Published on Aug 22, 2013 AnalogAudio1·116 videos
"(c) 2013 by AnalogAudio1
I played the ARP Axxe with reverb effects from a Lexicon MPX-500 and delay effects from a Roland DEP-5.
The ARP Axxe is a monophonic synthesizer. It came out 1977 and was the competitor of the Micromoog. It is a cutdown version of the ARP Odyssey."
Thursday, August 22, 2013
ARP AXXE Analog Synthesizer 1977 | HD DEMO
Studio Electronics Boomstar 4075 SN 10059
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Noisebug (RSS)
"Monophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.
The synth is capable of many sounds, from mighty leadsm thick basses, crazy FM sounds to cutting sync sounds. The version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.
VCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle/sawtooth or sine/pulse. VCO2 can be removed from the keybaord tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.
The oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.
The filter is a resonent ARP 2600 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.
The first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays opened what makes filtering external sounds possible without constantly pressing a key.
The LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.
The VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM."
via this auction - learn how to sell on eBay here.
Noisebug (RSS)
"Monophonic analog synthesizer with flexible sound generation (2 VCOs, cross modulation, noise, ringmod) as well as overdrive and feedback. Loopable envelopes and a MIDI-syncable LFO are there for modulation duties. Patch sockets for contol voltages enable interfacing e.g. with a modular synth.
The synth is capable of many sounds, from mighty leadsm thick basses, crazy FM sounds to cutting sync sounds. The version 4075 is equipped with a really good sounding ARP 2600 lowpass filter.
VCO1 has a six-position octave switch (from LO to 2´), sync, pulse width modualtion and a sub-oscillator. Up to two wave forms can be mixed with the wave-mix switches: triangle/sawtooth or sine/pulse. VCO2 can be removed from the keybaord tracking, has six octave ranges, switchable wave forms (saw, triangle and pulse), a detune control and a control for modulation intensity with Env1 or Env2 as selectable modulation source. Cross modulation of VCO2 to pulse width or frequency of VCO1 is available, too.
The oscillators, the ring modulator and the noise are mixed in the mixer section at the bottom where you´ll find also the lovely feedback control and en external audio input.
The filter is a resonent ARP 2600 low pass filter with keyboard tracking (0%, 50% or 100%). Besides the modulation intensity control for Env1 there´s also a modulation control for VCO2 or the LFO as source.
The first ADSR type envelope is assigned to the filter. It can be inverted and even looped. The second ADSR also offers an inverting function, additionally triggering by the LFO and different keyboard trigger modes. In the DRONE position of the master switch the VCA stays opened what makes filtering external sounds possible without constantly pressing a key.
The LFO can be synched to the MIDI clock if desired, offers nine wave forms and can e assigned to the pulse widths or frequencies of the VCOs.
The VCA is being modulated by the 2nd envelope, has a volume control and two overdrive modes. in the lowest section left of the mixer you´ll find additional tiny controls for main tune, pitch bend intensity, glide time, dynamics and modulation intensity of Env1 to VCO1´s PWM."
See dealers on the right for pricing and availability on gear.
LABELS/MORE: Auctions, Studio Electronics
LABELS/MORE: Auctions, Studio Electronics
Mode Machines x0x-Rack
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Perfect Circuit Audio (RSS)
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Perfect Circuit Audio (RSS)
Roland Juno 106 Analog Poly Synth
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Korg Delta DL-50 SN 283211
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abertronix (RSS)
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abertronix (RSS)
Vintage Synth ARP OMNI Promotional Brochure w/ Sample Record
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Waldorf Rocket Monophonic Synthesizer - w/ Analog Filter, MIDI & Arpeggiator
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Click the pic and zoom for the supersize shot.
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Click the pic and zoom for the supersize shot.
Roland Jupiter-6 Analog Synthesizer SN 303843 or 353843
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via this auction - learn how to sell on eBay here.
"Roland Jupiter-6 Analog Synthesizer in excellent condition with only very minor wear from normal play. Includes manual on CD, power cable and Gator Hard Case.
The Jupiter-6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.
The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control..."
via this auction - learn how to sell on eBay here.
"Roland Jupiter-6 Analog Synthesizer in excellent condition with only very minor wear from normal play. Includes manual on CD, power cable and Gator Hard Case.The Jupiter-6 is an incredible analog synth. All of the Jupiters have a sound that was unlike any other synthesizer and the Jup 6 is no exception. This sound is due in part to classic analog Roland technology in its filters, modulation capabilities and a thick cluster of 12 analog oscillators at 2 per voice. Easy and intuitive programming via front panel sliders, knobs and buttons for all your tweaking needs.
The Jup 6 is a scaled down version of the Jup 8 in terms of programming and polyphony. However the Jup 6 has some major improvements of its own such as newly added MIDI control and better tuning stability! While the Jup 6 does have MIDI, the implementation is very rudimentary and hard to control..."
Vintage Kawai SX-240 Analog Synthesizer SN K-8730
"Endeavour - Space Line Generator" Analog Synth / Sequencer w/ Theremin Controls
Published on Aug 22, 2013 DoctorBlankenstein·31 videos
http://www.drBlankenstein.com
Dr. Blankenstein on eBay (RSS)
"Dr Blankenstein's "Endeavour Space Line Generator" Analog Synth / Sequencer w/ Theremin Controls
Back from a long video uploading break with a new prototype demo... and many more to follow. What we have here is a 10 step analog sequencer, running a square wave oscillator. Each step of the bass line can be tuned via the 10 main sequence knobs. This unit is intended as a stand alone sound creation device, at has NO sync out or in... hence why it should be considered a "space line generator" ;) Oh, and for added fun.. there is an ILLUMIRINGER put on the end of the signal chain for epic tweaking!
All of this is controlled via the 3 sections at the top of the unit... each section has the option to be either controlled via a knob, light sensor or pair of touch points (at the bottom of the unit.) First, we have the "SPEED" which will control the tempo of the sequence. Next, there is the "PITCH" controls.. and finally the "FILTER" which is tied into the effects section. The filter fx can be turned on and off via the switch to the left of the Knob / Sensor control switch on the right most control section.
The touch points are set up in pairs... from left to right... 1st Speed, 2nd Pitch, 3rd Voltage Drain, 4th Effect. They can be used in pairs OR in different configuration to get some really exciting expression out of the piece.
The light sensors on this thing are SICK! Massive range... super sensitive! So many way to jam on them... I couldn't include all of them in the video there were SO MANY... so use your imagination.
Unit can be turned on via a mission impossible style key start... or big red momentary button. 9v Power adapter power for maximum juice'ness (this thing is a bit of a beast). This is a solid PCB design, not perf board etc... so I would expect to see a few of these popping up on the website / eBay in coming days.
Hope you enjoy.. hit me up if you have any questions... or want to pick one up. AND PLEASE.. make sure to SUBSCRIBE for more cool one of a kind designs ;)"
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LABELS/MORE: Circuit Bending, DIY, Dr. Blankenstein, Featured, Video
LABELS/MORE: Circuit Bending, DIY, Dr. Blankenstein, Featured, Video
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
