The Safety Dance on Pocket Operators

Published on Sep 18, 2017 chisel316

"Tried my best to cover The Safety Dance using the PO-20 and PO-28. I had to double the BPM in order to change up the chords mid-measure. Hope you enjoy it!

Peace \/
chisel316"

Hypersynth Xenophone Advanced Analog Mono Synthesizer - White Edition with Stand

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"Xenophone is an advanced analog mono-synth with 100% analog signal path. It has three oscillators, two subs, four ring modulators, one multimode VCF and analog distortion, all based on discrete analog circuits followed by a high quality stereo digital delay and reverb. The extensive modulation capabilities of the sound engine plus the warm and unique character of Xen's filter enriched by built-in analog distortion make it the best choice for creating deep basses, aggressive leads, transparent and crisp synth lines, acid sequences, complex arpeggios, punchy percussive sounds, extreme SFXs and more. Besides the synthesis capabilities, it can be used as a powerful audio processor to colorize an external input signal by analog filter, distortion and DFX."

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Studio Electronics Midimini SN 1542

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Korg Z1 Physical Modeling Synth

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Kawai K5000S Advanced Additive Synthesizer

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"Kawai K5000S Advanced Additive Synthesizer with macro controls, .My Kids lost some coins in it, I cant get them out, so you will hear a sound of moving coins. Other than that , working great"

Hmm...

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Cat Food Synthesizer

Published on Sep 18, 2017 Simon The Magpie

http://www.simonthemagpie.com/
https://www.patreon.com/simonthemagpie

Rheyne - LIP and DFAM (Noise Engineering blog guest post)

Published on Sep 19, 2017 Rheyne

"Created for the Noise Engineering blog. See the blog post and interview here: https://www.noiseengineering.us/blog/...

Triggering the Noise Engineering Loquelic Iteritas Percido and the Moog DFAM with a Make Noise Tempi, Maths, and an Erica Synths Pico Trigger. Signals are combined into a Pico Logic in "OR" mode, with one channel triggering the DFAM and the other to the LIP. Bass swells are from a Make Noise DPO, processed in stereo by a modDemix, and using Function for the envelope with its EOR triggering the chord changes on a Morphagene, containing some splices of my Fender Rhodes."

Roland Boutiqe @ 4Sound

Streamed live 12 minutes ago Tonefloat

Synthesis Technology - E352 2 Op FM Acid Electro Jam

Published on Sep 19, 2017 DivKidVideo

"Here's a jam with the E352 from Synthesis Technology (or Synth Tech). By now I'm sure you know the module is awesome and if not check out the links other E352 videos below.

Here I'm using the E352 in 2 Op FM mode with the FM modulation shown on the Mordax DATA oscilloscope next to the module. I've mixed a looping envelope and faster more percussive envelope before modulating the FM index (depth of modulation). There's also an accent out of my sequencer going to FM Ratio (tuning difference) to accent certain notes with different tones of FM. There's also a a slow looping envelope into the wavetable modulation. These all come from the Qu-Bit Contour. The sequence is from the killer Stepper Acid from Transistor Sound Labs which you can see top right in the video (just). I'm playing the sequencer in terms of starting and stopping and also manually stepping through steps while stopped. The E352 goes through the ZVEX Fuzz Factory and you can see me move the dry/wet blend manually throughout (it's never that wet, just added a bit of hair and grit in places). That then goes onto the Make Noise Erbe Verb before going into the WMD Performance Mixer. The Performance Mixer has an inverted envelope (the WMD MME) going into it's level modulation to create the side-chained affect against the kick drum. The Kick is the KICK mode on Braids from Mutable Instruments, the Hi Hats are from Mutable Instruments Peaks and the clicky percussion is also from Peaks but put through the WMD Geiger Counter. The rhythms are generated from the Stepper Acid clock going into a Chaos Divider from Tsyklon Labs."

Previous posts.

Huge Update for WerkBench Arrives

iTunes: WerkBench - Bolasol, Inc.

"What's New in Version 3.0.0
This is a huge update:

Essentials:
* iOS11 compatibility
* Audiobus 3 (Audio receiver and sender, MIDI receiver)
* All new graphics

More effects:
* Reverb (decay, color, and mix), independent sends for each sample
* Bit crusher
* High-pass filter in instrument controls.

More step-editing/automation parameters:
* Attack
* Reverb sends
* Bit crusher down-sampling per step
* Low-pass filter

New ways to interact:
* All step-automation parameters can be recorded in real time.
* All step-automation parameters can be randomized.
* Step-automation can be preserved when sampling (letting you pre-program melodies, etc. before sampling).

New file format:
* Easy sharing and importing between devices:
* .werk files can be made by zipping a folder of wavs and renaming the extension.
* And vice versa, you can unzip .werk files on your computer to get the .wav files that were recorded in Werkbench.

Engine stuff:
* Longer sample times (2x as long as before)
* Wider pitch range (up to 8 octave range per sample).
* 64 note max polyphony (configurable)
* Tempo goes up to 999 BPM"

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