via this auction
Wednesday, October 10, 2012
Introducing the Volt CB-1 Rack Extension for Propellerheads Software Reason
Published on Oct 9, 2012 by ZvorkAudio
"This small tutorial shows you how to modulate the velocity of a Matrix loop, live, without automation, with the help of the Volt CB-1."
iPulsaret Microsound Granular Synth for iPad
iPulsaret Microsound Granular Synth for iPad from densitygs on Vimeo.
iTunes:
iPulsaret - apeSoft
iPads on eBay
"iPulsaret for iPad brings all the powerful Density/Pulsaret (Mac/Win standalone) Granular Synthesis tools to the world’s most popular tablet. http://www.densitygs.com
iPulsaret is a new real-time software capable of all time-domain varieties of granular synthesis. A genuine granular playground able to generate a wide range of usual and not so usual effects: time/pitch shifting, time/pitch jittering, intricate textures, grain fountain/pulverizer, recording and manipulation of buffers, dynamic envelope shape and many more. iPulsaret for iPad will give you all the basic and advanced tools you need to manipulate sound in subtle and surprising ways. All these features are packed in an optimized, user-friendly, visually sharp interface that is easy to access when fast-improvising live, composing in a studio, or sound designing at home and on the go! You will have the power, freedom, and flexibility to create like never before – on your iPad! iPulsaret allows you to load from some built-in sound samples, record audio directly with your iPad mic and/or add your own WAV, AIFF files via iTunes.
With iPulsaret it is possible to capture the stereo output (of granulation) into the documents folder while play the keyboard or moving granulation parameters in real-time.
Control and shape grains, anytime, anywhere with iPulsaret for iPad.
- 16 Polyphony Voices
- ADSR Note Envelope
- Aftertouch Y scrubbing
- Snapshots Presets and Snapshots Morphing Pad
- Documents folder sharing via iTunes
- Sonoma Audio Copy and Paste
- Dropbox Supports
- Sound File and Snapshots rename
- Granulation Wave source: Prototypes WavePad, Trainlet and Sampled Sound
- Grain Envelope Deformation
- Grain Glisson sweep
- Grainlet linkage
- FX chain: Echo, Ring Modulation, Lowpass Moog Diode Ladder and High Shelf filters, Reverb FDN and Dynamic Compressor/Expander
- Record audio directly with iPad mic
- Auto load audio after recorded ( on/off ) in Grab Audio
- Capture Master Audio Output
- Run Audio in Background
- Sliders and Knobs double tap switch to Default/Last values
- Sliders and Knobs Fine step increment/decrement
- Fine exponential Slider
- Settings: AfterTouch Y step
- Settings: Load last UI state
- Settings: Polyphony Grains Overlapping Controls
- Settings: Sampling Rate and Buffer Size
- Quick Help embedded
- etc."
iTunes:
iPulsaret - apeSoft
iPads on eBay
Overdriving the Moog Voyager
FAT MOOG: How to make your Moog Voyager sound FAT, overloaded, unstable, about to lose it...etc
Published on Oct 10, 2012 by timtsang3
"This is a simple "overload" trick that's been posted on the Moog Music Forum for some time now (http://forum.moogmusic.com/viewtopic.php?f=2&t=14154), and I found it to be real helpful. you totally dont need a distortion pedal if you have a Moog Voyager. The whole thing IS a distortion pedal."
Note there are different ways to overdrive the filter. Via MBlom in the thread: "But at least in theory there are two different ways you can overload the filter/VCA. If you send one of the outputs back into the mixer you get a feedback loop where the resonance might self oscillate. But if you use an insert jack and put it in the Mix Out/Audio Filter In you can boost the signal from the oscillators prior to the filter. This creates an overload as well but no feedback. So if I'm not misunderstanding something, you actually have two different types of overdrive in the Voyager. Right?"
The audio levels are also different between the line outs on the back the headphone out on front.
And via Sound on Sound on the Old School: "Mildly exasperated, I turned to the rear (or upper) panel, which is largely the same as the Voyager's. This means lots of quarter-inch voltage inputs (11 in total) for interfacing with expression pedals, or modular gear such as Moog's own Moogerfoogers. An effects loop insert point is provided too, ideal for plumbing in external effects after the mixer section and before the filters. This is one of those simple additions that prove to be genuinely worthwhile in practice and had me digging out a wide collection of old effects processors. Adjacent to the insert point, the external audio input is on hand to process any source you fancy — including the Old School's own headphone output. This version of the Minimoog trick sounds a trifle different in this incarnation; indeed, with the levels cranked up it threw up some of the most extreme (and occasionally scary) noises in the Old School's repertoire."
Published on Oct 10, 2012 by timtsang3
"This is a simple "overload" trick that's been posted on the Moog Music Forum for some time now (http://forum.moogmusic.com/viewtopic.php?f=2&t=14154), and I found it to be real helpful. you totally dont need a distortion pedal if you have a Moog Voyager. The whole thing IS a distortion pedal."
Note there are different ways to overdrive the filter. Via MBlom in the thread: "But at least in theory there are two different ways you can overload the filter/VCA. If you send one of the outputs back into the mixer you get a feedback loop where the resonance might self oscillate. But if you use an insert jack and put it in the Mix Out/Audio Filter In you can boost the signal from the oscillators prior to the filter. This creates an overload as well but no feedback. So if I'm not misunderstanding something, you actually have two different types of overdrive in the Voyager. Right?"
The audio levels are also different between the line outs on the back the headphone out on front.
And via Sound on Sound on the Old School: "Mildly exasperated, I turned to the rear (or upper) panel, which is largely the same as the Voyager's. This means lots of quarter-inch voltage inputs (11 in total) for interfacing with expression pedals, or modular gear such as Moog's own Moogerfoogers. An effects loop insert point is provided too, ideal for plumbing in external effects after the mixer section and before the filters. This is one of those simple additions that prove to be genuinely worthwhile in practice and had me digging out a wide collection of old effects processors. Adjacent to the insert point, the external audio input is on hand to process any source you fancy — including the Old School's own headphone output. This version of the Minimoog trick sounds a trifle different in this incarnation; indeed, with the levels cranked up it threw up some of the most extreme (and occasionally scary) noises in the Old School's repertoire."
Music Ipad App: Noisepad
Published on Oct 10, 2012 by musicgearvideos909
"Music Ipad app first look at this drum machine app. I haven't had much of a chance at playing with this app but I was able to create a few patterns and play around with the effects section. Looks and sounds great and probably one of the better drum machine apps out there. Get it from the itunes store for $4.99."
iTunes:
Noisepad - MediaGROE
iPads on eBay
bouncing neutrons (experimental dark electro)
Published on Oct 10, 2012 by slappbeast
Rhythm comes in at :46.
monotribe / schlagzwerg / dotcom / in action
Tuesday, October 09, 2012
Grendel Modulat
Published on Oct 9, 2012 by Ebotronix
4ms Peg RCD
Cynthia Zero Oscillator
Doepfer A 118 Noise A 134 pan by Moog MP 201
Flame Chord Machine Talking Synth Modul
Grendel Formant Filter
Make Noise Maths Optomix Wogglebug
Malekko 4x Uncle
Serge VCS (VCO)
SSL Orgy
Tiptop Audio Z 8000
Toppobrillo Ouantimator Sportmodulator TWF
Logic Master Clock Kenton Pro 2000 II
Kick Logic Ultrabeat
FX Boss VF1 Line 6 Echopro TC M3000
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
