MATRIXSYNTH

Tuesday, January 20, 2015

Grendel RA-9 GRENADIER SEMI MODULAR SYNTH

Note: links to listings are affiliate links for which the site may be compensated.

via Perfect Circuit Audio

"The Grendel RA-9 Grenadier is a 1-oscillator analog monosynth with CV-Gate control. It has a semi-modular design in a tabletop enclosure with 1/4″ audio output. The Grenadier can be played stand-alone by using its keypad with 4 independently tuneable keys, or you can activate its onboard sequencer for minimal rhythm loops and tone sequences. Patch in a 1v/oct MIDI-CV converter (not included) and the Grenadier can play sequences from a MIDI workstation or computer.

The Grenadier’s unique palette of analog tones comes from its triple bandpass filterbank with syncable modulation. Its voice is designed for electronic basslines and melodic sequences, as well as slow drones, electro percussion loops, bass drums, and more. The filterbank can also become a tone source by setting it to self-oscillate with warm low frequency overdrive.

The Grenadier’s VCO offers square and triangle waveform. Its pitch can be modulated by the envelope generator for bass drops and other tuned analog percussion effects. The VCO waveform is synced to gate, for better bass output with staccato sequences.

The decay envelope generator offers a wide range of decay times up to 60 seconds. The contour of the envelope can be reversed with the bipolar Envelope Depth knob, putting it solidly in the electro funk zone. The Grenadier’s LFO covers a wide range of 0.05 Hz (that’s once cycle every 20 seconds) up to 60 Hz, and can be reset by gate events for tempo-sync effects.

The patch bay allows semi-modular control and multiplies the creative options when patching to itself, another Grenadier, MIDI-CV converters, and modular systems.** Fourteen patch points are provided including CV and gate in and out, clock in and out, LFO rate CV, and external audio input. It accepts Eurorack-type 1/8” (3.5mm) mono phone plugs.

The Grendel Grenadier has a straightforward knob-per-function layout that avoids confusing context-sensitive controls. Each switch on the front panel has a red status LED that is easy to see, but not glaringly bright. The case is built of laser-cut steel with durable powder coat and silkscreened graphics. It has a sturdy-feeling build, weighing in at nearly 2 pounds. Grippy rubber feet elevate it above the table, and a pair of polished metal handles double as a roll cage to protect its control surface.

The Grenadier is built to satisfy the need for creative analog equipment that stands the test of time.

Features

4-step analog sequencer that outputs control voltage in a repeating cycle I-II-III-IV. Voltage of each step is controlled by the knob above each key I-IV. It steps once to the right each time it is triggered. The analog sequencer normally controls the VCO frequency for simple melodic sequences, and can be patched to sequence the filterbank, LFO rate, or an external module.

Programmable Trigger Loop: It is normally synchronized to the LFO, or you can patch 16th-notes tempo clock to CLK IN. Program a rhythmic sequence of events in a 32-step (2 measure) endless loop by tapping the PROG-+ button in real time. Your input is quantized to the clock and repeats as long as clock is present. The trigger events can step the analog sequencer, trigger the envelope, or trigger an external module using the TRIG OUT patch point.

LFO; The rate can be controlled with the LFO CV IN patch point. Its response is exponential (~0.5v/oct) and its frequency range is 0.05-60 Hz. The symmetry of the triangle wave is variable and the pulse wave output can be varied from 20..80% width by using the Symmetry knob. Activate the TRIG button and the LFO will sync (restart) with each gate event. This can give the impression of tempo-synced LFO effects, and also lets you use the LFO like a second envelope generator for the filterbank. The LFO Depth knob sets the level of filterbank modulation, and is a bipolar gain type control. The LFO Out patch point is post-LFO Depth. The CLK Out patch point normally sends unattenuated LFO square wave.

Drone Button: cancels the volume envelope for endless sustained notes. And its filterbank can be driven into deep-pitched overdriven self-oscillations. The Drone Commander has two fixed oscillators, while the Grenadier has one VCO. But the Grenadier goes further with the addition of a VCA and envelope generator, plenty of CV connections, and a minimal onboard sequencer.

The Grenadier has CV and Gate Output, CV In and Gate In, Clock In, Clock Out, Alpha In and Beta In (CV inputs to control the filterbank’s 2-axis parameters), ENV Out, LFO Out, Trig Out, Osc Out (Disconnects OSC from Filter, this lets you use it as an FX send), Ext In (FX return or mix in an external VCO)"

ContinuumModular



"Excerpt from a live session noodling around with a modular synth and Haken Continuum

Bass drone is a MakeNoise DPO, self-modulated, filtered by Pittsburgh Modular LPG. Resonant noise filter sweep is RF Nomad into a Harvestman Polivoks VCF. Random arpeggio is a Doepfer A110 VCO modulated by a Music Thing Modular Turing Machine, with delay provided by Expert Sleepers Disting. All modular sounds mixed live via Low-Gain Electronics Submix, then post-processed on Lexicon MX200."

via Russ.

Analog Drum Loops - LEPLOOP



Available on Bandcamp here.

"Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

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Here on Bandcamp, you can listen to a selection of some of the Loops in this pack.
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This pack contains 89 (24bit 44.1Khz WAV) Loops in a Zip file
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The ZIP file contains 4 Folders - 46 Bass Drum Loops - 14 Bass Loops - 6 Melody Loops and 23 Percussive Loops.
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Choose MP3 for a faster file download of the Demo track and the example sound files.
You will get the high quality WAVs in the ZIP file.
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The Loops in this pack range from half a bar to 4 bars long, and have been carefully edited to loop seamlessly from start to finish to start….
They were all sequenced within the LEPLOOP analog groove box.
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No Digital processing has been applied, only subtle fades to prevent clicks.
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You may think "only 89 Loops?"……...but some loops contain many different elements, some differ subtly ("Dub Shop" contains 12 similar Bass Drums - actually "Dub Shop" and "Accent Velocity" are the same sequenced pattern, but with two different sounding results.) or in the case of the loop "WaveSequence" there are 8 vastly different percussive elements that you may edit and be creative with (eg. you can create a whole drum kit with one Loop) or Halloween Bells with 19 different Bells and percussive elements.
There are only a couple of loops that sound similar to each other and these have been included as the waveforms differ slightly and are great to provide a subtle variation.
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Get Creative!
FOOD4samplers."

Eurorack + Juno 106 + MC202 Jam 1


Published on Jan 20, 2015 Steve McDonald

"Jam, mid-Jan 2015. Right after assembling new small modular. Modded MC202 is being controlled via cv/gate from the Elektron keyboard."

Kilpatrick Audio Phenol - A Quick Look


Published on Jan 20, 2015 KilpatrickAudio

"Check out the very first glimpses of the production prototype of PHENOL. We listened to comments from Kickstarter backers and beta testers and made a number of improvements. These include new controls for envelope modes, a new arp mode for making interesting musical envelopes and LFOs, as well as a full set of 1/4" jacks on the rear panel with dedicated headphone and line outs."

DSI TEMPEST update 1 4 with Flex & Bell sounds & NEW WOOD SIDES!!


Published on Jan 20, 2015 Ritchie DeCarlo

"Experimenting with another NEW project!
FUN!!!"

Tempests on eBay

New Waldorf Waldorf Edition 2 Screenshots



PPG Wave 2.2v, d-pole Multimode Filter, and attack Percussion Synthesizer.

See this post for details.

New Waldorf Attack for iPad Screenshots


See this post for details.

Hi-Res Pics of Waldorf's New nw1 Wavetable Eurorack Module



New pics added to this post.

1976 ARP 2600 Model 2601 v1.0 with Keyboard SN 3620 0153

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

via the seller: "Features: 4012 "ladder" 4-pole filter; duo-phonic 3620 keyboard; matching keyboard/synth SE#s 0153; original cables, manual, service manual and patch book.

Condition: Unmolested, totally stock and original; panels, keyboard and over-all cosmetics in beautiful condition; a few modest tolex blemishes; oscillator 2 requires calibration; three slider knobs broken off (see photos - sliders fully functional, replacements readily available).
Provenance: Original owner, purchased new in spring 1976 from Patrick Gleeson, Different Fur Trading Co., San Francisco.

Highlights: This 2601 v1.0 is quite rare - it is equipped with the Moog style "fat" 4-pole filter with extended frequency range (which Moog forced ARP to discontinue), has superior jacks and sliders, and was manufactured mid-1976 at the peak of the quality curve for the 2600s. I have owned and treasured this synth for 39 years. If you are looking for a immaculate, single owner, best-in-class example of a ARP 2600, this is it."

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