Published on Apr 18, 2013 Ted James Butler·61 videos
"An example of the Arturia MiniBrute controlling the modular by way of the arpeggiator's control voltages. Modules by The Harvestman. All audio is from the modular. Signal chain is Piston Honda - Kuzminorgel - Bionic Lester - Double Andore - Tyme Sefari - Polivoks VCF - Evin 209 - Stilton Adapter direct to Mackie Onyx 820i."
Minibrutes on zZounds | Minibrutes on eBay
Thursday, April 18, 2013
【日本初披露】KORG volca beats, volca bass, volca keys【速報】
Published on Apr 18, 2013 jetdaisuke·2,051 videos
"今回はとりあえず実機を見たというご報告のみになります。
↓ Amazon.co.jp「KORG volca」検索結果ページ ↓
http://www.amazon.co.jp/s/?_encoding=...
※上記製品リンクURLはAmazonアソシエイトのリンクを使用しています。
ブログ記事：世界中で話題沸騰のシンセ KORG volca beats, volca bass, volca keys を見て来ました。
http://gajetdaisuke.com/archives/1341...
KORG New Products Showcase Live 2013年4月18日 渋谷にて開催されたイベントで、コルグ話題の新機種 アナログリズムマシン「volca beats」（一部PCM音源）、アナログシンセベース「volca bass」、アナログループシンセ「volca key」が日本初お披露目となりました。発売が待ち遠しいですね。別件取材がありまして10分程度しかいられませんでしたが、その魅力は十分伝わりました。早く触ってみたい（笑）"
This one in via Tim of disschord.
Muff's Wiard Modular
via Mike McGrath of http://www.muffwiggler.com on The MATRIXSYNTH Lounge
"My Wiard rules the universe and all the other places too."
Blacet with two Cynthia Zeroscillators on top and an Evenfall Mini Modular on top of that.
Vintage Roland Stickers From the 70s
via Retro Synth Ads where you'll find the write-up.
"Roland "The Creative Answer" Original Stickers from approximately 1977 or 1978."
PROPAN RZ-303 TB-303 Clone
RZ-303 CLON TB-303 part_1
Published on Apr 18, 2013 Propanvideos·41 videos
"CONSECUTIVAMENTE SE , SE PUEDEN ESCUCHAR, CIERTOS SONIDOS DE CORTOS , DEBIDO A PROBLEMAS DE LA PLACA DE SONIDO QUE SE USO PARA GRABAR . PERO EL CLON FUNCIONA BIEN"
Googlish:
"CONSECUTIVELY SE, CAN HEAR, SOUNDS CERTAIN SHORT DUE TO PROBLEMS THAT SOUND PLATE USE TO RECORD. BUT WORKS WELL CLONE"
Published on Apr 18, 2013 Propanvideos·41 videos
"CONSECUTIVAMENTE SE , SE PUEDEN ESCUCHAR, CIERTOS SONIDOS DE CORTOS , DEBIDO A PROBLEMAS DE LA PLACA DE SONIDO QUE SE USO PARA GRABAR . PERO EL CLON FUNCIONA BIEN"
Googlish:
"CONSECUTIVELY SE, CAN HEAR, SOUNDS CERTAIN SHORT DUE TO PROBLEMS THAT SOUND PLATE USE TO RECORD. BUT WORKS WELL CLONE"
Quad Pingable LFO (QPLFO) basic features demo
Published on Apr 18, 2013 4mspedals .·74 videos
"New from 4ms! QPLFO ships April 25, 2013!
The Quad Pingable LFO is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.
The QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.
**Basic features**
* Quad "pingable" LFO's -- frequency is set by time between pulses ("ping")
* Each of the 4 channels is an independent LFO
* Can produce a variety of waveshapes: "Pluck," to ramp-down, to triangle, to ramp-up, and all shapes in between
* Channels can easily modulate, trigger, and reset each other for complex and slowly morphing outputs
* Slowest period is about 71 minutes (0.0002 Hz), fastest speed is about 500Hz (marginal tracking up to 1kHz)
* Tap tempo button is free-running (LFO runs indefinitely), but external clock/Ping is auto-stopping (LFO stops when external clock stops)
**Controls and jacks**
* Tap tempo button ("Ping") for manually setting the tempo
* Ping jack sets tempo with an external clock (any complex signal can be used as a clock)
* On/mute button enables or mutes the output (latching button)
* Skew knob and CV jack control the waveshape by altering the ratio between rise and fall times
* Reset jack restarts the LFO without changing the tempo (rising edge triggered)
* OUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)
* LED flashes and dims to the signal on the OUT jack
* Tap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack
* On/Mute button lights up when channel is On
For details and more advanced features (Floating Reset, One-shot mode, Fire-on-unmute, headers for connecting to other modules, etc...), see the User Manual at http://4mspedals.com/qplfo.php"
"New from 4ms! QPLFO ships April 25, 2013!
The Quad Pingable LFO is a compact, playable four-channel tap-tempo, clock-syncable LFO with variable skew and reset.
The QPLFO is designed to be useful in small portable systems that require maximum functionality in minimal space, as well as large systems that need maximum modulation sources.
**Basic features**
* Quad "pingable" LFO's -- frequency is set by time between pulses ("ping")
* Each of the 4 channels is an independent LFO
* Can produce a variety of waveshapes: "Pluck," to ramp-down, to triangle, to ramp-up, and all shapes in between
* Channels can easily modulate, trigger, and reset each other for complex and slowly morphing outputs
* Slowest period is about 71 minutes (0.0002 Hz), fastest speed is about 500Hz (marginal tracking up to 1kHz)
* Tap tempo button is free-running (LFO runs indefinitely), but external clock/Ping is auto-stopping (LFO stops when external clock stops)
**Controls and jacks**
* Tap tempo button ("Ping") for manually setting the tempo
* Ping jack sets tempo with an external clock (any complex signal can be used as a clock)
* On/mute button enables or mutes the output (latching button)
* Skew knob and CV jack control the waveshape by altering the ratio between rise and fall times
* Reset jack restarts the LFO without changing the tempo (rising edge triggered)
* OUT jack outputs either a 0 to 10V waveshape, or a -5V to +5V waveshape (jumper selectable)
* LED flashes and dims to the signal on the OUT jack
* Tap tempo button flashes to the internal tap-tempo clock or to incoming pulses on the Ping jack
* On/Mute button lights up when channel is On
For details and more advanced features (Floating Reset, One-shot mode, Fire-on-unmute, headers for connecting to other modules, etc...), see the User Manual at http://4mspedals.com/qplfo.php"
The Beginners Book of Electronic Music by Delton T. Horn
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"A great in-depth introduction to modular analog synthesizers, drum machines, vocoders, and the like, with an entire chapter devoted to vintage equipment. Apart from a little cover wear, the book is in very good condition. 376 pages. Copyright 1982. This item ships WORLDWIDE.
Contents include:
1. Sound and Acoustics
2. Sound Sources for Electronic Music
3. Creating New Waveshapes
4. Filters
5. Amplifiers
6. Modulation
7. Special Purpose Devices (compressors/sustainters, reverb, envelope followers, etc.)
8. Controllers
9. Designing a Studio
10. Recording
11. Patching
12. Electronic Composition
13. Musique Concrete
14. Sonic Environments
15. Live Performance
16. Synthesizers
17. Computers and Digital Synthesis
- Integrated Circuits for Electronic Music (Curtis, SSM, Mostek, etc.)
- Sample Patches"
via this auction
"A great in-depth introduction to modular analog synthesizers, drum machines, vocoders, and the like, with an entire chapter devoted to vintage equipment. Apart from a little cover wear, the book is in very good condition. 376 pages. Copyright 1982. This item ships WORLDWIDE.
Contents include:
1. Sound and Acoustics
2. Sound Sources for Electronic Music
3. Creating New Waveshapes
4. Filters
5. Amplifiers
6. Modulation
7. Special Purpose Devices (compressors/sustainters, reverb, envelope followers, etc.)
8. Controllers
9. Designing a Studio
10. Recording
11. Patching
12. Electronic Composition
13. Musique Concrete
14. Sonic Environments
15. Live Performance
16. Synthesizers
17. Computers and Digital Synthesis
- Integrated Circuits for Electronic Music (Curtis, SSM, Mostek, etc.)
- Sample Patches"
LABELS/MORE:
Auctions,
Featured,
Korg,
MOOG,
scans,
Sequential Circuits,
Steiner Parker,
Synth Books
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
