4ms BUFF MULT

Published on Nov 27, 2013 4mspedals·79 videos

"BUFF MULT from 4ms Company:

Two independent buffered multiples, normalled together
Each channel has one input and three outputs that are high-grade copies of the original
Each channel has a bi-color LED to indicate positive (white) or negative (red) signal
Width bandwidth video-rate op-amps, fully compatible with LZX and video signals
Bottom channel is normalized to top channel, for a 1-to-6 multiple
Useful for detecting signals, troubleshooting patches, isolating modules, preventing "thump" or glitches during live patching, and protecting outputs
Module size:
The 4ms BUFF MULT is 3HP and 0.75 inches (18mm) deep.

Power consumption:

+12V rail: 13mA
-12V rail: 13mA
+5V rail: Not used (0mA)

For more blinkenmults: http://4mspedals.com/buffmult.php"

J74 Volca Control - Software editors and control surfaces for the Korg Volca series

Published on Nov 27, 2013 Fabrizio Poce·36 videos

KORG Volcas on eBay

"The VKeys, VBass and VBeats are a set editors for the Korg Volca series. They allow you to control, store and modulate all of the hardware units natively implemented MIDI parameters, while adding a bunch of new features for synthesis and performance.

The devices come in the format of Standalone desktop applications for Mac and PC (integrating via MIDI communication to controllers and DAWs, no additional license required) and in Ableton's Live Max for Live format (integrating directly in Ableton Live, in this case a Max for Live license or Live 9 Suite version is required).

Here more information:
http://www.fabriziopoce.com/volcacont...

Here the FAQ section:
http://www.fabriziopoce.com/volcacont...

Here the user manauals:
http://www.fabriziopoce.com/VKeys-UG.pdf
http://www.fabriziopoce.com/VBass-UG.pdf
http://www.fabriziopoce.com/VBeats-UG...

Note: to use the software with the units you need MIDI communication and therefore a interface supporting traditional 5-pin DIN MIDI connector (as used by the Volca units).

Feature set:

Volca units standard functionality mapped via MIDI:
- VKeys: VCO (OSC) Modes, Detune, Portamento, Pitch Envelope
- VKeys: LFO Rate, modulation intensity for both Cutoff and Pitch
- VKeys: VCF Cutoff and Envelope amount
- VKeys: Envelope (EG) Attack, Decay/Relase, Sustain
- VKeys: Delay Time
- VKeys: Delay Feedback
- VKeys: VCA Volume
- VBass: VCO (OSC) Pitch tuning for OSC 1, 2 and 3
- VBass: LFO Rate, modulation intensity for VCF Cutoff
- VBass: VCF Envelope amount (on Cutoff)
- VBass: Envelope (EG) Attack and Decay/Relase
- VBass: VCA Volume
- VBeats: Part Level (Kick, Snare, LoTom, HiTom, ClosedHats, OpenHats, Claps, Agogo, Crash)
- VBeats: PCM Speed (Claps, Agogo, Crash)
- VBeats: Tom's Decay
- VBeats: ClosedHats Decay
- VBeats: OpenHats Decay
- VBeats: Hats Grain
- VBeats: Stutter Time
- VBeats: Stutter Depth

Additional features given by the VKeys, VBass and VBeats software:
- VKeys: Delay Modulation for Chorus-like effects
- VKeys: KeyTracking on VCF Cutoff
- VKeys: Additional LFO (LFO2) which is software-based and tempo synchronized
- VBass: OSC Pitch Tuning modes (unison, octave, third, fourth, fifth, major-chord, minor-chord and three auto-detune options)
- VBass: 3 note Polyphony emulation (paraphony), as OSC Pitch Tuning mode "poly"
- VBass: KeyTracking on EG/Cutoff level
- VBeats: MIDI velocity dynamics (emulates MIDI velocity support)
- VBeats: MIDI controllable pads with velocity emulation
- VBeats: Solo/Mute mixing controls
- All devices: X/Y Panel for modulation of two parameters simultaneously
- All devices: Parameter Randomizer
- All devices: Presets storage (load, save, recall)

What the VKeys, VBass and VBeats do NOT control:
- VKeys: VCF Peak (not hardware/MIDI implemented by Korg)
- VBass: VCF Cutoff (not hardware/MIDI implemented by Korg)
- VBass: VCF Peak (not hardware/MIDI implemented by Korg)
- VBeats: Kick click/pitch/decay (not hardware/MIDI implemented by Korg)
- VBeats: Snare snappy/pitch/decay (not hardware/MIDI implemented by Korg)
- VBeats: Tom's Hi/Lo pitches (not hardware/MIDI implemented by Korg)
- All devices: Any FUNC[tion] setting on the units (not hardware/MIDI implemented by Korg)"

PPG wave 2.2 "First Record"

(c) vintage synthesizer track by RetroSound
synth sound: PPG wave 2.2 synthesizer
bass: Moog Source
recording: multi-track
fx: reverb and delay

via Marko Ettlich on The MATRIXSYNTH Lounge

Oberheim OB-1 Keyboard

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"Everything on this unit does work as intended. the unit was just recently serviced all pots and electronics were cleaned. Not sure if original looks like it was added but there is a switch on aslator 1 that effects LFO Modulation and Pitch Envelope there is a few minor chips in the wood casing see pics above..."

Waldorf Rocket - "Sounds from outer Space and beyond"

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

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Van Daal Electronics Mutable Instruments Shruthi-1 Polivoks Custom Synthesizer

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

"This is a brand new Mutable-instruments Shruthi-1 Polivoks mono synth.
http://www.vandaal-electronics.com/products/shruthi

Built like a tank! This metal-wood case will make it last forever.
Enclosure is designed and made by Van Daal Electronics. http://www.vandaal-electronics.com/
Cases are available separatelly for your other shruthi projects if needed.

Information about Mutable-instruments Shruthi:
http://mutable-instruments.net/shruthi1

Information about Polivoks:
http://mutable-instruments.net/shruthi1/build/polivoks

We shipp worldwide.

Van Daal Electronics
http://www.vandaal-electronics.com/"

Boss DR-110 SN 369000

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

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Tone2 Nemesis Feature Overview

Published on Nov 15, 2013 Tone2 Audiosoftware·33 videos

"Available the 1st of December from Tone2.com, Nemesis takes FM synthesis to its next evolutionary step: NeoFM synthesis.

NeoFM is an exclusive new and improved approach to FM synthesis that is extremely powerful and intuitive. Nemesis includes traditional FM synthesis as well as a completely new and improved approach to FM called NeoFM synthesis. It is now easier than ever to get very good sounding results.
The sound quality of Nemesis surpasses conventional synths, making it easy to locate the sonic sweet spot.
Nemesis features an easy-to-use interface, which ensures that you will experience FM synthesis at its best and most entertaining.

* Unrivaled sound quality.
* Offers a new and user-friendly approach to FM synthesis. Nemesis makes FM synthesis accessible to everyone, regardless of skill level or experience.
* Easy to tweak presets or program your own sounds with.
* NeoFM covers all important aspects of traditional FM synthesis, but is in no way limited only to bell-style sounds. It offers a very large sonic range, one that is much more varied than other FM synths.
* Due to its innovative technical approach, neoFM does not suffer from a metallic sound or from the weaknesses of conventional FM.
* No fewer than 22 combinable synthesis types. Nemesis expands FM with further synthesis methods such as Additive, Formant, Wavetables, Waveshaping, Phase distortion, Sync and Reso synthesis.
* Contains 1000 inspiring patches from professional designers.
* Unique signature sound.
* Nemesis features a large number of exclusive sounds that are not possible with other synthesizers.
* Perfect for modern, as well as all other music styles.
* Wave import, resynthesis and the additive spectral editor offer unlimited sonic possibilities.
* True 4x stereo unison.
* An extensive number of high-end quality effects, with flexible and innovative routing options.
* Trancegate with an extensive selection of setup options.
* High-End sound quality with low demands on your CPU.
* Powerful, easy-to-use arpeggiator."

kaleidoloop critter and guitari

Published on Nov 27, 2013 electronicani·19 videos

"very fun to take drive thru orders."

SNAZZY FX:telephone game vid 5-morphed/slewed

Published on Nov 27, 2013 snazelle·110 videos

"there are many different CV outs on the telephone game , this video shows the MORPHED output. this signal can have Slew added to it as well. in this video , what we hear AND see on the "scope" plugin is a slow triangle wave being fed into INPUT jack. by turning up feedback pots 1 and 2, we get a waveform which can then have slew applied to it. then we have our morphed/slewed signal to mess up a vco with. our sequencer and adsr are being clocked by the telephone games clock out"