Roland System 500 Basslines & Sequences Demo by INHALT

Published on Jun 1, 2016 INHALTVIDEO

"We were very excited at the prospect of a brand new analogue modular synth from Roland, so when the collaboration between Malekko and Roland was announced, we were keen to grab our hands on the System 500. As long time users of the Roland System 100m and various other Roland monosynths, to our ears, the System 500 had a lot to live up to. However, we were very pleasantly surprised upon first patching. While far more aggressive than the vintage units, the new System 500 brings that familiar Roland mid range and those super snappy envelopes back to the fold. What you hear are excerpts from a stereo recording of the System 500 with a Korg SQ1 sequencer. It was initially recorded to a Sony PCM field recorder and then transferred to Pro Tools HD for editing. We've added a bit of reverb from an Eventide H7600, but what you're predominantly hearing is the raw System 500 sound. No post processing was performed to the audio track itself and it is largely the direct output of the System 500 into the Sony PCM."

Inside the Roland Jupiter 8

Published on Jun 1, 2016 synthartist69

"Inside the Jupiter 8. Music performed on the Jupiter 8, no effects added."

SH-101 + Oberkorn + uScale + BD808 + RS808 = Eurorack Hybrid

Published on May 31, 2016 n3bsvid

"[ http://citizenpark.bandcamp.com ]

In this video I jam with a hybrid setup involving a Roland SH-101, a small eurorack system and an Oberkorn MK3 analog sequencer.

Patch breakdown:
The Oberkorn sequences everything. Its 2 gate outputs trigger the BD808 and RS808 drum modules while the clock output gates the SH-101. The first CV channel from the oberkorn is quantized by the uScale 2 which then feeds into the SH-101's CV input. This allows me to have musical notes regardless of how the knobs are set on the sequencer.

Everything is then mixed through a samson mixer (off screen) and fed into an Apogee Duet interface. I then record in Ableton Live and apply a dash of ValhallaDSP reverb (which I also tweak in real time, but you can't see my hand in the video).

Hardware:
TipTop Happy Ending Kit
TipTop BD808
TipTop RS808
Intellijel uScale 2
Analogue Solutions Oberkorn MK3
Roland SH-101

Software:
Ableton Live
ValhallaDSP VintageVerb"

Testing Roland Vocoder Plus VP 330 Vintage

Published on May 31, 2016 Ulises El Licenciado Lozano

"Testing my favorite Vocoder
One of the best Vocoders ever made.
Testing all the functions."

Yamaha Artist Perspective: from DX to Montage

Published on Mar 27, 2016 yamahacorporation

"Artist Video for Yamaha MONTAGE
A video retrospective on Yamaha synthesizers from the DX7 to MONTAGE with Yamaha artists David Paich and Steve Porcaro (TOTO), Walter Millsap III, Brooke Waggoner and Jacob Collier."

https://yamahasynth.com

Rheyne - Mother Jam #4 (Moog Mother-32, Roland Demora, TC Hall of Fame)

Published on May 31, 2016 Rheyne

"Using three sequencers on 3x Moog Mother-32 analog synths, modulating a Roland Demora delay, with reverb from a TC Electronic Hall of Fame. Video and audio are in sync, and close-ups of the LEDs on the gear (like those on the sequencer) will match what you're hearing."

New GRP Synthesizer A2 at the Torino Synth Meet

Published on May 31, 2016 Paolo Groppioni

"Torino Synth meeting 2016 - Enrico Cosimi presenta il nuovo Grp A2."

Cwejman QMMF-4 Multimode Filter/Resonator

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"An absolute monster of module that can be used as a filterbank, resonator or 4 voice synth (just add envelopes!) that sounds great no matter what you ask it to do.

'The big brother to the infamous Cwejman RES-4, the QMMF-4 boasts the following features:

Each filter has an individual audio input, two controls for coarse and fine adjustment of cutoff frequency, two cutoff CV inputs (CM1 adjustable, CM CAL with 1V/oct) as well as the voltage controllable Q-PEAR resonance circuit with three modes: OSC allows for self-oscillation, OSC SAT as well but with saturation (like the MMF-2), RES doesn't self oscillate but is perfect for filter ringing (like the RES-4). Switchable filter types are low pass, band pass and high pass; the notch is available separately The filter is followed by a VCA (output fader) with the according LEVEL CV input. The LP/BP/HP signal can be output both pre fader and post fader (pre or post VCA), the notch is not affected by this.

The master section affects and controls all four filters simultaneously, in addition to the individual CVs. The section has a master cutoff control with a Freq CV input, a master audio input sending it's signal to all four filters. The dry/wet control is voltage controllable, the wet signal's level can be set separately and is voltage controllable. The master notch output carries the mix of all notch filters, the MMF output the mix of all multimode filters.'"

Demo video linked in the auction.

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Rare Vintage 1978 Oberheim Cassette Interface for OB-1/Four/Eight Voice

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

"Rare vintage 1978 Oberheim Electronics Cassette Interface for OB-1/Four Voice/Eight Voice. Back in the day, this unit would be used to save a library of presets from your Oberheim synthesizer as audio on a cassette tape. Today it could more easily be used to save presets as audio files on your computer. This unit powers up and is in EXCELLENT cosmetic condition (you'd be hard-pressed to find a nicer one) but since I no longer have my OB-1 I have no way to test it and it is sold as is. It was working last time I used it however. Comes with the ORIGINAL manual."

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Rheyne - Live Jam #152

Published on May 31, 2016 Rheyne

"Live looping with a Fender Rhodes, Moog Mother-32, Kontakt, and Ableton Live."