Note: Auction links are affiliate links for which the site may be compensated.
JHS Drum Synth
Uploaded on Dec 14, 2011 phillwilson·167 videos
Although this video is from 2011, it is the actual unit for sale below.
via this auction - learn how to sell on eBay here.
Sunday, August 11, 2013
Line 6 Tonecore DSP Developer Kit (Build Your Wwn FX DIY Effect Pedal)
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here.
"ACHANCE TO DESIGN YOUR OWN TOTALLY UNIQUE AND AMAZING SOUNDS FOR GUITAR ORBASS USING THE SAME CHIP AS THE POD 2.0
This pedal can be programmed to be a whole host of possible pedals including new and unheard of creations by anyone who has some programming knowlege or the willingness to learn and experiment.
the kit can be used over and over again for new ideas and if you make something you really like, you can save the module and buynew ones from Line 6.
What’s in the box?
The ToneCoreProgrammable Module, the Developer ToneCore Dock, a USB cable key to get themodule on and off and official LINE 6 power supply
Note: you will also need ot get the developers kit from here - http://www.vettaville.nl/page.php?id=100
Here is the low-down
How does this work?
The kit contains a special Line 6 Developer ToneCore Dock, which in addition to containing the Freescale Symphony audio DSP, audio circuitry and ToneCore Module docking slot, can be connected directly to a PC via USB. The ToneCore Programmable Module is customizable and stores DSP code in the FLASH memory of the on-board Freescale microcontroller. DSP code development is performed on the PC and then a programming tool is used to FLASH the MCU with the new DSP code through the Developer ToneCore Dock.
Huh?
You plug our pedal into your computer via USB, use the software we give you to write some fancy code, then shoot it back to the pedal, which now stores it in memory. Now when you plug in your guitar to the pedal, it does to the sound of your guitar whatever you’ve told it to do!
Can anyone do it?
That depends. If you have any experience writing software you’ll probably be just fine. If you don’t, and are willing to learn, we’ve made it possible for you to get started by giving you the example of a simple two-band EQ, and a step by step by guide to assemble the code and download it to the module.
This Dock contains all of the functionality of Line 6’s existing ToneCore Stereo Dock, but adds a mini-USB connector that is used for programming and testing development using a PC. The TCDDK also includes a new ToneCore Programmable Module that can be programmed via a PC through the Programmer Dock to produce any effect that the developer creates for download. Since the Programmable Module is Flash memory based, it can be used over and over again while experimenting with different algorithms. Once the desired algorithm is complete, the ToneCore Programmer Dock can be used to program additional ToneCore Programmable Modules (available separately) that can be resold directly by the developer.
The ToneCore Developer platform makes use of two powerful Freescale Semiconductor devices. The Programmer Module contains a product from the Freescale JM family of USB microcontrollers, a versatile single chip solution that handles all of the DSP firmware storage and downloading, user interface (including A/D channels for the pots), Flash memory, and a USB port for downloading and debugging of software.
The ToneCore Programmer Dock (and every Dock and ToneCore pedal Line 6 has ever produced) contains a Freescale Symphony™ audio DSP56364 signal processor, a 100 MIPS, 24-bit device ideally suited for high performance, low power consumption products like ToneCore. This Symphony DSP provides more processing power than the solution in Line 6’s original POD, making it powerful enough for a wide range of audio applications.
Thanks to Freescale’s new Symphony Studio Development Tool, everything required to develop software with the TCDDK is available online. By using the extensible development platform Eclipse, Symphony Studio provides DSP users a fresh way to develop, debug and simulate through an Integrated Development Environment (IDE). The software can be downloaded for free at www.freescale.com/symphonystudio.
In addition, the source code for a fully functional stereo 2-band state-variable filter is provided that demonstrates the complete functionality of the user interface and the audio processing. With this code, the developer can immediately start modifying the example to create their desired effect.
FOR EVEN MORE OFFICIAL DETAILSSEE HERE - http://line6.com/tcddk/"
via this auction - learn how to sell on eBay here.
"ACHANCE TO DESIGN YOUR OWN TOTALLY UNIQUE AND AMAZING SOUNDS FOR GUITAR ORBASS USING THE SAME CHIP AS THE POD 2.0
This pedal can be programmed to be a whole host of possible pedals including new and unheard of creations by anyone who has some programming knowlege or the willingness to learn and experiment.
the kit can be used over and over again for new ideas and if you make something you really like, you can save the module and buynew ones from Line 6.
What’s in the box?
The ToneCoreProgrammable Module, the Developer ToneCore Dock, a USB cable key to get themodule on and off and official LINE 6 power supply
Note: you will also need ot get the developers kit from here - http://www.vettaville.nl/page.php?id=100
Here is the low-down
How does this work?
The kit contains a special Line 6 Developer ToneCore Dock, which in addition to containing the Freescale Symphony audio DSP, audio circuitry and ToneCore Module docking slot, can be connected directly to a PC via USB. The ToneCore Programmable Module is customizable and stores DSP code in the FLASH memory of the on-board Freescale microcontroller. DSP code development is performed on the PC and then a programming tool is used to FLASH the MCU with the new DSP code through the Developer ToneCore Dock.
Huh?
You plug our pedal into your computer via USB, use the software we give you to write some fancy code, then shoot it back to the pedal, which now stores it in memory. Now when you plug in your guitar to the pedal, it does to the sound of your guitar whatever you’ve told it to do!
Can anyone do it?
That depends. If you have any experience writing software you’ll probably be just fine. If you don’t, and are willing to learn, we’ve made it possible for you to get started by giving you the example of a simple two-band EQ, and a step by step by guide to assemble the code and download it to the module.
This Dock contains all of the functionality of Line 6’s existing ToneCore Stereo Dock, but adds a mini-USB connector that is used for programming and testing development using a PC. The TCDDK also includes a new ToneCore Programmable Module that can be programmed via a PC through the Programmer Dock to produce any effect that the developer creates for download. Since the Programmable Module is Flash memory based, it can be used over and over again while experimenting with different algorithms. Once the desired algorithm is complete, the ToneCore Programmer Dock can be used to program additional ToneCore Programmable Modules (available separately) that can be resold directly by the developer.
The ToneCore Developer platform makes use of two powerful Freescale Semiconductor devices. The Programmer Module contains a product from the Freescale JM family of USB microcontrollers, a versatile single chip solution that handles all of the DSP firmware storage and downloading, user interface (including A/D channels for the pots), Flash memory, and a USB port for downloading and debugging of software.
The ToneCore Programmer Dock (and every Dock and ToneCore pedal Line 6 has ever produced) contains a Freescale Symphony™ audio DSP56364 signal processor, a 100 MIPS, 24-bit device ideally suited for high performance, low power consumption products like ToneCore. This Symphony DSP provides more processing power than the solution in Line 6’s original POD, making it powerful enough for a wide range of audio applications.
Thanks to Freescale’s new Symphony Studio Development Tool, everything required to develop software with the TCDDK is available online. By using the extensible development platform Eclipse, Symphony Studio provides DSP users a fresh way to develop, debug and simulate through an Integrated Development Environment (IDE). The software can be downloaded for free at www.freescale.com/symphonystudio.
In addition, the source code for a fully functional stereo 2-band state-variable filter is provided that demonstrates the complete functionality of the user interface and the audio processing. With this code, the developer can immediately start modifying the example to create their desired effect.
FOR EVEN MORE OFFICIAL DETAILSSEE HERE - http://line6.com/tcddk/"
Snippet of a new song
Uploaded on Oct 2, 2011 BlankSpaceMusic·12 videos
Note this video is from 2011. Thought it was interesting hearing an EDP Wasp playing a mellower sound.
"Synth line for the chorus of a new song, wasp synth through a sans amp through my roland space echo...fun times!
http://blankspacemusic.com
http://soundcloud.com/blank-spaces
http://www.facebook.com/blankspacemusic
http://twitter.com/#!/blankspacemusic"
MOOG Concertmate MG-1 Realistic Synth with Filter In Mod
MG1 Moog - Filter Modification - thanks to Phoenix for taking part!
Uploaded on Jun 23, 2011 BlankSpaceMusic·12 videos
"Modified my Moog Realistic MG1 so that the filter can be used alone on any source from guitar to ipod.
Modification instructions here:
http://machines.hyperreal.org/manufac...
http://blankspacemusic.com
http://soundcloud.com/blank-spaces
http://www.facebook.com/blankspacemusic
http://twitter.com/#!/blankspacemusic"
via this auction - learn how to sell on eBay here.
"It has just been fully serviced and has been modded to accept AUDIO ROUTING TO THE FILTER!!!! Now you can process any audio source through that classic Moog 24db filter, -vocals, guitars, BASS, anything!!! It is the best little analog filter around..."
Uploaded on Jun 23, 2011 BlankSpaceMusic·12 videos
"Modified my Moog Realistic MG1 so that the filter can be used alone on any source from guitar to ipod.
Modification instructions here:
http://machines.hyperreal.org/manufac...
http://blankspacemusic.com
http://soundcloud.com/blank-spaces
http://www.facebook.com/blankspacemusic
http://twitter.com/#!/blankspacemusic"
via this auction - learn how to sell on eBay here.
"It has just been fully serviced and has been modded to accept AUDIO ROUTING TO THE FILTER!!!! Now you can process any audio source through that classic Moog 24db filter, -vocals, guitars, BASS, anything!!! It is the best little analog filter around..."
PAiA OZ 3760 Polyphonic Synthesizer
Korg MS-20 Mini New in Box
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here.
via this auction - learn how to sell on eBay here.
Novation Nova Desktop Synth
Note: Auction links are affiliate links for which the site may be compensated.
via this auction - learn how to sell on eBay here.
via this auction - learn how to sell on eBay here.
NI Absynth "The Abandoned Power Plant"
Published on Aug 11, 2013 Anthony Distefano·244 videos
"Horror type patch in Absynth"
"Horror type patch in Absynth"
Pygmalions Ate My McLaughlin
Published on Aug 11, 2013 Christopher Winkels·64 videos
"A further development of the LFO modulating a VCO's waveform to modulate a Miniwave effect. In this case it's an SSL Quad LFO modulating the pitch of a synced Q106 VCO running at audible speeds.
That VCO then alters the cutoff of a highpass filter into which a second Q106 is fed, which then powers the miniwave.
At various points I'm playing with the octave settings on the slaved oscillator. A Q960 sequencer provides the basic pitch while its second channel determines the waveform selection on the Miniwave.
The horrendous jet-engine crescendo is derived from the resulting cacophony being fed into a Boss SX-700 effects processor with lots of chorus and delay at heavy regen settings."
"A further development of the LFO modulating a VCO's waveform to modulate a Miniwave effect. In this case it's an SSL Quad LFO modulating the pitch of a synced Q106 VCO running at audible speeds.
That VCO then alters the cutoff of a highpass filter into which a second Q106 is fed, which then powers the miniwave.
At various points I'm playing with the octave settings on the slaved oscillator. A Q960 sequencer provides the basic pitch while its second channel determines the waveform selection on the Miniwave.
The horrendous jet-engine crescendo is derived from the resulting cacophony being fed into a Boss SX-700 effects processor with lots of chorus and delay at heavy regen settings."
Shbobo Fish - Tutorials
Shbobo Fish - Tutorial 1 from shbobo on Vimeo.
"Getting started with Fish software for the Shbobo Shnth synthesizer.more info available at www.shbobo.net"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH