Roland Juno 2: Hoovers and JX sounds! | Synth Club #8

Rex The Dog

"Here is a short demo of the Roland Juno 2 synthesiser, one of my first ever synths. Get ready for some '90s hoover action and a little bit of JX."

Descension

MIDERA

Elektron Analog Keys
Korg ESX
Roland SH-101
Korg Polysix


Eventide Blackhole VST

More GREAT E-mu Emulator II sounds

SynthMania SynthMania

"More awesome sounds from the OMI library for the E-mu Emulator II (1984):

00:10 INTRODUCTION
02:01 HIGH STRINGS
02:50 MIDI STRINGS
03:25 POLY BRASS
04:00 BIGBIGBIGBIG
04:54 FLOATING ORK
05:47 LITETINKLOOP
06:49 FEMALE AHHS
07:39 MAD METAL
08:25 DUST WARRIOR
09:18 B-3 FAST LESLIE"

Roland Boutique K-25m Zebrawood Wood End Cheeks / Side Panels

Note: links to listings are affiliate links for which the site may be compensated.

via this auction

Interesting seeing a TR-08 with a keyboard.

CLICK FOR MORE »

Töörö - The FL A847 analog filter

Fred's Lab

"Let's explore the wild character of the FL A847 analog filter in this second episode."

See the Fed's Lab label below for more.

November 2020 Techno Jam [Volca Sample]

Flak Cannon

"A techno jam made with Volca Sample."

New Adventures in K7 #9 : Overdubbing OB6

Khoral

"Let's record an analogue electro EP on K7, episode 9. Where we overdub OB6 Lead Synth."

Perfect Circuit Moog DFAM + Subharmonicon Jam + Giveaway (see description to enter)

Perfect Circuit

"We teamed up with @Moog Music Inc to giveaway a Subharmonicon, DFAM and a two tier rack! Enter before 11:59PM PST 11/26/2020 and see the full contest rules here: https://www.perfectcircuit.com/contests

The Subharmonicon and DFAM team up well together with the Subharmonicon producing interesting melodies and chords that can have simple or complex rhythms and the DFAM can provide classic analog drums and percussion. Since they are both semi-modular there are lots of options for connecting the two together to make more complicated sounds than either could produce on their own.

Read our article about the Moog semi-modular synths for more information on these two and the Mother 32: https://www.perfectcircuit.com/signal...

Timeline:

00:00 Intro
00:07 Jam 1
03:09 Jam 2

Moog Synthesizers available here: https://www.perfectcircuit.com/moog?u...

#PerfectCircuit #Moog #Contest"

Wellenbrecher

verstaerker

"my latest dark, heavy and experimental track

Gear used:
elektron Analog Rytm
elektron Octatrack
Macbeth Elements
Cwejman S1
Novation Peak
Buchla Easel

please checkout further music
https://soundcloud.com/verstaerkermusic
https://verstaerker.bandcamp.com
https://verstaerkerahead.bandcamp.com"

Polyend Tracker Sessions #4: "MLT - Siren's Song"

Miltos Schimatariotis

"This track is also available for download from Bandcamp: https://mlt-music.bandcamp.com/track/..."

"Here is a new video for my Polyend Tracker series, this time with a project that I will share with the Tracker community. This song will be included in the SD content for you to explore if you wish!

As I gradually establish a workflow with the Tracker I often come up with some simple 'tricks' that can make a difference in the overall result of a track. On this one, I use the Slice mode extensively, not for some beat or loop slicing but for a possibly less obvious reason.

While recording one-shot samples from various synths in order to use them inside the Tracker I was wondering what would be a possible way to preserve some of the liveliness of the sounds. By recording a single sample from a synth patch, (since a Tracker Instrument can have only one sample at a time) in most cases you lose some amount of the real character of the sound. So what I am doing, in this case, is that I record a single note from a synth multiple times in a row while (slightly) changing synth parameters, for example, the filter cutoff or an oscillator frequency if the patch features FM etc. Then by using the Slice mode in the Tracker and adjusting slice points, I can use the Slice FX to change the timbre of my sound while it is playing a pattern. This technique can also be used for acoustic instruments. For example, you can record a piano or a guitar note in different velocities or a cymbal or snare to eliminate the "machine gun" effect.

This simple workflow can really make a big difference in the end result. Also, to make the process faster you can either use the auto-slice feature or the equal-slice. The equal-slice is especially useful if you record your synths in a DAW and you export loops with equally spaced notes. And to top it off, if all your synth samples are recorded similarly-equally spaced you can then swap samples in the Tracker without needing to readjust anything.

The whole thing may sound a bit complicated but it really isn't. I intend to make some tutorials in the future about things that I find useful in my Tracker workflow, so stay tuned!
* Next video will be about the Medusa...

This track is also available for download from Bandcamp: https://mlt-music.bandcamp.com/track/..."