Inside the VSTi (how its made) - SB-2 by Dr. Speaker Blower

Published on Oct 5, 2012 by ourafilmes
The patching/editing starts at 2:40.

"Have you ever seen inside a VST plugin - how its made? Ourafilmes is, probably, the first to show you!
Here´s a nice video that take you inside the SB-2 monster synth and shows its main features!
This synth is now free and is included in the Ourafilmes Facebook Pack - available in www.facebook.com/ourafilmes

www.facebook.com/ourafilmes
www.facebook.com/sbrecs
www.facebook.com/dr.speakerblower
www.ourafilmes.com
www.speakerblower.com
www.drsb.net
www.sbrecs.net"

Dementia Labs guitar pedal volt starve and tremolo

Published on Oct 6, 2012 by SuperRoss007

Dementia Labs on eBay

Tempo changes with STG Time Buffer

YouTube Published on Oct 6, 2012 by kuxaansum

"Acidlab Miami sends DIN to STG Time Buffer which passes sync to Trigger and Graphic Sequencer as well as Intellijel µStep. Graphic seq to Subcon Model 15 being modulated by SubCon Model 37. Doepfer A143-1 being hit by Trigger Sequencer and Intellijel µStep. Sound of Shadows and MA35 getting various bits."

CRUMAR MULTIMAN String Machine 1975 + Gerd Schulte Compact Phasing A | HD DEMO

Published on Oct 6, 2012 by AnalogAudio1

(c) 2012 by AnalogAudio1

"In the first half of the video I played the Crumar Multiman dry, in the second half with a COMPACT PHASING "A" from Gerd Schulte Audio Elektronik. The Compact Phasing A is a German phaser, which was well known in the seventies (at least in Germany). Many units were sold, but it is rare and sought after today. It was used by Klaus Schulze, Tangerine Dream, Kraftwerk and others.

This Crumar Multiman is the first version (later came the Multiman S versions which are larger). It was produced in Italy. It has a string section, a brass section (with VCF controls and resonance) and a piano section. It is capable of nice layer sounds. A monophonic bass preset can be added.

Excuse the crackling noises, my Multiman is not 100% intact. Indeed, it is in terrible shape. Some of the keys don't play notes, instead they produce some crackling noises. But the basic sound is fantastic!"

Laurie Speigel - 3 Tracks From "The Expanding Universe" & The New Yorker

Unseen Worlds · Laurie Spiegel - Clockworks

Unseen Worlds · Laurie Spiegel - A Folk Study

Unseen Worlds · Laurie Spiegel - Patchwork

You can find the release here: http://www.unseenworlds.net/UW09/

via The New Yorker where you'll find the full article.

"The surprise Year of Spiegel continues as her landmark and long out-of-print 1980 LP 'The Expanding Universe' is being reissued for the first time on compact disc by the Unseen Worlds label. While the original LP ran at just over forty-five minutes (and had to cheat the long title track of some dynamic range in order to fit all the grooves on side two), the newly expanded “Expanding Universe” sprawls, in its physical form, over two compact discs, with a running time of two and a half hours. What is old on this reissue sounds punchier and punkier than do the ripped-from-vinyl MP3s that exist online. And what’s new on “The Expanding Universe” is as diverse-sounding and alive as any electronic music issued this year, even though all of these pieces were conceived on a computer-analog hybrid system stashed in a Bell Labs hallway from 1973 to 1979.

This device would be Max Mathews’s “Generating Realtime Operations On Voltage-controlled Equipment” apparatus, otherwise known as GROOVE. It was a hybrid digital-analog mechanism that was big enough to require multiple rooms. (Despite its being too unwieldy to take out for live performances, Spiegel once described it as “the ultimate synthesizer.”) A technical breakdown of the GROOVE setup can become pretty complex, but, in brief, the system was controlled from a room that held a console, a monitor, a three-octave keyboard, and a joystick operated by the user, all of which was separated by a glass window from a temperature-controlled room with a large DDP-224 computer, which was in turn linked up to a digital magnetic tape drive down the hall.

Read more http://www.newyorker.com/online/blogs/culture/2012/09/an-electronic-music-classic-reborn.html#ixzz28Xgbzz9w"

This one in via Karl. 

Electric Pianos made with Tronto

Published on Oct 6, 2012 by tronsonics

"A small selection of presets from the 'vintage' bank, one of 10 banks supplied with Tronto for Kontakt 5.
This video shows a little of the versatility of Tronto, with interpretations of some classic and much loved electric pianos from the past, with a few twists here and there.
The only external effect used is Echo from Psp audioware. This delay is a favourite of mine, as it's tape delay characteristics complement Tronsonic's libraries very well.

http://www.tronsonic.com/#/tronto-for-kontakt-5/4568455166
http://www.pspaudioware.com/plugins/delays/psp_echo/"

Moog The Source SN 3974

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via this auction

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NanoStudio with Novation Ultranova - Wicked Atmosphere

Published on Oct 6, 2012 by Khantipol Kasemsant

"NanoStudio (on the iPad) with Novation Ultranova"

iTunes:
NanoStudio - Blip Interactive Ltd
iPads on eBay

"The Micro Mammoth" Rob Hordijk Modular

More pics at Zeitdehner's modular pages.

Also see "The Baby Mammoth" MOS-Lab Modular

Update: I accidentally labeled this one as a MOS-Lab modular. It clearly isn't. It's a Rob Hordijk modular.

Alessandro Cortini @ Home Room 1

Click here to watch on Vimeo.

Alessandro Cortini @ Home Room 1 from Jason M Clark on Vimeo.

"The Final night of Home Room and the closing reception of the Super Tetricide Art Exhibit. This is part of the performance of Alessandro Cortini playing a Buchla synthesizer."