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Thursday, June 02, 2016
ROLAND SUPER JUPITER MKS-80 REV 5 SN 522198
Roland SH-101 Analog Synthesizer + RE-150 Space Echo test
Published on Jun 2, 2016 SubTokyoShop
"Roland SH-101 Analog Synthesizer + RE-150 Space Echo test
SH-101 controlled by Arturia Beatstep with CV/Gate"
subtokyoshop on eBay | subtokyoshop on Reverb
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Future Retro Introduces the 512 Touch Keyboard Playing the Arp 2600 & Buchla Music Easel
Future Retro 512 Touch Keyboard Playing the Arp 2600
Published on Jun 2, 2016 FutureRetroSynths
"Simple test to show the Future Retro 512 keyboard controlling the Arp 2600 modular synthesizer."
Update: New video with the Buchla Music Easel added:
Future Retro 512 touch keyboard playing Buchla Music Easel:
Published on Jun 2, 2016
"Simple demo of the Future Retro 512 keyboard controlling the Buchla Easel. The 512 has an adjustable CV output so you can achieve .469V to 1.34V per octave control voltages to control a wide variety of synths including the common 1V/Oct synthesizers, and this 1.2V/Oct Buchla. Works with EML and EMS synthesizers too!"
New demos here: Future Retro 512 touch keyboard plays the EMS Putney, Minimoog Model D, EML 101, & Eurorack
Previous posts featured the assembly of the new 512 Touch Keyboard from Future Retro. We now have details and what it looks like completed.
Details via Future Retro
"The 512 is a capacitive touch keyboard, packed with a unique blend of truly musical features to enhance your creative experience. The 512 is available with or without the optional rack ears that allow it to fit in a standard 19" rack enclosure, taking up only 4u spaces.
Why is capacitive touch better? Quite simply, eliminating mechanical moving parts found in traditional keyboards makes a product that will never wear out, as mechanical keyboards do. No more intermittent key contacts, or failed aftertouch circuits to worry about! In addition, capacitive touch provides a much faster response time for playing notes, and allows multiple forms of expression to be executed by the performer.
There are five main functions of the 512. It can act as a keyboard, arpeggiator, sequencer, MIDI to CV converter, and MIDI to MIDI converter. The 512 can control both MIDI and CV/Gate synthesizers simultaneously. Pitch, Pitch Bend, Mod Wheel, Gate, Velocity, Aftertouch, and Clock are all available in both their MIDI and CV form. CV's follow the 1V/Oct standard with positive polarity Gate signals, allowing the 512 to control the majority of analog synthesizers both past and present.
KEYBOARD
The 512 provides 9 octave ranges for the 29 full-sized keys (although shorter in length than typical keys) with response to Velocity and Aftertouch. Users can define one of five different Velocity and Aftertouch curves to apply to the keyboard, and dial in the range for each curve to customize the response. The Pitch Bend provides positive and negative pitch bends, and the bend range can be adjusted for full or half range. Mod Wheel is also provided as a modulation source.
ARPEGGIATOR
Published on Jun 2, 2016 FutureRetroSynths
"Simple test to show the Future Retro 512 keyboard controlling the Arp 2600 modular synthesizer."
Update: New video with the Buchla Music Easel added:
Future Retro 512 touch keyboard playing Buchla Music Easel:
Published on Jun 2, 2016
"Simple demo of the Future Retro 512 keyboard controlling the Buchla Easel. The 512 has an adjustable CV output so you can achieve .469V to 1.34V per octave control voltages to control a wide variety of synths including the common 1V/Oct synthesizers, and this 1.2V/Oct Buchla. Works with EML and EMS synthesizers too!"
New demos here: Future Retro 512 touch keyboard plays the EMS Putney, Minimoog Model D, EML 101, & Eurorack
Previous posts featured the assembly of the new 512 Touch Keyboard from Future Retro. We now have details and what it looks like completed.
Details via Future Retro
"The 512 is a capacitive touch keyboard, packed with a unique blend of truly musical features to enhance your creative experience. The 512 is available with or without the optional rack ears that allow it to fit in a standard 19" rack enclosure, taking up only 4u spaces.
Why is capacitive touch better? Quite simply, eliminating mechanical moving parts found in traditional keyboards makes a product that will never wear out, as mechanical keyboards do. No more intermittent key contacts, or failed aftertouch circuits to worry about! In addition, capacitive touch provides a much faster response time for playing notes, and allows multiple forms of expression to be executed by the performer.
There are five main functions of the 512. It can act as a keyboard, arpeggiator, sequencer, MIDI to CV converter, and MIDI to MIDI converter. The 512 can control both MIDI and CV/Gate synthesizers simultaneously. Pitch, Pitch Bend, Mod Wheel, Gate, Velocity, Aftertouch, and Clock are all available in both their MIDI and CV form. CV's follow the 1V/Oct standard with positive polarity Gate signals, allowing the 512 to control the majority of analog synthesizers both past and present.
KEYBOARD
The 512 provides 9 octave ranges for the 29 full-sized keys (although shorter in length than typical keys) with response to Velocity and Aftertouch. Users can define one of five different Velocity and Aftertouch curves to apply to the keyboard, and dial in the range for each curve to customize the response. The Pitch Bend provides positive and negative pitch bends, and the bend range can be adjusted for full or half range. Mod Wheel is also provided as a modulation source.
ARPEGGIATOR
Super Nice Roland Jupiter-8 Cover from Stardust Synth Covers
via Stardust Synth Covers
Thought this one was particularly nice. Be sure to check out their others.
Easel Orange Noise Study
Published on Jun 2, 2016 Todd Barton
"The Buchla Music Easel does not have a Noise Source. But . . . with some McGyvering: noise happens. The patch is title Orange Noise for all the orange colored patch cables it uses, not for the acoustically defined "orange noise". For better audio go to:
https://soundcloud.com/user7621213/ea..."
Beatstep Pro + Kilpatrick Audio Phenol - Almost Giallo
Published on Jun 2, 2016 Genshi Media Group
"Another quick demo of the Beatstep Pro sequencing the Kilpatrick Audio Phenol synth. This one reminded me [a little bit] of the Giallo horror movie soundtracks of the 1970s/80s... again featuring the Teenage Engineering PO-12 Pocket Operator for beats, and the Eventide H9 for fx processing."
Plankton Electronics ARRHYTHMIA - GLITCH
Published on Jun 2, 2016 Plankton Elec
"Arrhythmia as a sound source. Instead of using it as a clock source we connected it directly to the audio output and mdoulated it with a square wave. Pulse wave noise!"
Buchla 200e & 200h Basic Module Installation
Published on Jun 2, 2016 Buchla BEMI
"Some modules have additional considerations. These modules will be addressed specifically in other videos."
RHTGM - Analog RYTM + OP-1 + Make Noise
Published on Jun 2, 2016 The Phantom Wave
"Rytm sending clock via the new machine IMPULSE to Make Noise's TEMPI + OP-1 Arpeggio"
Love the sequence numbers on the Teenage Engineering OP-1.
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
