MATRIXSYNTH


Saturday, June 30, 2018

Yamaha DX100 w/ Extras

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Yellow Waldorf Q Rack Mount Synth

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Pearl Drum-X (DRX1) with MIDI


Published on Jun 30, 2018 sequentix

"Just messing about with newly added MIDI CC controls on my Pearl Drum-X.
It has Bass, Snare and 3 x Toms (tom 3 is non-functional due to borrowed parts)
Controls for each drum are the same - Pitch, Bend, Osc/Noise balance, Overtone (pitch fm), Attack, Filter, Decay and Level.
But each drum has a different range of sounds.
Chucked in some 909 at one point to see how it fits."

029//Every Weary Step - 2x Moog Mother 32 self-generating track (Eventide Space, Timefactor)


Published on Jun 30, 2018 Alastair Wilson

"A melodic semi-self-generating patch using 2 Mother 32s sent through an Eventide Space modechoverb reverb and an Eventide Timefactor on banddelay setting.

This patch came about when I was playing more with delays, using them as an integral part of the patch. The patch itself is not very complex, and I ended up adding another M32 for a cinematic bass line. I got the name from the melodic line - the delays work so that every new sequence step gets added onto the end of the delay 'melody', like taking another step forwards.

PATCH NOTES:
The higher M32 is the main pluck sound, and is running a simple sequence. Its mix between the VCO and white noise is modulated by a slow triangle LFO, and the filter cutoff and resonance are both modulated randomly (using both M32's Assign outputs set to 'random stepped voltage'). The lower M32 (the bass) is constantly on, and its envelope isn't used. It is being clocked randomly, so that the note changes on random steps of the melody. The filter resonance is quite high, and is modulated by a triangle LFO to push it towards self-oscillation; the filter cutoff is tuned so that the note adds some harmony. There is a mono delay from the Timefactor which has a delay time slightly quicker than the tempo - this gives the effect of the 'run up' towards the next melody note, which is the backbone of the whole patch. This delay has some bandpass filtering with the cutoff modulated by a slow internal LFO. The reverb from Space adds stereo width and texture.

If you want to recreate this patch, you can find it here:
https://www.modulargrid.net/e/patches..."

Underwater Music


Published on Jun 30, 2018 Maison Vague

"Equipment used: SCI Prophet-10, Moog MF-105M MuRF, MF-101 LPF, MF-103 Phaser, Strymon El Capistan, Zoom H1"

" Orange Grove " analogue synth sequence jam


Published on Jun 30, 2018 Ludwig Kopp

"Thanks for Watching!

little sequence on:
- Dreadbox Erebus
- Akai Rhythm Wolf
- Korg Volca Bass
- Mosky Reverb (powersupply adding lots of messy noise)
- recorded directly into Korg BeatBoy
- listening to the direct raw sound, no postproduction or DAW"

Friday, June 29, 2018

OB-6 does Gothic/Fantasy


Published on Jun 29, 2018 Kris Lennox

"Short improv in a Gothic/Fantasy style. Ideal for late-night/almost full moon :)"

Vermona 14 Synthesizer SN 106/222

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Red ROLAND SH-101

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

Sequential Circuits Pro One Keyboard Synthesizer SN 5604

Note: Auction links are affiliate links for which the site may be compensated.

via this auction

PREVIOUS PAGE NEXT PAGE HOME



Switched On Make Synthesizer Evolution Vintage Synthesizers Creating Sound Fundlementals of Synthesizer Programming Kraftwerk

© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH