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Thursday, October 18, 2018
Alesis A6 Andromeda
Oberheim Viscount OB 12
Siel Cruise
Japanese Rack Reverb Comparison Test 02 with Ace Tone FR 6 Rhythm Ace
Published on Oct 18, 2018 SUBTOKYOSHOP
"Japanese Rack Reverb Comparison Test 02
with Ace Tone FR 6 Rhythm Ace Drum Machine
1. Vesta Fire RV-2 Dual Reverberation Device (Stereo Spring Reverb)
2. Yamaha SPX90II Multi Effect Processor (Digital Multi Effect - #64 Rev4 Plate)
3. Sony DPS-R7 Reverberator (Digital Multi Effect - #2 Studio Ambience for Drum)
with
Ace Tone FR-6 Rhythm Ace Drum Machine
Drawmer LX20 Dual Expander Compressor
subtokyoshop on eBay | subtokyoshop on Reverb
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filter filtrette tAt
Published on Oct 18, 2018 paul tas
filter filtrette tAt on www.errorinstruments.com
twinCUSSION 4
Published on Oct 18, 2018 vermonagear
"This video presents a small patch using only the available space within our Modular Case 104. If you follow our performance, you will find us mainly playing this patch using the modules’ switches and buttons. While we were pleased with the sound of this patch and found it worth being published we also found it worth showcasing such method of patch control where we cannot mess anything up as switches and buttons allow for jumping between settings at no risk.
twinVCFilter
The twinVCFilter is driven into self-oscillation on both sections, forming a dual sine wave oscillator. The first sections’ frequency modulates the second section for enhanced timbre control.
Both filter sections are controlled by the ER-101.
The filter’s output is fed to the Morphing Terrarium’s (MT) sync input while the output of the MT is used to amplitude-modulate the twinVCFilter’s output. Mostly we let the MT run at lower frequencies to misuse it as an envelope generator in this patch. This does not work just perfect, but it also shows how flexible modular can be.
twinCUSSION 1 (left)
Section A is pitch-modulated by a mix of its envelope output and its sine wave output. This allows bending the waveforms symmetry while retaining the pre-patched pitch bend. Toggling the frequency range switch to HI while shortening the envelope’s decay drastically down gives a nice and sharp click sound and makes up for an excellent alternative to the voluminous kick, that we achieve when setting the range switch to LO position while increasing the decay again.
Section B receives CV-data from the ER-101 sequencer. We also routed a voiceover into the square wave output, where it gets mangled with the internal waveform. By toggling the waveform switch, we can drastically change the final output of this section.
twinCUSSION 2 (right)
Section A receives the noise output of twinCUSSION 1 which is being amplified using the twinVCAmp. This way we trim the mix ratio between internal and external signals. Thus we can select between clean and noisy sounds to switch between drums and snare.
Section B generates the hihats and is amplitude-modulated by its sine wave outputs resulting in some tremolo-like effect.
The sum of all drum sounds is amplitude-modulated by an envelope to achieve global dynamic control over the drums itself and the inserted voice sample.
We hope you enjoyed this patch and that we could lift your imagination in modular ways.
Thanks for watching!
Your VERMONA crew from the
Elektroakustischen Manufaktur, Erlbach"
fluXpad 'song mode' update 1.2
Published on Oct 18, 2018 mouse on mars youtube official
"This version includes the first iteration of a song mode! Interconnect sequences to create longer loops!
There are also a couple of bugs fixed:
- IAA support is fixed
- AudioShare import should work again
- some stability improvements"
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© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH
