Nava Rhythm Composer V1.01 Kit

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via this auction

"Nava Rhythm Composer V1.01 kit including all silicon and hard to find parts. The only parts that require sourcing are the passives (resistors and capacitors) which can be found at any big-box site (Digi-Key or Mouser). This kit is used to build a near exact clone of the classic Roland TR-909.


More information, build guidance, and complete passive BOMs for this exact kit can be found on the manufacturer website here"

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Sequential Prophet X / Presets made from 8 Dio add on (Prophet 5, T8, ARP 2600..).

Published on Sep 16, 2019 Stéphane Schott

"Sequential Prophet X / Presets than I made from 8 Dio add on Prophet 5, T8, ARP 2600...
Vintage, ambiant, oldschool style.
No external eq and no external FX"

Rencontres Ardèchoises 2014

Published on Sep 16, 2019 Pierre Hansen

"Reunion de passionnés de musique électronique analogique"

Synth spotting comes in after 1:40.

Miami-Tweak

Published on Sep 16, 2019 verstaerker

"Acidlabe Miami NoiseTweak"

Korg Volca Performances by Nigel Lundemo

Published on Jan 10, 2019 Nigel Lundemo

Playlist:
1. Korg Volca Sample Vosyr The Winstons Amen Brother Drum Break Samples
2. Korg Volca Sample Vosyr Daru Jones live Drum Break Samples
3. Korg Volca Sample Vosyr Field Recording Smart Phone Metal Gate Support Beam Pole Samples
4. Korg Volca Sample Vosyr Library Music Bruton Music Travel In Style 20. Giant - 3 Samples

Roland Jupiter-6

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Light never dies 3 - eurorack drone ambient jam at a lighthouse with pittsburgh sv1

Published on Sep 16, 2019 sector

"A little drone jam at punta Lingua (Tongue cape) lighthouse in S. M. Salina. The lighthouse was bulit in 1953 but came to a ruins thorugh the years, until the balcony collapsed in 2009 due to a big storm. From then it has been restored to house the sea museum."

Metasonix RK7 to R56 & MakeNoise PressurePoints to RK4 to Strymon Magneto

Published on Sep 16, 2019 Ritchie DeCarlo

Sequential In The Spotlight Interview with DAVE JULIAN

You can find the interview on Sequential's website here.

"Dave Julian bought his first synthesizer, a Yamaha CS-5, in March, 1980, one week before his seventeenth birthday. Inspired by the sounds he was hearing from synthesizers and keyboards on the records that he was buying and listening to at the time, his early influences came from Gary Numan, Depeche Mode, Human League, Japan, OMD, Simple Minds, Kraftwerk, Tangerine Dream, Wally Badarou, Bernie Worrell, and Herbie Hancock.

Having never undertaken musical training, his time spent playing keyboards in bands allowed him to learn composition, structure, development of melodies, and the use of chord shape variations and scales. Though unsigned, he did benefit greatly from the countless live performances, playing live on BBC radio, and many studio recording sessions.

In 1992, he bought his first sequencer and began a new journey, focusing his passion toward the creation and performance of electronic music. This is the path that brought him to where he is now. This year, he has performed his material live at various venues in the UK.

We chatted with Dave about how he uses Sequential instruments in his music."

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You can find previous posts featuring Sequential's Spotlight series here.

via @WeAreNovation

"We're super excited to have worked with Shawn Rudiman for this weeks' Peak Patches, an incredible artist with a deep heritage and a master of his craft. 🎹🎛🎚 #techno

Learn more about Shawn and download his release via Components >>>"

"Shawn Rudiman's love of electronics and synthesizers begin with an obsession in the early to mid-1980s with the electronic pop music of the day. Those influences along with Punk and an almost decade immersed into the creation of Industrial / EBM helped lead him to Detroit Techno and House music in the late 90s. After 20 years now entrenched in Techno production and a live performance history like few others, Rudiman's quest for new and different sounds has never stopped.

Analog, additive, wavetable, sampling and FM have become everyday aspects of life. The hunt for new sonic-abilities and forgotten or new machines is still always a priority, whether it is for live performance or studio use.

Rudiman’s aesthetic is one of efficiency combined with flexibility. It's all rolled up into an encompassing sound for your head and heart... As well as your feet. From blistering percussion and alien abrasiveness, to warm and welcoming ambience and textures."