"Roland Juno-106 in excellent condition. Recently tested and fully functional, with original factory patches installed. Cosmetically, there are just a couple of minor nicks and scratches in the paint, which can be seen in the photos. All 6 original voice chips have been replaced with 6 AR80017A chips from Analogue Renaissance."
"Just random stuff. Made a sequence, edited it, cut out most of it, threw in other stuff... well, it's something.
Used Eventide Blackhole. I know synth demos are lame with FX because you can't hear the raw sound, but I guess if you want to hear the that I'm sure someone out there made that video for you."
"This video demonstrates a new feature in Hydramorph v1.1.0 that allows users to morph between two presets. Use the drop downs to choose preset A and preset B, then update the number box or the slider between to morph between the two presets. For example if you set the value to 0.75 then your Hydrasynth will contain a new patch that is interpolated 75% of the way from preset A to preset B."
#moogpurplelittlephatty #sequentialpro3 #korgkarma
"Sequential PRO 3 Purple Moog Little Phatty Korg Karma Synth Jam"
Synthesizer Demo by Rik Marston
***Watch in HD!!*** **Turn It UP!** ***No Talking!!!***
I just hooked up my new Mackie mixer & was testing the levels.
Nothing serious here folks, just a little quick synth jam. :)
The Korg Karma is playing a preset combination groove.
I have ping pong delay on the purple Moog Little Phatty
from the Mackie mixer. Sequential PRO 3 a sweet analog lead.
I love all of the new synthesizers I am using now....
still one more vintage beauty on it's way! You will LOVE it!!!
I am thankful, grateful & blessed to have YOU as a subscriber!
Thank you my friends, YOU ROCK!
"Here I'm using my AJH Eurorack modular synth to generate two voices: The first is a drone created using some noise generated by the Entropic Doom module, filtered by the Fixed Filter Bank 914. This is then joined by two VCO's passing through the Wave Swarm. The pitch of the VCO's is being altered using the Precision Voltages module. I'm manually adjusting the mix between the black and white bands on the fixed filter bank, fading out the VCO's from the mix again towards the end.
The second sound is a single VCO passing through the Sonic XV filter, which is being used as a band-pass filter. The frequency is being modulated by two LFO's (Dual LFO module), which are combined using the CV MIX module. The filter also has a wave-shaping function, which is being modulated by the Sample & Hold module, triggered by the Dual LFO. The Sample & Hold is also triggering the envelope for this part.
No keyboard or sequencer was used. Reverb from EOS2 and recorded into AUM on an iPad.
This was originally intended to be part of the 'Fantasy Soundtracks' series, but real life got in the way. I'll most probably be stepping back a bit from YouTube soon, partly due to financial limitations, partly due to YouTube changes, but more details to follow later. New album on the way regardless.
"To cool down from these current hot temperatures around here i fired up #animoog and some audioreactive visuals waving in the wind for this simple ambient jam. Animoog is going through #StratosphereCloudReverb, #K7D delay, #BorderlandsGranular, Eventide #QVox and gets a final touch with #BleassChorus and #FACBandit. Served with a field recording of wind blowing through leaves. Enjoy the breeze!"
"The Cursus Iteritas is my kind of oscillator and as soon as I heard a demo I knew I needed one. More often than not though it ends up making percussive sounds. For todays video though I hooked it up to the seaboard via the FH-1 and let it do its thing. The output is routed via the Viol Runia for some extra grit & flavour
Accompaniment is a Christian Henson piano sample and MLR, Morphagene and W/ are adding to the action too. Reverb as ever is Valhalla DSP.
Talking of Christian Henson his recent video is very interesting on the topic of synthetic/natural sounds [below] and goes a long way to explain why I love adding layers of distortion to everything :-)"
Why Are Synths So Difficult To Mix???
Christian Henson Music
"Do you find synths difficult to mix? If so what methods do you employ, a bit of distortion, a spring, a plate?"
"The high lead sound is the Roland 510 synth voice sequenced by Copper Traces Seek, with gating from Pico logic, and a different kind of logic triggering the envelope, and S&H modulating the filter. Audio goes into the Z-DSP with the Cathedral algorithm from Halls of Valhalla.
The pad is an Omnisphere sample played back from Disting Mk4, then into Mutable Instruments Clouds.
The bass is the Mother 32 into the delay of my DSI Pro2, then into Lexicon "ambience" which I use a lot for bass voices. I'm tweaking the filter envelope amount and resonance as it plays.
Everything is clocked from the Octocontroller.
Stipa is a genus of grass, popular as an ornamental plant but not yet available for Eurorack AFAIK."
