via the seller: "I am selling some vintage ARP encapsulated submodules. I bought them in 1972 and started to build a simple synthesizer. I did breadboard them and got them working, but life happened and that's as far as it went. They have been in a sealed box for many years. These are the first generation of ARP submodules, where the whole guts are sealed in epoxy. They are AS- IS, but I do believe they are still functional. If there's a questionable one, I'd guess it's the 4017 VCO, since I just had my 2600 cleaned up and the VCO had failed. I will include the diagrams from Tonus how to hook them up. I paid $470 for these back in the day."
"Excerpts from a short session in the evening playing with the DIY Orgone Accumulator in my BugBrand Modular system.
Filtered via PRC3A State variable filter and then delayed by PRC1 PT delay.
Direct out. No external efx."
This video shows the Bass and FX Sounds of this plugin
TAL-BassLine-101 is a monophonic bass synthesizer and a very accurate emulation of the popular hardware device. The GUI is intuitive and easy to use. It produces the raw sound you know from analogue devices without any effects.
Its 24dB zero feedback delay low pass filter has a very smooth and authentic sound without any digital artifacts, especially designed and calibrated for extreme settings. It sounds even smooth with a lot resonance and a high oscillator pitch where most emulations fail.
Details as envelope transitions between overlapping notes are carefully modeled. The oscillators do not use any samples. TAL-BassLine-101 generates all wave-forms in real time. Filter-FM allows it to choose an oscillator waveform as modulation source for the filter cutoff. This additional feature can be used to create a wide range of new sounds."
"The KOMA ELEKTRONIK Komplex Sequencer controls the 1 V/Oct input of the Harvestman Hertz Donut via Sequencer A’s CV output. Sequencer A’s Gate Output controls the Cutoff CV of the KOMA ELEKTRONIK SVF-201 Filter and the 4ms VCA Matrix, which the Hertz Donut goes through. After creating the basic patch, we use the other sequencers to modulate play mode, transpose and gate length.
The KOMPLEX SEQUENCER is a musical monster built around four full-featured 16-step sequencers that allow and invite the user to use one or more of the sequencers to sequence the other one. The KOMPLEX SEQUENCER has no screen or submenus; all features have their own dedicated controls, and all features have their own dedicated in- and outputs on the large 86-point patch bay. Each sequencer has its own start and stop buttons, a quantizer (switchable between chromatic, major & minor scales), one-shot-mode and five different play modes (forward, backward, ping-pong, ping-pong reversed, random).
By patching both internal and external CV-sources to the patch bay of the KOMPLEX, the user is able to control the parameters for Sequence Start Point, Sequencer Clock Division, the amount of the Glide between the steps, Skip Step, Repeat Step and Repeat Length. Also, you can Transpose the whole sequence via CV, start it with an external trigger signal and use, for example, an LFO or another sequence to control Sequence Length or Gate Length. This adds up to 20 in- and outputs per individual sequencer, which, when you include the CV recorder outputs, adds up to 86 CV patch points on the whole machine, all conveniently located on the front panel.
The KOMPLEX SEQUENCER will be available at select retailers worldwide in Spring 2015 for an MSRP of $1500.00. To learn more about the KOMPLEX SEQUENCER or KOMA Elektronik's full line of electronic musical instruments and accessories, please visit www.koma-elektronik.com."
"Fooling around and exploring the new Korg Electribe during landing.
Bought it form this music store in Dubai on my way to the airport.
'Please switch off all electronic devices' she said.
Yeah right.
Music is all about breaking the rules!"