"1970s-1980s built in the German Democratic Republic (GDR), the former east German. And although all the lables are in english, it was sold to the USSR mainly.
In addition to the electric piano strings register for Violin - Viola - Cello
8-time modulation register
Built-in Phaser effect a gradual groups.
Number of octaves in a keyboard - 5
The supply voltage - 220-230V/50Hz."
"The serial number is 00482. It was purchased directly from someone who was present at Moogfest. It contains the Moogfest 2018 sticker as seen in photos, as well as the Moog slinky, sticker, etc., along with the power cable, patch cables, etc."
"just some random jamming and sound designing to test out this beast of a synth. filmed using gopro hero 6.
A full synth run down video coming soon for the Moog Grandmother!
I will also be testing the instrument interface with my guitar. I would love to get a nice spring reverb on my guitar"
"I wanted to challenge myself and record every couple of days or so a full composition, using just the Macro Oscillator (Braids) as a sound source, in one specific mode. This is Day 16
Support my work by buying my Music :) - https://omricohencomposer.bandcamp.com
Today I've used 4 Macro Oscillators in lo-fi or hi-fi vowel synthesis mode. The 1st oscillator is receiving voltage from the Seq-Triad 2 to its v/oct input, and to its timbre (a, e, i, o, u) and color (gender) through the Slew Limiter. It's then going through Ferox to Slap, which receives a trigger from the sequencer, and from there to Tangents and to the mixer. The cutoff point of Ferox is being modulated by the envelope output of Slap, and the cutoff point of Tangents is being modulated by Tact. Tact is modulating also the swing amount of CLK1, and it's being triggered by 4 s&h units. The CLK1 is driving the sequencer. The second oscillator is going through Freak to Ritardo, and from there to the mixer, and its timbre and color are being modulated by 2 lfos. The cutoff point of freak is also being modulated by another lfo. The 3rd oscillator is receiving v/oct from Mr Chainkov and is then going through Slap to Ritardo, and from there to the mixer. The cutoff point of Ritardo is being modulated by an lfo, which goes through the Dual Attenuverter. Mr Chainkov is also receiving cv and gate from the sequencer, and it's getting a trigger from a s&h unit, which also triggers its learn and forget inputs. It's then triggering Slap. The 4th oscillator is receiving v/oct from the Grid Sequencer, and its color and timbre are being modulated by an lfo. It's then going through Ritardo to Debriatus, to the mixer, and the GridSeq is receiving a gate from the clock."
"Hi everyone.
I have new video from PICO System 2 from Erica Synths solo.
New yesterday's patch, all sounds only from PICO System 2.
Generally, I love these sounds and possibilities in such small modules - a ''small big beast'' is an excellent name.
when you get samples drums for PICO DRUMS modules and you have VCO plus the second VOICE module, you can do any song from dubstep, house to crazy techno or experimental or just crazy modulations and blips. many possibilities in a very small box. it's up to 14 modules so basically everything you need for great fun and adventure with a modular system.
https://www.ericasynths.lv"
