CYCLONE ANALOGIC TT-303 BASS BOT + KORG VOLCA BASS // synths playing Bach Prelude D major // 3

Published on Jun 11, 2018 LESINDES

3rd ODD COUPLE:
CYCLONE ANALOGIC TT-303 BASS BOT // KORG VOLCA BASS
My challenge here was to tweak a proper sound for the BACH Prelude D major, BWV 850.
So different machines lead to different ideas -- so please don't look
for too much similarities!
Since (nearly) all of them are pure mono synths
all recordings are done in 2 takes. I filmed
the melody part.

Little Tangerine // A Tangerine Dream Inspired Synth Jam

Published on Jun 11, 2018 Bon Ohm

"This is just a short little Tangerine Dream inspired synth jam featuring sounds from:

Moog Minimoog Model D - Bass and Lead
Moog Mother 32 - Main Sequence
Roland Juno 60 - Pad
Roland JX-3P - Pad
Roland TR-8 - Drums

Recorded in one take June, 10, 2018."

SoundsDivine 'Binary Worlds 1' - Omnisphere 2

Published on Jun 11, 2018 SoundsDivine111

"Introducing the 'Binary Worlds 1' soundset for Spectrasonics' Omnisphere 2 synthesizer.

http://soundsdivine.com/product/omnis..."

Yamaha Tenori-On Synthesizer Sequencer in Mint Condition w/ Original Box

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via this auction

"In Mint Condition. This unit comes with the original box, manual, adapter, CD and SD card. everything is in very clean condition with the necessary original packaging. Please see pictures. Tested before listing."

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SEQUENTIAL CIRCUITS PRO ONE SN 2185

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via this auction

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'Freeze & Pass' weird sample & hold from the Joranalogue Select 2

Published on Jun 11, 2018 DivKidVideo

"Here's an odd, weird, quirky (whatever you want to call it) sample and hold style affect that I'm calling 'Freeze & Pass' with the Joranalogue Select 2. I'm using the gated hold input to freeze/hold audio (at audio rates). This gives a downsampler style effect but when it's not held it lets the signal pass. Rather than just sample one thing and step to another held sample like a sample and hold. Select 2 can do a tonne of stuff, so check out the full demo above."

Full video demo:

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VCV Rack Outdoor Session #2

Published on Jun 11, 2018 Omri Cohen

"I always wanted to sit under a tree or next to a lake and combine Nature with my music. This is me, letting a patch evolve while breathing the fresh air of the great outdoors..."

Moog Sub 37 vs. Dwarfcraft Devices

Published on Jun 11, 2018 theonetrueaen

"A big fat slice of audio adventure! The Sub 37 runs into the Dwarfcraft Necromancer, Ghost Fax, and Grazer for loads of mean electronic leads, glitched out percussion, and super grumpin' basses.
Pedals will do your synth a world of good, and vice versa!"

Zed White - Sudden Perspective (Riamiwo Remix) - Studiosession (Riamiwo StudioVlog 95)

Published on Jun 11, 2018 riamiwovideos

"Here's a studiosession of the Sudden Perspective - Remix I made for Zed White - released today on HYDROGEN.

Get your copy on Beatport:
https://www.beatport.com/track/sudden...

follow me on
instagram.com/riamiwo
soundcloud.com/riamiwo

Synths:
Dreadbox lil'Erebus
Behringer Model D
Moog Sub37
Roland SH-01a
Roland TR-08
Roland TR-09

Filmed with:
Sony a6300
Sony Nex 5t
Sony Nex 3
Panasonic 757"

Lyra8-1 // Soma Lyra-8 Organismic Synthesizer

Published on Jun 11, 2018 Lost For Words

"Warning: harsh tones and heavy distortion ... and hopefully you like that kind of thing!

I've had the Lyra 8 for 4 days now and have spent a few moments with it. It's a crazy, crazy synth unit but there are moments of design genius and beauty that dispel any doubts I've had about buying it!

Here I'm playing it without touching the sensors and I've created a kind of 3 track piece. Bringing up the Hold and Sharp knobs to fade in the parts. No external CV input.

Voices 7&8 come in first and they have LFO modulation engaged. The complex LFOs are set to OR have sync off - creating a pitchy pattern fed to those two voices

Voices 3&4 are FM cross-modulated by 1&2 and so you see me playing the Mod knob above 1&2 in order to change the pitch back and forth.

Voices 5&6 are set to a higher pitch drone to bring in some suspense towards the end, along with heavier distortion. I've added a little reverb to smudge the hard edges.

Subtle feedback modulation and some slower LFO settings create some wonderful sounds from the Lyra. Whenever I turn this thing on I get lost in it for hours... 6 or 7 hours!"