Korg M1R Music Workstation Synthesizer + Orchestra 1 Program & PCM Cards

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SN 011784

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Sequential Circuits Split-8

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"I actually like it better than the Roland Juno 106, because you can split this synth in two so it's like having two synths in one, The keyboard features splits and layers like I said , all of which can be saved with patch data. Choose between 8 voice polyphony with 1 oscillator per voice, 4 voice polyphony with dual oscillators per voice, 2 voice polyphony with a mega 4 oscillators per voice, or the unison mode which is just a fat 8-voice solo mode for mad bass and lead heaven! Similar to the Juno-106, the Split-8 uses a Chorus effect to liven up the sound and the low pass filter filter is really nice too" Totally different sonic character than the 106 of course.

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ROLAND MKS-7 "SUPER QUARTET" White

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akahardoff

"Rarer white version of this sleeper synth. Word is starting to get round about this one, and prices are gradually creeping up, so it's a good investment. Contains 7 voices which are the same as the fantastic juno 106. AND, as a nice little bonus, the tr707 drum set is also included. Not bad for a humble rack unit!"

ROLAND SYSTEM 100, MODEL 101

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akahardoff (RSS)

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ROLAND MC-202

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akahardoff (RSS)

MOOG PRODIGY SN 12188

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MacBeth micromac Touch Controller in the Works

via Ken MacBeth on Facebook

"Looking less like VAPORWARE!...I burnt the first test PCB for the complimentary controller/synth module for the micromac series! This thing spits out CV and Gate, takes in CV and Gate- has two Oscillators etc and and extremely nice Obie style SV Filter!"

Ruffletron Synth Skirt Controller

Ruffletron - demo from lara grant on Vimeo.

A basic demo of the sensors embedded in the skirt and neck piece.
One of the yellow buttons is meant to have a deeper bass sound, but we recorded using the in jack on the camera, so it couldn't be captured.
You can tell I am not a musician.

Reaktor Tutorial: Filter Modulation PM vs FM

Reaktor Tutorial: Filter Modulation PM vs FM from FlipMu on Vimeo.

"This is the first in a new series of Reaktor Tutorials that we will be posting on www.flipmu.com. This video covers the different ways in which you can modulate a Filter in Reaktor, and discusses the details about why you would choose one input over the other.

The video starts with a brief overview of the test ensemble, and demonstrates the way different controls sound when hooked up to either the PM input or the FM input.

The second half of the video goes into the details of WHY you might want to hook up knobs and LFOs to the Pitch inputs, and hook up ENVs to the Frequency inputs.

The example ensemble can be found at http://flipmu.com/work/software/"

Quick noise with a small Make Noise system

Quick noise with a small Make Noise system from Peter Speer on Vimeo.

A filter-free patch in a DPO, Maths, Echophon, Optomix and Brains/Pressure Points mini-system (a contact mic (not from Make Noise, bottom right) is also used).

Details:

Sines from the DPO's two VCOs sent to Maths channels 2 & 3 and mixed at the Sum output --> Echophon signal input. Echophon out --> Optomix signal in. Signal out: speakers.

A mult of the Echophon's output is sent to VCO-A's Exponential FM input and VCO-B's Linear FM input.

Pressure Point's T-Gate is triggering Maths' Channel 1 envelope. The Press output is controlling the Fall times of both Maths envelopes. Row 1 is modulating the Echophon's pitch shifter, Rows 2 and 3 are patched to VCOs A and B 1v/oct. .

Maths Channel 4 LFO is setting the Echophon's feedback amount and the sequence's direction.

Tapping the contact mic advances the sequence position and pings the Optomix's Strike input).

www.theshamblers.blogspot.com