MATRIXSYNTH

Vermona PERfourMER Four Voice Sequence.

Published on Nov 2, 2018 Resonant Anvil

"Settings as shown. 64-step sequence. Reverb from Strymon Big Sky."

analoguenovember2018 + Canon m100 test

Published on Nov 2, 2018 Michal Patulski

[demo] Arp2600 Demo Track (TTSH clone)

Published on Nov 2, 2018 Synthesizer Video Service

"The TTSH is an ARP2600 clone. My TTSH is version 3 with some fixes and exchangable filters (currently with Moog filter mounted). Moreover, it has several modifications like additional waveforms for oscillators 1 and 3, suboscillator for oscillator 1, midi and reduced gate and trigger voltages.

This demo was recorded directly into the DAW on 8 stereo tracks. No additional external effects (like delay, reverb, EQ, compressor etc.) were used, only the inbuilt spring reverb. The tracks were not postprocessed. Consequently, you hear 100% TTSH. I just took an external clock to get an easier sync, but the TTSH (like the ARP2600) has an internal clock to get the same results."

Big in Sound and Size - Polymath...

Published on Nov 2, 2018 Sounds From The Shed

"Some Polymath accompanied by some Nyborg and Telemark Percussion with a light sprinkling of fx in places"

"On The Run" Reconstructed by Moot Booxlé

Published on Nov 2, 2018

"I completely reconstructed Pink Floyd's synth classic "On The Run" using my Synthesizers.com and STG Soundlabs modular synthesizer. The main sequence was played from a Korg Minilogue, synced to an SQ-1 sequencer, which is playing the percussion sounds. The key ingredients to making this sound authentic are the STG Soundlabs Mixer and Sea Devils Filter, which is a recreation of the classic filter used on the original.

There are two sounds that required some additional processing:
The panning, whooshing sound at the beginning of the track was created by running white noise through a Leslie simulator (Amplitube 3).
The explosion at the end was created by "crashing" my Q115 Reverb (Accutronics) tank and then digitally lowering the pitch. It still didn't have enough impact so I layered an actual explosion sound underneath.

Please consider supporting me on Patreon! Even if you throw me $1 a month, it helps a lot! You'll get some cool stuff!
https://www.patreon.com/user?u=3833701

Check out my music at http://www.mootbooxle.com ! There's something for everybody.

THANK YOU SO MUCH FOR WATCHING!

All sights and sounds (C)2017 Moot Booxle Studios."

Moog One (8Voice) Sound Check (Original sound like MemoryMoog)

Published on Nov 2, 2018

This one was spotted and sent in via Soviet Space Child.

Moog Minimoog Voyager XL Tolex [Sound Check]

Published on Sep 21, 2018 TinySymphony

Sort\Lave - New Release by Richard Devine

On BandCamp and on Spotify

The release is also available on CD and Limited Edition 3LP.

"After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album ‘Sort\Lave’ on Venetian Snares‘ Timesig imprint. Recorded between 2016 and 2017 using Richard’s custom built Eurorack modular system and two Nord G2 Modular units, Sort\Lave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as ‘Revsic‘ to ‘Astra’s dazzling juxtaposition of sounds and onto the radiant ambience of the album’s closer ‘Takara‘.

Talking about the album’s genesis Devine explains “I’ve been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.”

“I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.”

This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. “I really wanted to break free from timeline-based music creation and do things with my hands on the fly,” he explains. “So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I’m very excited to share it with the world.”

Making his debut in 1995, Devine’s releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world’s leading music technology businesses and working with companies such as Google and Nike.

released November 2, 2018"

The blue hit machine - Shake it

Published on Nov 2, 2018 batchas

"Forgive me for all these camera movements.
I could not help it to shake all my body :)

Grille module driving 3 x Radio Music.
Changing patterns via Serge sequencing panel.
Orgone Accumulator for hihats."