MATRIXSYNTH

Saturday, July 27, 2013

Noise Jam: Octatrack Meets Mixtape Alpha

Published on Jul 27, 2013

"Learn more about this video here http://www.modulatethis.com/modular-a..."

If you are near Boulder Colorodo, definitely check out the link.

MS20mini iPadiMinisound0727

Published on Jul 27, 2013 ryouichi harada·45 videos

KORG MS20 Minis on eBay

Là dedans (Kaossilator 1)

Published on Jul 27, 2013 ratface1987·72 videos

"Another ambient/abstract jam on the KO1. I've been taking it with my on my ride to and from work, which means more jamming and more inspiration... kaoss style. ;) Enjoy!"

Kaossilators on eBay

I want (Maschine, Elektron Analog Four, Ableton)

Published on Jul 27, 2013

"I want (with NI Maschine Mikro Mk2, Elektron Analog Four, Ableton Live 9)"

A Blues-ey thing on Moog Modular & Minimoog

Published on Jul 27, 2013 noddyspuncture·51 videos

"Still with the Mini and Modular playing together, and they can only manage one note at a time...;c)"

Sic Itur Ad Astra


Published on Jul 27, 2013
modular synth and Kontakt 5 davidryle·118 videos

"Some ideas on the bass line sequence were to use the triple switch for ratchet timing. I used the Q960 for a pitch source, the Q963 Trigger Bus for note gate and switching in a double on beat 6. The faster 1/16th ratchet was randomly selected by a Yves Usson Random Gates module.

Two Q106's were used with 32' sawtooth and 16' PWM. The filter was a Q150 Transistor Ladder Filter in -24dB. I routed a split line output from the filter through a VCA controlled by a slow LFO and back into the filter for boosted body which came and went. The output from the Q150 then went to a Q107 State Variable Filter. The Q107 had two slow LFO's slightly modifying the resonance and frequency center. There was a third tap off the Q106's sine wave through another VCA into the Q107 filter.This sine wave was slowly coming and going with an LFO which brought up the deep bass tone.

The midrange piano-like sound was a combination of two Q106's controlled by an STG VMS and a Q119 row. The filter was an Oakley SVF in LP mode.

The percussive sound was noise through an Oakley Diode Ladder Filter with it's center frequency modified by a quantized random voltage from a Sputnik WCRS. The trigger to the Oakley envelope generator was from an STG TMS. output skip timing was a Cynthia LPG under gate control from a row of the Moon 563 Trigger Bus.

A fast arpeggiation line was from the Future Retro Mobius into a Double-Dekka Ultrasonic VCO then through an EG, VCA and delay pedal."

Tom Sawyer

Published on Jul 26, 2013 neandrewthal·48 videos

"A modern-day warrior
Mean mean stride,
Today's Tom Sawyer
Mean mean pride."

Rush's Tom Sawyer on DIY modular synthesizer.

Friday, July 26, 2013

Delexia by AnalogResistance ( System-100m & SH-101 )

Published on Jul 22, 2013 Ana log Resis tance·20 videos

"Self evolving drone. Was recorded in just 1 shot. Containing a 2 191J system and a SH-101. Effects used during recording are: Eventide H949, Roland RE-201, Fostex 3180, Ibanez AD-202 and a UE-405"

"Only the vibrato sound is from the SH101, everything else is the System100m."

monstrumWaveXT 2.950 Update - Waldorf XT Editor

monstrumWaveXT 2.950 features - Randomize Params, Waveform Shapers, Save/Load Waveform to file

Published on Jul 23, 2013 monstrumMedia·1 video

No audio. "Just a brief visual demonstration of some of the new features added in the latest update to monstrumWaveXT. Buy the full version of this software editor for the Waldorf Microwave II/XT/XTk at http://www.monstrummedia.com"

Flight of Harmony / Infernal Noise Machine

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"- Includes AC adapter and lots of NOISE!!!!!

- 1/4" CV and audio I/O

- Provides hours of knob-twiddling fun for the whole family!

- Domestic U.S. shipping only

What is the Infernal Noise Machine?

THE INM IS NOT A MUSIC SYNTHESIZER

The Infernal Noise Machine was designed towards the creation of noise, sound effects, and for the general field of sound design. Having said that, the INM can create “musical” tones and sound – and quite a few of them – but that was not the goal. It is semi-modular, which means part of the signal path is hard-wired and cannot be changed, but it does allows some variation and external control. It can be used completely independently, but is intended for use with external control voltage (CV) sources to affect or modulate various parameters, which is where the INM truly comes alive (you will see what I mean).

So what can you do with it? Incidental sounds and ambiences, unholy caterwauling, soundscapes from melancholy to manic, even percussion and other traditional musical sounds. The Infernal Noise Machine is particularly effective for making drones that evolve with time as well, with no external sources required. The internal architecture allows for a wide range of self-evolving, beat-frequency style tonal variations over an infinite range of rates. There is really no simple way to describe what the INM can do – you have to find out for yourself. This is a unique device. It requires a bit of time and patience to get a feel for how it works, but it is worth the effort."

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