OSCILLATE from Daniel Sierra on Vimeo.

"My thesis animation done at School of Visual Arts, class of 2013, Computer Art MFA.

Software used: Houdini (animation), Reason (music), Nuke (comp), After Effects (final render), Processing (pre-viz)

A full description of the piece along with some still frames can be found at: dbsierra.com"

"My goal with "Oscillate" was to visualize waveform patterns that evolve from the fundamental sine wave to more complex patterns, creating a mesmerizing audio-visual experience in which sight and sound work in unison to capture the viewer's attention."

Buchla 204 Quad Spacial Director Experiment & Joysticks Behaviors

Buchla 204 Quad Spacial Director Experiment from Votek Mendo on Vimeo.

"Here's a little video of a Buchla model 204 in action. The 4 joysticks are sending cv to a bunch of places and also routing the sounds to different effects. First little patch done with it. Not a very interesting patch, next one will be better. I just wanted to upload a quick video to show this module in action.

Thanks for watching."


Buchla 204 Joysticks Behaviors from Votek Mendo on Vimeo.

"Small demonstration of the slew effect on voltages when using the joysticks on a Buchla model 204.
Also showing how you can affect the CV by touching the tip of the joysticks. Pretty cool I think, but that's only me."

Waldorf Microwave 1 - rev B - OS 2.0

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QUASIMIDI TECHNOX

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Clavia Nord Modular Keyboard with Tiptop Audio Sticker

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Sequential Circuits Prophet 600 SN 723

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sir_analog (RSS)

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Korg SR-120 Drum Machine

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Korg 700 - Univox K-1, MiniKorg

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Korg Lambda ES-50

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"this contains two banks of voices: percussive (piano type sounds) and ensemble (strings, organ, brass, and chorus). This synth is famous for its string sounds and the fact that it has THREE analog VCOs which can be detuned for thick, complex string sounds..."

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Roland MKS 80 SN 480991 + MPG 80

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sir_analog (RSS)

"A brief overview:

The multi waveform oscillators feature cross modulation which can also be controlled from env 1. The VCOs can be modulated by LFO 1 and env 1. The pulse width modulation can be controlled by env 1, LFO 1 or the keyboard. The oscillators can be synced in either direction: 1 to 2 or 2 to 1.

The filter is low and high pass with a choice of either env 1 or env 2 (both invertable). Separate controls for the HPF, LFO 1 and key follow.

The MKS-80 responds to velocity which can modulate both of the envelopes times and levels.

The unit can retain sixty-four patches in memory, which can be layered or split with tuning offsets and key ranges and stored in one of the sixty-four patch locations.

An additional 128 patches and tones can be stored on the M64C RAM cartridge.

The MKS-80 has four voice modes: Poly 1, Poly 2, Unison 1, and Unison 2. Poly 2 operates in unison until more than two keys are pressed, and which time it reverts to normal poly mode. This is great for leads, retaining the mono unison sound but permitting overlapping notes and a chord here and there.

In split mode you can use as 2 separate synths via the 2 XLR outputs.

You also get great midi spec and sysex implementation"

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