E-MU MORPHEUS SYNTHESIZER

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That's one thick manual.

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WALDORF MICROWAVE II SYNTHESIZER

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YAMAHA FS1R SYNTHESIZER with Original Box

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NordLeadSound0515

Published on May 14, 2016 ryouichi harada

Re303 first test

Published on May 14, 2016 Altitude909

The RE-303 from Din Sync.

Proxima Centaury - Travel thru Space

Published on May 14, 2016 Harry M

Moog SUB 37
Moog SUB Phatty
Elektron Analog Rytm
Elektron Analog Four
Korg Kronos 2015

and some outboard (Elysa, DBX, SPL,.)

Greetings Mr. Fripp

Published on May 14, 2016 Jordan Rudess

"Written in flight. Recorded on iPad. Played on GeoShred"

iTunes: GeoShred - Wizdom Music LLC

Live Synth Jam 39 : Korg Volca, Roland Boutique, PO-12, Microbrute and MicroKorg.

Published on May 14, 2016 Todd Smith

"This synthesizer jam uses all internal sequencing. This is the first time all my old pieces have been together in the studio in over 2 months and the results are pretty wicked !! The Teenage Engineering PO-12, Roland Boutique JU-06, Korg Volca Bass and Arturia Microbrute are all on sequencer duty. The PO-12 is using 3 patterns in chain mode to create a 4 measure loop. The Arturia Microbrute handles the low end sub bass while the Korg Volca Bass plays a backing Synth Bass. The Roland Boutique JU-06 supplies lead synth sequence, I switch the range in order to change octaves live. Microkorg and Korg Volca keys are played together via midi to create the pad/lead type sound.

: Gear Used :

Korg MicroKorg
Korg Volca Bass
Korg Volca Keys
Roland Boutique JU-06
Teenage Engineering PO-12
Arturia Microbrute
Midi Solutions Quarda Thru
Behringer Micromix MX400
Tascam US-144mkII Audio Interface
Waves Supertap6 ( VST )
Ableton Live 8 ( Used as digital mixer / multi track )
Ozone"

MAMA LEAD MADE WITH MODAL 002

Published on May 14, 2016 ux256

Praise to the Eternity of Jesus - Messiaen

Published on May 14, 2016 davidryle

"Olivier Messiaen's beautiful piece from 'Quartet for the End of Time'. It is the 5th segment of part 3 'Structures'. It is supposedly a similar composition as the 1930's version of Oraison for the Ondes Martenot played at the Paris World Fair of 1937.

Instrumentation here is the large format modular for the main voice with a light background portion using SampleTron choir. The chord part is a Dave Smith Prophet 8 and Waldorf MicroQ.

Heretical liberties were taken in places to add filtered noise, sequential note patterns and phasing to lend texture to the body of the work.

I abandoned an attempt at controlled vibrato in the appropriate places due to my dislike of the results. Probably due to the fact that I was using eight oscillators for the main voice.

The piece was a midi file played earlier, sent to the various synthesizers and then recorded in real-time at once to a stereo track in Cubase. The beginning reversed reverb part was pre-recorded from an instance of the into bars and set to play prior to the main recorded track.

Video editing in Final Cut Pro."