Saturday, July 14, 2018
"Grandmother's House" Moog Grandmother + DFAMx2 demo
Published on Jul 14, 2018 Mattelica
"Live take of an original old school house track with the Moog Grandmother on bass, DFAM x 2, and Elektron Machinedrum on beats to a Roland VS 880 multi track recorder to a Yamaha MG10xu mixer to a Canon 6D + 17-40mm lens."
poorness studios: Robot Requiem | Sci Fi Mirage (TX Wiggles 33)
Published on Jul 14, 2018 poorness studios
"I came home from work, started patching, and somehow came up with this generative patch. It sounded like robots in mourning... thus the name. This is also the first patch I made with the Kilpatrick K4815."
Sci Fi Mirage (TX Wiggles 33)
Published on Jul 12, 2018 poorness studios
"I was messing around with my new Synthrotek Quadrangle and somehow came up with this generative patch. It reminded me of an old Sci Fi movie."
Rarebeasts Wicks Looper Touch
Published on Jun 3, 2018 Rarebeasts
"Now available on ETSY:

Catch the Looper in action here on Youtube https://youtu.be/PmTFtTmAlU8
This instrument is so easy to play, touching the middle of the screen adds sounds to the loop according to the area touched. The loop speed can be controlled from the bottom left of the screen and the modulation controlled from top left. Sounds can be deleted from the loop by touching the far right hand side of the screen.
Stats:
Output: 3.5mm socket (Use with earphones, a computer sound card, mixer or amplifier)
Power: USB (Plug into a computer, phone charger or wall socket). No internal battery.
Case: 3D printed ABS
Screen: 3.2" TFT LCD
Don't hesitate to convo me with questions or requests.
Happy noise making..."
Rarebeasts T2 Autophage
Published on Jun 27, 2018 Rarebeasts
via Etsy:

The T2 builds a loop of sounds that vary using an equation that determines the number of bacteria that are likely to be infected by multiple phage. The multiplicity of infection variable in this case is determined by a light level. Some of the sounds decay into high frequencies and some into low frequencies but all of the notes eventually decay into silence.
This synth requires USB power from a portable phone charger, wall socket or a computer.
The sound output is via a 3.5mm audio socket.
Stats:
Output: 3.5mm socket (Use with earphones, a computer sound card, mixer or amplifier)
Power: USB (Plug into a computer, phone charger or wall socket). No internal battery.
Case: 3D printed ABS"
Rarebeasts Tailedphage T4
Published on Jun 18, 2018 Rarebeasts
"T4 with the Mini KP."
via Etsy

Catch the T4 in action here on Youtube https://youtu.be/nmGzWy46OLw
This synth requires USB power from a portable phone charger, wall socket or a computer.
The sound output is via a 3.5mm audio socket.
Stats:
Output: 3.5mm socket (Use with earphones, a computer sound card, mixer or amplifier)
Power: USB (Plug into a computer, phone charger or wall socket). No internal battery.
Case: 3D printed ABS"
Stylophone Retro Pocket Synth re:creation 2004
Inception // Time - Hans Zimmer [Epic Synth Cover] Ft. Ro Panuganti
Published on Jul 14, 2018 Ace Waters
"Another big, epic movie song for you all. What are some other really big, emotionally charged song from movies you want to hear me cover? I need at least one more before I put out my e m o t i o n a l EP.
Got some help from Ro and Kyle on the meedlies and the strummlies. "
Hordijk Minute XIII
Published on Jul 14, 2018 Todd Barton
"they're back . . . Hordijk Minute XIII will be added to this playlist:"
Hordijk Tutorials
Waldorf Quantum Demos by el crypto
Playlist:
First noodlings with the VA engine
First noodlings with the Wave Table engine
First noodlings with the Resonator engine
First noodlings with VA, WT and Res engine all together in some kind of cosmic orgy
This one was spotted and sent in via Soviet Space Child.
A History of Synthesizer Polyphony
Published on Jul 14, 2018 AutomaticGainsay
Marc Doty aka Automatic Gainsay presents an exploration of the dynamic innovations in synthesizer history that allowed synthesizers to play more than one note at a time.
Part 1 is an introduction to the series and the concepts that will be explored.
Part 2 is an establishment of the definitions that will be used in regard to certain terms in the history of polyphony.
Part 3 is an exploration of how the Cahill Telharmonium, arguably the first synthesizer, created and employed polyphony.
Part 4 is an exploration of what could have been the first fully-electronic (not electro-mechanical) polyphonic device in 1915.
Part 5 explores the core interface, mechanical, and conceptual issues facing polyphony in regard to how to realize it with a synthesizer.
A History of Polyphony: Part 6- The Warbo Formant Orgel
A History of Polyphony: Part 7- Hammond's "synthesizers!"
A History of Polyphony: Part 8- Paradigm Shift... the RCA Mark II
A History of Polyphony: Part 9- Setting the Stage: the 1960s
A History of Polyphony: Part 10- The Dawn of Modern Polyphony
A History of Polyphony: Part 11- The First Modern Polyphonic- The Polymoog
A History of Polyphony: Part 12- The Modular Concept in Polyphony: Oberheim
A History of Polyphony: Part 13- Multiphonic Homogenization
A History of Polyphony: Part 14- Paraphony
A History of Polyphony: Part 15- Modern Nomenclature
A History of Polyphony: Part 16- Conclusion
Support the creation of this video and all of the Automatic Gainsay videos that have helped you by becoming an Automatic Gainsay supporter on Patreon!
http://www.patreon.com/automaticgainsay
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH