Pittsburgh Modular Filter demo 1

Pittsburgh Modular Filter demo 1 from Brooks Rongstad on Vimeo.

"First overview of the features of the awesome Pittsburgh Modular Filter module. Patch done completely with Pittsburgh modules."

EUC on E.S.P. TV #15 (excerpt)

"Excerpt from EUC's performance on E.S.P. TV #15

Taped in front of a live studio audience at Present Company, Brooklyn NY. March 16, 2012.
Live video mixing and manipulation by Scott Kiernan, Ethan Miller, Victoria Keddie and Roberto Lange
Cameras by Josh Steinbauer, Matt Bonner, Rachelle Rahme
Live Sound by Daren Ho
Production Assistance by Lee Lichtsinn and Nichole Caruso

esptvnyc.com"

E.S.P. TV #15 from E.S.P. TV / LOUIS V E.S.P. on Vimeo.

switchboard synth operator

YouTube Uploaded by seventhmeridian on Mar 25, 2012

"telephone switchboard analog synth/sequencer operation by meridian7

camera by robert fantinatto
taken at the exchange ME7x"

via IDOW on Facebook

"IDOW featured artist and DIY synth builder Lori Napoleon just posted a video featuring her switchboard based synth/dual sequencer!"

http://m.matrixsynth.com/search?q=Lori+Napoleon

http://www.indiegogo.com/IDOW-round3

The Missing Link controlling a Moog Little Phatty with TB MIDI Stuff

The Missing Link controlling a Moog Little Phatty via an iPhone with the TB MIDI Stuff Tiny App

YouTube Uploaded by MissingLinkMIDI on Mar 27, 2012

http://www.wifimidi.com

"In this video we demonstrate how to connect an iPhone to the Missing Link and then how to control a Moog Little Phatty via a custom template designed in TB MIDI Stuff Tiny (http://www.thiburce.com/).

The two major advances we haven't seen before here are that we can now draw templates directly on our iOS devices themselves, rather than on a computer and transferring them. We also demonstrate the native support for The Missing Link that is integrated directly into TB MIDI Stuff - this makes developing templates much easier and avoids the necessity of creating custom OSC messages."

follow-up to this post.

Verbos Harmonic Oscillator Demos

Verbos Harmonic Oscillator demo 1 from todd barton on Vimeo.

"OK. . . this is just out of the box moments ago. This is a very rudimentary demonstration of just a few of the basic functions. Apologies for the poor recording quality of my flipcam mic -- you will occasionally hear some graininess, aliasing, and light distortion due, I think to the mics inability to handle the difference tones and rich harmonic content. The sounds I am hearing are very, very pure! The faders are as smooth as butter and the pots have a nice easy resistance. This demo is all just on a single fundamental pitch -- haven't even hooked this up to a sequencer. No effects or processing. At some point I'll post a high quality audio on soundcloud. Hope this is helpful."

Verbos Harmonic Oscillator demo 2 from todd barton on Vimeo.

"sweeping through the saw, triangle, square, pulse and harmonic outputs and finally engaging a little fm."

CLICK FOR MORE »

Circuit Bent Alesis HR-16 Groove-Modulator

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

Video and details at the auction and previously captured here.

Roland GR-500 Guitar Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.
via this auction

"Roland GR-500 - the first guitar synth produced by Roland. Used by Genesis (and Steve Hackett solo), Rush, Boston, and others, the GR-500 was a revolutionary product. Some called it "the ultimate musical instrument."

Includes the GR-500 guitar controller (sometimes called the GS-500), the GR-500 synthesizer module, the connecting cable, the Roland case for the guitar, copies of the owner's manual, service manual and ads/articles, and extra 24-pin connection sockets (2 male and 2 female plus the pins).

The GR-500 lets you play just the straight guitar sound (pretty good in its own right), or select one or more synth sections to play instead of or along with the guitar. The external synth section allows you to use the guitar to send CV/Gate signals to other analog synths, too. It's enormously flexible. Each audio section can be routed to one of 3 different output jacks; any of the synth sections can be enabled and controlled from the guitar (or play all 3 plus the guitar for a "wall-of-sound" effect). Each synth section has basic envelope controls; the bass section has separate sliders for percussion, hard, and soft sounds; the solo melody section has a nice resonant low pass filter; and, the poly ensemble section has a mixing section for low, middle, high, and fundamental. The poly ensemble output can be run through the solo melody filter for a nice sound. There's even an LFO and remote control over the LFO routing to the filter from the GR-500 controller.

The guitar, guitar electronics, synth electronics, cable, and manuals are all in great shape. The guitar and synth engine were professionally calibrated in 2008. When used recently, it worked but sounded a bit glitchy (I haven't had time to investigate having it calibrated/services, so it's being sold "as is"). The guitar case is in good condition, but the tolex shows signs of wear. This is a 110 volt unit. It will be shipped in 2 boxes to protect the synth and the guitar.

Size and weight info: when boxed-up, the size and weight will be approximately:
GR-500 synth: 30x15x10 inches, weight: 25 lb.
GS-500 guitar: 42x20x10 inches, weight: 25 lb."

CLICK FOR MORE »

KORG MP10Pro - New Low Price

"KORG Delivers MP-10 PRO Professional Media Player At New Low Price

-All-in-one MIDI instrument and dual-song player for the mobile entertainer -

MELVILLE, NY, March 2012 - The Korg MP-10 Pro Professional Media Player is an ideal musical companion for mobile entertainers, solo keyboardists and singers. This all-in-one product brings together a reliable and easy-to-navigate performance interface with hands-on control over the most essential forms of media required by performers. This technology is now being offered in the same professional package, at a new price that suits the needs for casual performers as well.

As a media player, the MP-10 Pro features two independent media song players; each is able to play both MP3 and MIDI files* directly from the massive 120 GB internal hard drive. The motorized 60-mm crossfader allows for DJ-style mixing. Songs can be saved into multiple playlists, and the database can be sorted using any criteria. Playlists can be easily imported or created "on the fly." Once found, the song can be immediately sent to either of the two players. An ASCII keyboard can also be used to quickly call up songs by name.
* .mid, .mid+G, .kar, .xf, .mp3 + lyrics, .mp3+G

As a MIDI instrument, the MP-10 Pro can play MIDI files from the song players. The internal sound engine uses the same EDS (Enhanced Definition Synthesis) found in the Korg M3 Music Workstation and can also be played from an external MIDI controller or instrument. The front panel offers four assignable performance pads for triggering sound effects and musical phrases. Numerous on-board effects are available for the internal players and MIDI engine. For the entertainer, singer or MC, the MP-10 Pro is equipped with a TC Helicon vocal processor offering compression, EQ and delay.

A pitch shifter, a time stretch function for changing the tempo, and an advanced vocal remover allow MP3 or MIDI files to be customized to suit the entertainer's style or different singers' abilities for karaoke performances.

The MP-10 Pro features Korg's huge color TouchView™ display for extreme ease of use. A comprehensive set of connections provides maximum versatility. In addition to the PC keyboard, MIDI and USB connections, there are two XLR microphone inputs and two USB host connections to accommodate external media. The composite video output allows users to provide karaoke lyric display, or to mimic the touch screen display on an external monitor. A headphone-based cue system is provided as well.

The Korg MP-10 Pro is now available for a U.S. MSRP of $1900 (formerly $2700). For additional product information, please visit www.korg.com/mp10pro."

zube tube + phonogene +

zube tube + phonogene + from joseph fraioli on Vimeo.

"some fun sound design experiments using a homemade contact mic attached to the inner cup of a zube tube then input directly to the make noise phonogene. further modulation by the make noise wogglebug and tiptop z8000.. processing through the harvestman polivoks vcf and flame fx6... "

Also see: Alien Machine Beats

New iPad Synth from Waldorf and TempoRubato In the Works?

'Waldorf and Rolf Wöhrmann design pioneering new iPad synthesizer
A long tradition of wavetable synthesis – from first PPG synthesizers to the latest developments in terms of Blofeld and Largo – and Rolf Wöhrmann’s (TempoRubatos) vast experience with the iPad synthesis made it only natural to come up with a wavetable concept for the iPad, which, as a mobile platform, is becoming increasingly more significant to professional and semi-professional musicians and producers.

Thanks to intelligent gesture recognition and plenty of available graphic performance the iPad is perfect for bringing wavetable synthesis to a new level. For the first time it will be possible to plunge into the depths of wavetables and to make their sound content visible with advanced 3-D technology.

The cooperation between Waldorf and TempoRubato, also known for their product line NLog Synth, doesn’t stop here: The application will also offer new possibilities for sound manipulation based on Waldorf’s very latest spectral research.

Completely new and unheard sounds
An innovative approach to wavetable synthesis allows for the transposition of the spectrum and the balance of periodic and sound spectra entirely independent from a wave’s position. The existing wavetable technology is thereby extended by two new dimensions, and it allows for formant shifts as well as numerous other unheard sounds. Also, unlike with typical wavetable instruments, the number and length of waves in a wavetable will no longer be restricted. It’s the era of wavetable synthesis V2.0!

This app will support a huge number of hardware MIDI interfaces, e. g. all Core MIDI compatible interfaces by IK Multimedia, iConnectMIDI, MIDI Mobilizer II by Line6, ioDock or the Camera Connection Kit by Apple, as well as proprietary interfaces such as the SynthStation by Akai.

App collaboration standards like Sonoma‘s Audio Copy/Paste, Intua‘s Audio Pasteboard and Virtual Core MIDI will also be supported like the upcoming AudioBus standard and KORG’s WIST synchronization technology.

Joachim Flor, executive manager at Waldorf Music GmbH is pleased: 'We are truly excited about our collaboration with Rolf Wöhrmann from TempoRubato. Considering his great experience with the iPad synthesis we are planning to release this excellent synthesiser this summer. Then it will be available at the Apple App Store. It’s going to be an exciting time!'

Rolf Wöhrmann is also looking forward to the challenge: 'The cooperation with Waldorf Music and the Waldorf developers is a great honour. Waldorf‘s long history in wave table synthesis and the new and innovative possibilities of the iPad will create an astonishing synthesizer for musicians, sound designers and producers.'"


I'm not seeing Waldorf listed as a developer on iTunes yet. Curious what this will be branded under if real.
Currently I'm not seeing any info on http://www.waldorfmusic.de/ and no mention from the Musikmesse.

iPads on eBay
iPads on Amazon

via The Synthesizer Sympathizer, via Matt Kuryloski on The MATRIXSYNTH Lounge

Update: the info is now on the Waldorf site.