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"Vermona Perfourmer MK2 Analog Synthesizer with CV and gate input... In it's architecture, some compare it to the Oberheim 4 voice meets the Korg Monopoly...I think it is it's own thing, but I can see why people make this comparison. Anyway, it comes with it's owner's manual, rack ears and power cord."
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via this auction
"Straight out storage is a 1980s PPG Wave 2.3 analog Synth. I have plugged it in and I get sounds then there is none. I have opened the top and found a burn on the small curcuit board along side the transformer pic 12. Other than that it looks like it has never been tampered with but will need to be gone through by a qualified tech to make it function properly."
S Club - Limb Box - I'm guessing its Rachel from S Club 7 - Limbs sticking out of the box, control head and I used the dress just to give the box a nice green colour. Its just something I put together quickly. The box sings the song "Reach for the stars"
the mods are: switched 1/4inch jack output red LED green button to start the song pitch up/down control head - I tied her hair, glued it together so it stays in place. and tied the wrists & ankles, don't know why I just did it :-/
"I'm just about done with this. I plan to make it into a eurorack module. This video shows the added voltage control which is an step interupt. The LFO is feeding a signal into the dekatron causing the dekatron to stop when the signal is high. The sound you hear is directly from the dekatron output. WHile I plan to primarily use it as a VC source, it can make some interesting rhythms and sounds as you can hear in the video."
YouTube Published on Jul 8, 2012 by AudioCentralMagazine
"A/B comparison between Acidlab.de MIAMI and vintage Roland TR808; in some case, on some instruments, the TR's oscillators seems to be tuned on a lowest value. It is VERY likely that, in a vintage instrument like the 808 at our disposal, tuning has changed with age. B.t.w., MIAMI is a great, expressive, electronic instrument."
Acidlab Miami & TR808 rude comparison
Published on Jul 8, 2012 by AudioCentralMagazine
"same pattern, same (ehr, more or less...) internal mixer: differences in global audio feeling due to lowest tuning in the vintage 808. Think so."
"WARNING. TURN DOWN YER SPEAKERS! This is rehoused Casio SA keyboard going into a PAIA Ring Modulator into the trusty ol' Peavey VTX amp. ( I got it off the side of the road and Fixed it!) These amps have the cool phaser effects on them, but there is this neat notch filter hold when the knob is pulled. That mess of knobs and circuits are some effects I need to demo on the channel. I also need to decide to put in stomp-boxes or leave in the case I built."
YouTube Published on Jul 8, 2012 by UNDEADINSTRUMENTS
"4 virtual instruments to show the basics of the 16-steps slot sequencer. Slots are configured in perfom view, as seen in perf tuto: http://youtu.be/wWVMWq8TiLQ 0:00 adjust the slot setting, channels and notes 0:44 how to start/stop the sequencer 0:50 to 2:50 how to edit the sequence measure by measure on the 4 layers 2:50 back to perform mode to adjust slot settings: note, channels 5:40 added a saturated bass on channel 4, it is more audible within the percussives synths 6:04 how to edit velocity in sequencer view, menu velo 6:40 how to activate sequencer scrubbing from the disc"
timeFrogIII sequencer mode tutorial part2: using two clocks
YouTube Published on Jul 19, 2012 by UNDEADINSTRUMENTS
"Once again Ableton Live used as a MIDI instruments launcher, driven by a timeFrog, with the purpose to show some advanced features in the sequencer part of the device:
0:00 manual slot handling 0:10 automated slot to have a preview of the arpeggio programmed on the slot 0:18 linear arpeggio, sequencer launch using this arpeggio 0:20 step down arpeggio, sequencer launch using this arpeggio 0:30 step down arpeggio, sequencer launch using this arpeggio 0:50 tri state arpeggio... 1:30 enable a second slot sequenced 2:00 contretemps from 2:30 freestyle use: clock mixing, cross config & part change on the fly, sequencer editing with length, fill mode, MIDI gate, square to lame rythm"
