MATRIXSYNTH


Thursday, January 14, 2016

Soundtronics to Partner with MFOS on Bringing Synth DIY to the Masses & Other Formats


Sountronics is currently seeking funding on Indiegogo to bring MFOS based completed modules in various formats including 5U, as well as introducing simple DIY kits for those not experienced with DIY. As many of you know, Ray Wilson has cancer. Ray is still behind this campaign. You'll find some notes on that below. Soundtronics does plan to ensure that the MFOS range of synth DIY remains available. Note this is the first Soundtronics post on MATRIXYSNTH.

The following is what they have to say:

"Off-the-shelf modular synthesisers can cost upwards of £2,000, an expensive investment for today’s musician or enthusiast. Soundtronics has partnered with MFOS (Music From Outer Space) to bring you an extensive range of affordable, customisable, and quality DIY synth modules, suitable for beginners and professionals alike. We’re sure you’ll love them as much as we do!

Soundtronics’ DIY Synth modules, Lo-Fi Noise Boxes, and Single Board Analogue Synths are available in varying levels of kit form. This allows enthusiasts like you, with a budget big or small, to collect units until you have the final setup you require. Plus there's the added satisfaction of knowing that they were hand built by yourself! If the idea of some soldering doesn't excite you too much, our team of technicians can expertly assemble the units and deliver them to your door in full working condition.

Soundtronics’ modules are designed to be combined in any desired panel setup and are currently compatible with 5U (MOTM format).

With your support, we will redesign these modules and make them available in formats such as Euro Rack, Moog, Dotcom, and Frackrack. For a more customised feel, the module front panels are also available in a number of colour combinations to suit the interior of any home office or recording studio!"

"Formed in late 2013, Soundtronics is a relatively new division of the Technobots Online Group, passionate about making quality analogue synths more widely available and affordable. Technobots Online is well established, having supplied mechanical and electronic components to hobbyists, education, and trade since 2001. This means that ideal component suppliers, manufacturing equipment, and delivery services are already in place for the modular synths.

Located in Warwickshire, the Technobots Online team consists of technology enthusiasts, each with their own particular passions. Soundtronics, and the DIY MFOS Synth module project, have the benefit of being personally (and enthusiastically) managed by our director Paul Cooper."

"Music From Outer Space is run by another synthesiser enthusiast, Ray Wilson, in the USA. Back in 2003, Ray began publishing synth designs that have continued to evolve and gain credibility over the years. If you are not familiar with Ray’s superb designs, we cannot stress enough how essential it is that you visit his website musicfromouterspace.com, where you will find a complete library of information on each and every module we are offering here.

We will also mention that you can purchase PCBs direct from Ray, along with some front panels and other hard to find parts.

Important Update

Last November, just around the time we were going to launch this campaign, we learnt of the sad news that Ray had been diagnosed with cancer. In order for Ray and his family to fully concentrate on beating this, he stopped taking retail orders through the MFOS website. We are deeply appreciative of Ray finding the energy during these difficult times to keep us stocked with PCBs, so that we in turn keep them available online to MFOS builders around the world.

Since postponing this campaign, we have had the opportunity to discuss the essential role of MFOS in this Soundtronics' campaign, and Ray has encouraged us to move forward. We shall therefore be working with Ray over the coming months to not only ensure the availability of the MFOS product range, but make it the most complete DIY synth range on the market.

Many of us have been directly or indirectly affected by cancer, so we would like to take this opportunity to ask that you consider visiting Ray's crowd funding site where you can directly contribute to Ray's medical expenses."

EMW WCS-1 as a bassline


Published on Dec 28, 2015 Fred Conte

"Works fine as a bass instrument as well :)"

http://www.electronicmusicworks.com/

EMW WCS-1 Wave Composition Synthesizer

Published on Dec 11, 2013 Fred Conte

"This is only a quick test of my WCS-1. The midi sequence was created in Ableton Live, where I used Native Instruments RC24 as Reverb and Ableton native Chorus effect on it. This synth is a little beast!!!"

Selon Lumière


Published on Jan 14, 2016 RADIOKLOW

"Selon Lumière, (According to Light) is a piece composed for Virus TI. It celebrates the infinite journey of light in metamorphosis in universe, from the core of darkness to endless absolute.
In the realm of infinite distance, even the highest speed becomes a variation of slowness. Sometimes a sudden event of chromatic blossom happens, whereas light goes on gliding along its vector as an arrow of enigma, or a traveller creating his path according to his steps.
Music, and film by Marc-Henri Arfeux."

Patch Lab E09 Roland System 500 with Veijo Laine


Published on Jan 13, 2016 Soundria.At

"In this episode we were lucky enough to have Veijo Laine with us, who gave an outstanding presentation of the entire Roland Modular And AIRA Lineup, including the fabulous System 500 analog eurorack modules [made by Malekko]. All sounds in the presentation are recorded through a line connection with a proper soundcard. Enjoy!"

cocktail party effect - Eurorack Jam (Folktek, make noise, mutable instruments)


Published on Jan 14, 2016 Cocktail Party Effect

"A jam using Folktek's 'matter',

https://soundcloud.com/cocktailpartye..."

MakeNoise Tempi-Samurai Beats


MakeNoise Tempi-Samurai Beats from Richard Devine on Vimeo.

"Sneak peak first patch with the TEMPI module by MakeNoise. TEMPI is a 6 channel, polyphonic, time-shifting module. It provides an intuitive method for the creation and recalling of complex clocking arrangements within a modular synthesizer system.

The primary user interface and programming elements for the module are six large, illuminated buttons:

BUTTON-1 through BUTTON-6, and two smaller illuminated buttons:PGM_A and PGM_B. The module is able to store up to sixty-four clock/timing scenarios called "STATES", arranged in four BANKS of sixteen. An LED is used to indicate the current BANK by <COLOR> and changes in STATE indicated by <FLASHING>. There are INputs for External TEMPO, a Gate INput for MOD, and STATE Selection via a CV INput (with Combo pot for attenuation) and / or GATE INput.

The primary goal of this module is to have the maximum amount of artist-controlled musical variation with a minimum amount of data inputs.

Specific notes about the patch:

All the beats are being sequenced by the Tempi module. There are several stackable cables going out to two Addac Wave players, each playing 72 samples each, and the main drums are coming from the Nord Drum 2, which is then split into two signals one being processed by a Mungo g0 dual delay/storage strip clocking through different delay feedback presets. Then the outputs from one of my ADDAC 101 waveplayer's was then being processed by a Qu-Bit RT-60, and another RT-60 was processing the output of the other ADDAC 101 waveplayer. Running both at the same time and then using one of the Gate outputs 5, and 6 from Tempi to switch through different effects on the RT-60's and at the same time triggering different samples. This is what was creating the different effects processing happening at specific time intervals. Snare noise sound coming from the Hex Inverter new Snare module. Other modulation coming from the OmniMod module from Macro Machines, going out to the Folktek Matter module adding in some of the extra tiny glitches and textures. The drone chords come from the ALM's ALM011 / Akemie's Castle running into the TipTop Z-DSP halls of Valhalla card using program 8. The bassline is from a Modcan FMVDO running into a MakeNoise Optomix. The high harmonic notes played via a Mutable Instruments Ring Module, sending out a clock from channel two from Tempi into X clock input on Rene. Everything was recorded in one take."

Useless Patch N° 14253672651425142638998262572


Useless Patch N° 14253672651425142638998262572 from Eldancer on Vimeo.

New Korg minilogue Polyphonic Analog Synthesizer Video


You'll find a fourth video added to the main KORG Minilogue announcement post here. It's a great overview so do check it out. For those concerned about the feel of the mini keys, according to that video they are better than previous incarnations.

Mode Machines F106 Juno 106 Filter Demos


Published on Mar 9, 2014 Paul Germain

"The Mode Machines F-106 Juno Filter is an analog filter that is based on the Roland Juno-106 filter circuit. It features switchable filter quality, dis-connectable self oscillation & 3 CV inputs for cutoff, resonance and VCA."

MODE MACHINES F-106 Juno Filter DEMO

Published on Jan 5, 2013 MOGUSOBA

Mode Machines F-106 Juno Filter

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"The Mode Machines F-106 Juno Filter is an analog device that can be used to modulate audio signals. You can also connect external devices using the CV inputs to control the functions of the unit.

Switchable filter quality (12 or 24 dB / oct.)
Disconnectable self-oscillation
Front-side power switch with power LED
Three CV inputs for cutoff, resonance, and VCA
Desk-compact steel case with wooden side plates (Micro Fashion Series)

Knobs Cutoff: Adjusts the cutoff of the low-pass filter
Resonance: Adjusts the resonance (feedback) of the filter
VCA: Adjusts the audio output level
Switches 24 dB / 12 dB: Selects the filter type, 24 or 12 dB / oct
Self Oscillator: Enables self-oscillation
Power: Turns the unit On/Off
Connections Audio Output: 1/4"( 6.35 mm) mono jack
Audio Input: 1/4" (6.35 mm) mono jack
Frequency-CV Input for Cutoff (0 to 5 V): 1/8" (3.5 mm) mono jack
Resonance-CV Input for Resonance (0 to 5 V): 1/8" (3.5 mm) mono jack
VCA-CV Input for VCA (0 to 5 V): 1/8" (3.5 mm) mono jack
12 to 20 VDC Power Input: + on center pin
Power Consumption <100 mA at 12 VDC Audio Approximately 30 Hz to >15 KHz"
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