Equinoxe X

Published on May 19, 2018 MrFirechild

"Here is a track trying to capture the vibe of the JMJ golden years. Using vintage synths like the Minimoog, Matrix-12 with analog chorus and Small Stone, Prophet-T8 and some 5U modular stuff. The hybrid synth Waldorf Wave is making some pads and finally some samples from TR606 and Korg Minipops complete the rhythm section. Composed and produced by www.firechild.se"

Steiner Parker Synthasystem Sketches

Published on May 19, 2018 Todd Barton

"I've been getting back into exploring my Synthasystem and posting sketches on my Instagram https://www.instagram.com/synthtodd/
Here are the collected 6 sketches. Oh, the delay used is an old DeltaLabs Effectron II"

For a fun look back, check out Todd Barton's Synthacon videos posted here on MATRIXSYNTH back in 2006 and 2007.

Improvisation 83 for Poly Evolver Keyboard and Prophet '08

Published on May 18, 2018 Sacred Synthesis

"A slow and dreamy synthesizer piece.

This improvisation makes use of a soft metallic digital pad on the Poly Evolver, a string pad on one Prophet '08, and a flute-like solo patch on another Prophet '08.

The digital pad is either mellow or shrill, depending on the setting of the filter cut off frequency, which is controlled by the modulation wheel. Its extreme upper range has much digital aliasing.

The Prophet '08 string pad uses a 2-pole filter setting with a high resonance level,, and its filter is similarly controlled by the modulation wheel. As always, the filter is very slowly modulated by an LFO. This creates a slight crescendo whenever a note or chord is sustained and gives the pad a slight heaving/breathing quality.

The flute sound seems simple but is deceptively elaborate. It consists of a narrow pulse and a square. The pulse width of each waveform is very slightly and slowly modulated. In addition, an LFO slowly modulates between one oscillator and the other. This means there is a subtle chorus effect from the PWM, a changing of timbre as the narrow pulse changes to a square and then back again, a faint beating of oscillators when the two briefly meet in the middle, plus a delayed vibrato which can be either maintained by a smooth connected playing technique or retriggered (and thus, delayed) by a disconnected playing technique. Its filter, too, is controlled by the modulation wheel. To deepen the richness of the patch's general tone, the identical sound of Layer A is copied to Layer B and the two are panned at the mixer. So much trouble for a simple little flute sound, but it's always worth it. Of course, all these effects are detectible only when a long note is heard, and that's fine, because they're meant to be musical nuances that don't overly attract attention to themselves."

DSI Mono Evolver & Eurorack

Published on May 19, 2018 Fuzzo Frizzbeebot

"Frustrating go with first try syncing the Eurorack to midi. The clock on the Pittsburgh midi 3 has far to many quirky option settings in my opinion."

Kawai SX-240 Vintage Analog Synthesizer

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via this auction

"Synth is in great cosmetic and functional shape with some light wear and tear (see pics for details). Original battery has been removed and replaced with a swappable battery."

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Roland JX-8P Analog Polyphonic Synthesizer w/ Restored Aftertouch & Memory Cart

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via this auction

"One of the best features of the JX is the expressive aftertouch feature that can be used to boost things such as volume, modulation, brightness, opening of filters, etc. just by pressing down a little harder on the keys you are holding down. Unfortunately, on virtually every JX-8P in the world, the aftertouch no longer works or is very, very faint due to age. I've owned almost a dozen JX-8Ps through the years and it was an issue on each and every one of them as well as virtually any you'll find for sale elsewhere.

It's a tedious process to restore the aftertouch on one of these, but I've gotten very good at it. The synth gets opened up and the keybed removed. All 61 key springs are removed, then all the keys, one by one. While out, I gave the keys a good sudsy bath and removed all the dirty and grime of a 30+ year old synth. The aftertouch assembly which runs the length of the keybed is taken apart and meticulously cleaned to remove the oxidation that causes it to go out. Reassembly is nerve wracking and usually takes two sets of hands to pull off trying to lay a long metal ribbon atop 5 end to end carbon rubberized strips that sit on top of a gold rail and lay a heavy rubber cap onto of the whole assembly without knocking it askew and having to retry.

Anyhow, the aftertouch was fixed this week and now is expressive and strong without being overly touchy. You'll enjoy it. If tested all key keys and functions and everything is working perfectly as far as I can tell. It got a good cleaning, inside and out while it was opened up to restore the aftertouch."

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Moog Rogue Vintage Synth SN 2872

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Roland Cloud JV-1080 VST vs vintage hardware

Published on May 19, 2018 Woody Piano Shack

"Let's do a back-to-back shootout of the newly released Roland Cloud Legendary Series JV-1080 VST plugin against my Roland JV-1080 hardware synth module from 1994.

We'll play a number of the presets in a variety of categories, first on the hardware then on the software. You'll hear the pianos, pads, synth sounds and acoustic tones that made this unit so popular in recording studios.

PATCH LIST:

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Elektron Digitone Minijam - 2018-05-19

Published on May 19, 2018 Oscillator Sink

"Sunny Digitone Saturday Jams. I'm really pleased with how this one came out, it wa a really fun one to do, so I hope you enjoy it too!"

PATCH of the WEEK 01: Behringer Model D - Ride Blunter

Published on May 19, 2018 Alba Ecstasy

"This is not an attempt to recreate some Vangelis' Blade Runner patch, but to bring a flavour of it.
Using Behringer RV600 for reverb, Roland Demora for delay.

01 Behringer Model D: Ride Blunter

Glide: 6
Glide to OSC 3
Mod Mix: 10
Mod Mix: Noise/LFO
Mod Depth: 1.2
LFO Rate: 5
LFO: Triangle

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