MATRIXSYNTH

Modular MOOG Electric Blue Voyager SN EB0832 with CP-251 & VX-351

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"Complete used near mint Moog Minimoog Voyager Electric Blue Edition with VX-351 CV Expander, Moogerfooger CP-251 Control Processor, gooseneck lamp, 32 patch cables, manuals & voyager box. Voyager Upgrade/Retune/Recal completed by Moog Tech Support in Aug 2009 (Fully tested, re-calibrated and re-tuned. Upgraded to OS 3.4 and the filter glide mod) used in home studio only."

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Korg Electribe 2 All Sounds Demo

Published on Dec 21, 2014 hagbardce1ine

Korg Electribe2s on eBay

Kick: 0:00 - 1:49
Snare: 1:50 - 3:16
Clap: 3:17 - 3:40
HiHat 3:41 - 4:43
Cymbal 4:44 - 5:04
Tom 5:05 - 5:28
Perc 5:29 - 6:32
Voice 6:33 - 6:56
Synth FX 6:57 - 7:22
Synth Hit 7:23 - 7:49
Instrument Hit 7:50 - 8:12
Synth 8:13 - 11:19
Instrument 11:20 - 12:03

Boss CE 300 Demo with Synthesizer Prophet 600

Published on Dec 22, 2014 hagbardce1ine

"Roland / Boss CE300 with a Prophet 600. This gorgeous chorus makes the prophet come alive!

This unit has Don Solaris' I/O mods to work better with synths and Germaniac's delay time mod"

Oberheim OB-Xa Demo

Published on Dec 22, 2014 perfectcircuitaudio

"This video demonstrates the sound and features of the Oberheim OB-Xa analog synthesizer. Enjoy!"

Perfect Circuit Audio on eBay

LFO Wavescanning

Published on Dec 22, 2014 Ebotronix

4ms Peg, QCD /Expander²,QPLFO ,RCD
Analogue Systems RS110²²,RS 100²,RS 360²
Doepfer A118, A134²²,A143-1-2,A149, A152,
A175²²,A185-2, A 138abc,A 192 -1
Flame 4 Vox,Chord Machine²,Talking Synth Module²
flight of harmony choices
Make Noise Brains, Pressure Points², Maths²,Moddemix
Optomix, QMMG,Wogglebug²
Malekko Anti ²² ,Uncle²² ,Jag
Rocktron Rack Interface
Tip Top Audio Z8000 manual voltage source
Toppobrillo Sportmodulator, Quantimator
Logic masterclock to Kenton Pro 2000
FX :Alesis 3630, Aphex Model 104,Boss VF-1,BSS DPR 402,
Lexicon PCM 80,Line 6 Echo Pro,TC M3000
Red Federation BPM FX Pro
mackie the mixer³
morse key for Vocoder / Talking Synth² switch
Ultrabeat drum
vid # 1212

Rebound character

Published on Dec 22, 2014 UncertainMusicCorps

"Live Music Easel jam with Braids drone and Kaoss pulse.

Grainy video due to lack of light but the sound travelled OK."

First patch with the Mutable Instruments, Clouds, Elements, Streams and Shelves modules

First patch with the Mutable Instruments, Clouds, Elements, Streams and Shelves modules from Richard Devine on Vimeo.

Sequence starts with a cable connection to the clock output from the Steady State Fate Ultra Random module. This clock output was sent to a intellijel hub mult. From here the clock was sent to first to a 4ms RCD/QCD, Delptronics Trigger Man, and to the MakeNoise Rene. First output gates from 4ms RCD 4 divide output to the trigger input on the Braids module top row, running in "WLM" mode. Second multi output was sent to a 4ms QCD output green channel 4, set at division trigger time of 16. This would trigger single notes on the "Elements" module, that begin at 1:42. The playback mode is running in "Secret Easter Egg Mode" :-) The selected note sequence from the QCV output from Rene. Final output from Elements was sent to the Eventide "Pitch" pedal using the "Crystalizer" algorithm.

Clouds - was processing recorded chunks from the drum percussion, kick used from the top row "Peaks" 808 kick drum synthesis model. Then a snare created from the "grey" noise output from the SSF Quantum rainbow running through right side of Streams to make a snare drum, which was running in envelope mode with shape position to the left, short decay. Then a third voice using the blue noise output from the SSF quantum rainbow for hi-hats. Amplitude triggered/controlled by a HexVCA. The drum sequence was programmed from the Delptronics Triggerman, using all 8 patterns stringed together running in pattern play mode but being CV controlled by the S&H # 1 output from the SSF Ultra Random. Output for all voices was grouped and multiplied into two separate mixers. First three channels of the Intellijel Mutamix, which was then sent to output channel B. From there the summed mix was sent into the "left" side input of Clouds. Then triggered in time with the sequence by a 8th division trigger from the 4ms RCD. The freeze input in Clouds was triggered in time 7th divisions from the 4ms RCD, so that the chunks would process and record then play back in spurts of timed randomness. The mode was set in the pitchshifter/timestretcher configuration, where the grains where spliced so that created interesting granular pitching repeats and percussive glitch effects, as the rhythmic beats played through. Focused ranges where selected for the "Density/Pitchshifter" and "Timestetcher/Texture" controls. These where being controlled by the S&H #2 output from the SSF Ultra Random. The 1/volt pitch input was controlled by the toggle A/B output from the SSF ultra random. The clean drum outputs also sent to the channels 5, 6, and 7 on the Blue Lantern "Mix 'Em Up" module.

Streams left side processing from the MakeNoise Mysteron output, which was being triggered by the 5th division output, for the metallic ripple delay like sounds, with the mutation knob set to counter clockwise, low bit mode.
The "Shelves" module was processing the acid like filter parts that get un-muted at 12 seconds. The sound source running into "Shelves" was the "Braids" module bottom row, running in "CSAW" mode. CV controlled by the CV output from the MakeNoise Rene sent to another intellijel hub mult. From here each CV output was sent to the "Frequency" inputs pink, green and white jacks on "Shelves". The "Tides" high tide output modulation the CV controlling the top frequency input on "Shelves" Each filter knob was set so the incoming "CSAW" input was being processed like a formant filter effect.

Smooth Sub OSC bassline coming from the MakeNoise STO. This was being CV controlled by a intellijel µScale (B) output. Playing back 8 notes while being triggered from the 2nd division trigger on the 4ms RCD. Triangle wave output from a Intellijel Dixie (syncd) to the sequence controlling the input (1V/Oct). Second STO at 55 seconds, alternating high note triggers from the 1 channel output from the 4ms QCD 6th division output. The second STO output sent to a MakeNoise Optomix for short quick plucks.

The light reverb soft lead at 1:15 from sine wave output from another intellijel Dixie, being CV played from the 1V/Oct input from MakeNoise PressurePoints. The output was then ran into a Strymon "BigSky" pedal running the "nonLinear" reverb algorithm. The Chords coming in at 1:35 played by a Qu-Bit Nebulae module. The 4 chord sequence was hand played and recorded from a Roland Jupiter-6,. The sample was then cut into a 32 bar loop and then was restarted/played from a the 3rd output trigger on the 4ms QCD. This output was manually volume controlled by a Intellijel µAttQuad log/lin attenuator. Grids was being clocked from multi output from the SSF Ultra Random, from here the first output trigger channel was sent into a Addac 101 .WAV Player. Notes sequenced and recorded from the Mutable Instruments "Elements" Module. 4 notes in a specific order was played 4 times 32 bars/samples. This was triggered by the gate input triggered by the Gate Y output on Rene. Trill high notes from Microbe Modular Equation Composer running in Synth3Osc is a 3 osc synth mode.

Sparkle - Advanced Cross-Synthesis for iOS

Published on Dec 13, 2014

"Demo of Spectral Manipulation, Cross Synthesis, phase-sync transformation audio app for iPad"

iTunes: Sparkle - Advanced Cross-Synthesis - apeSoft

"Sparkle is a tool for advanced spectral hybridizations made of several algorithms that operate on frequency domain.

By means of envelope preservation and phase-sync processing it can creates high-quality sound transformations.

The basic idea is to transfer the temporal structure of a sound (source) onto another sound (target) of which the spectral properties are preserved.

Simply put, you can take a voice and make it sing a Beethoven’s symphony!"

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