
via the seller:
"vintage analog Yamaha CS-01 synthesizer. I recently had it refurbished, so it is in perfect working condition. The technician who worked on it added one unique touch: when I purchased this synth, it had no power adapter input, and consequently he added an RCA power input as pictured above. I will include the power adapter with the keyboard.

One note: it is best not to leave the batteries in this CS-01 if you will be using the power adapter. The batteries can get really hot as a result. "

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Oberheim OBXA

via this auction

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Korg DL-50 Delta Synthesizer WITH CASE

via this auction

SN 287801

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Billy Cardine: Looking Forward, Looking Back & The Moog Lap Steel

Playlist:
Billy Cardine: Looking Forward, Looking Back
Improvisation for Moog Lap Steel, Synthesizers & Effects
Billy Cardine on the Moog Lap Steel & the MakeNoise René (previously posted)
The Moog Lap Steel (previously posted)
The Moog Lap Steel [2nd vid]

"Moog Lap Steel powers groundbreaking EP exploring uncharted expanses of Ameritronica

ASHEVILLE, N.C. (September, 2011) Mix cutting-edge electronic vibration control technology with an instrument born on a train track, put it in the hands of musical omnivore Billy Cardine and the result is music with one foot in the past, one foot in the future and both ears wide open. Refining a lifetime of musical influences and liberating them with a combination of string and studio wizardry, his new EP Looking Forward, Looking Back shines a light on a musical future true to its roots yet constantly growing and evolving.

To know where you’re going though, you have to know where you’ve been…

The story goes that the lap steel guitar was invented in the 1880s by seven-year-old Joseph Kekuku as he walked along a Hawaiian railroad and experimented with playing his guitar using a metal bolt he found. By the 1930s, Hawaiian music had become one of the first waves of American interest in exotic “world music” and the lap steel became the first stringed instrument to be electrified, predating Les Paul’s first electric guitar. Also in the ‘30s, the Sacred Steel tradition was born in African-American House of God churches, fueled by the low cost and highly expressive nature of this new instrument. From there it spread to many far-flung homes, including Indian classical music and American country and bluegrass, the genres in which it and its musical progeny, the dobro and pedal steel guitar are most closely associated.

Fast-forward to the present… While a spin across the radio dial today results in very little country music featuring the lap steel, the instrument has been embraced by a number of innovative players pushing musical boundaries, including U2 producer Daniel Lanois and Wilco guitarist Nels Cline.

The lap steel guitar itself is now even more suited to “boundary pushing” with the introduction of The Moog Lap Steel, an instrument that brings state-of-the-art control technology to the instrument born on a 19th century Hawaiian train track. It incorporates the same electronics that earned The Moog Guitar numerous industry accolades including Guitar Player Magazine's Reader's Choice Award, Electronic Musician Magazine's Editor's Choice Award, NAMM "Best In Show" honors, a “Best of What’s New Award” from Popular Science magazine and a Mix Foundation TEC Award.

Billy Cardine is an Americana/Bluegrass phenomenon who has performed everywhere from Carnegie Hall and the Kennedy Center to the Ryman Auditorium and Bonnaroo. He is a member of the renowned Americana band Acoustic Syndicate and leader of the new music ensemble The Billy Sea. He also studied in India and will perform at the 2011 Bangaluru International Arts Festival with chitravina master Ravikiran. Billy was instrumental in the development of the Moog Lap Steel and played an early prototype for its debut at Moogfest 2010.

“In one of those moments of wonderful synchronicity, I met Billy about the same time I finished the first Moog lap steel prototype which I had dubbed “The Monster” said Moog Music’s Chief Engineer, Cyril Lance. “Billy and I got together and the first music he made on this crude instrument was stunning. It was immediately clear that not only was Billy perfect for this instrument, but the instrument was perfect for Billy. This began an extremely rewarding collaboration that resulted in the current Moog Lap Steel.”

Combining the unique expressive qualities of the lap steel with the innovations of the Moog Guitar results in an instrument with unlimited sonic potential. Like the Moog Guitar, it is in not a guitar synthesizer, but features an onboard Moog filter (with control voltage input) that places it firmly in the Moog family tree and allows for some amazing creative connectivity with devices ranging from theremins to massive modular synthesizers.

"For me the Moog Lap Steel represents the invention I've worked on for so many years finally taking flight on its own.” said Moog Guitar inventor Paul Vo. “Cyril Lance had the inspiration that really drove this project home. He expertly placed the same vibration control technology that I developed for the Moog Guitar into this beautifully crafted instrument, co-designed by luthier Wes Lambe. I mostly just watched. Now Billy Cardine, virtuoso of the lap steel and dobro, brings it all together and takes it to heights of musical expression that completely amaze me. I am a very grateful spectator!"

“Looking Forward, Looking Back”, the historic first EP of music for the Moog Lap Steel, is the creation of a composer and player at the height of his powers in control of an instrument that extends those powers like no other innovation since it was first electrified.

The EP kicks off with the opening track “Moolodious” whose soaring melodies and pulsating beats sweep the listener along so thoroughly that it is easy to miss the technology behind the magic. While the Moog Lap Steel plays long anthemic notes that seem to defy the laws of physics, its big brother The Moog Guitar cranks out rhythms that, although created using advanced modular synthesis techniques (routing beat-synced control voltage signals from ProTools to The Moog Guitar’s onboard analog filter), are still very much the product of strings, a pick and a guitarist’s callused fingertips… in this case, the fingertips of Moog’s Cyril Lance.

“Jet Li”, the second track moves from Americana to Asiana. Inspired by the fluid movements of martial artist Jet Li, it starts with the low rumble of Moog Taurus Bass Pedals and a unique melody created with a two-handed phrasing technique impossible on an instrument without the precise sustaining abilities of The Moog Lap Steel. This may be the first recording in history in which a lap steel gets mistaken for an erhu.

The title track “Looking Forward, Looking Back” takes the Moog Lap Steel and Moog Guitar in a new direction. As it unfolds, the Lap Steel’s timbre is more reminiscent of a dobro while the Moog Guitar takes on a surreal, funky banjo-like role. When the long, sustained-note melody comes in, being played on the same instrument with the same strings creates a pleasing timbral cohesiveness.

“Stacks”, the most electronic of the tracks, showcases the instrument at play with its other Moog siblings. Built on an analog filtered drum beat, the Moog Lap Steel intertwines with the sounds of the Moog Guitar and Slim Phatty synthesizer while a Little Phatty synth generates a beat-synced control voltage making the Lap Steel’s filter dance in time with the rhythm. Meanwhile other keyboards and vocal processors fill out a soundscape proving that analog and digital can get along quite nicely.

The closing track, “The Curious Boo” was written on the original Moog prototype and combines sacred steel feel with an Indian approach to slide guitar phrasing. A Moog MF-102 ring modulator adds a unique metallic edge to these fluid lines.

The Roman god Janus, for whom the month January was named, is depicted as having two heads, one looking into the past and the other into the future, making him the archetype of beginnings, transitions and gateways (and New Year’s parties). When listening to “Looking Forward, Looking Back”, it’s hard not to hear the music in a similar light… as a harbinger of new beginnings, transitions and gateways… as a new voice… as “Ameritronica”. It’s also hard not to hear it as just damn good music.

Looking Forward, Looking Back is available from Indidog Records through bandcamp at:

http://billycardine.bandcamp.com/album/looking-forward-looking-back



Visit billycardine.com for more information."

Via Chris Stack of experimentalsynth.com

Access Virus TI demo by syntezatory.prv.pl

YouTube Uploaded by Jexus on Sep 14, 2011

"Demo of 2005 Access Virus TI. All sounds programmed by WC Olo Garb. Video editing by WC Olo Garb."

Getting There | Virus TI demo.

YouTube Uploaded by Jexus on Jan 26, 2012

"Demo of Virus TI (part 2) by WC Olo Garb."

Vermona - Quad MIDI-CV Interface - Eurorack

YouTube Uploaded by xtront on Sep 14, 2011

"This is the prototype of the new VERMONA - Quad MIDI-CV Interface.

Another used modules: MacBeth: Dual VCO & Single VCO, TipTopAudio: Z-3000 Mk2, Doepfer: A-143-2 (Quad ADSR), A-140, Cwejman: VCA-4MX, Bubblesound: SEMvcf, Vermona: TAI-4

Sequenced by Future-Retro ORB

Every Q-CV Channel controls a VCO and one channel of the A-143-2.
Each VCO is routed with different waveforms into Cwejman's Quad VCA; Q-VCA is controlled by Q-ADSR. VCA's mainout is routed into the SEMvcf (controlled by a A-140). After that the"