Technics SX-WSA1 Acoustic Modeling Synthesizer with expansion ROM

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"Technics SX-WSA1 Acoustic Modeling Synthesizer with the difficult to find expansion SY-EW1 Dance/Techno ROM expansion card

Fully Functional including aftertouch, realtime controllers and triple mod wheels, along with the disk drive.

A very rare bird as the story goes only 600 were made. Ther are some great you tube videos on this synth engine and the story of this synth.

Acoustic modeling emulates acoustic nuances and features resonators and drivers to allow many ways to craft custom sounds. Includes reprinted manual.

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Analogue Solutions Vostok 2020 Semi-Modular SYNTHESIZER

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Wersi Analoge Bass Synthesizer AP-6 / The Wersi AP-6 Baß (Bass) Synth

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"In 1977 German organ company released the two in one Bass Synthesizer AP-6. Its a bass syntheszer and a bass guitar synthesizer in one with a quarky glide setting named "Hawaii" which worked as a slide guitar function presumably to play Hawaiian style slide guitar riffs.

Billed as two instruments in one: an Electric Bass Guitar and Synthesizer, this compact light-weight instrument from German organ builders WERSI was aimed at keyboard and organ players. The purpose was to give the organist/keyboardist some Bass Guitar and Synthesizer sounds they could incorporate into their performances. It is a monophonic analog synth with funky controls, decent sounds and a unique character.

The Bass Guitar sound is actually very realistic, really capturing the sound of an electric bass guitar or acoustic bass. It has an attack control called "On" that lets you adjust the initial attack to make it sound like a picked bass or a fingered bass. A "Damp" control is essentially a sustain envelope that can be used to create more of a muted bass sound.

The Synthesizer section is pretty basic, and definitely designed using organ player lingo as opposed to synth player lingo. There a five flute stops (sine) from 16', 8', 4', 2', to 1', two brass stops (sawtooth) at 16' and 8' and a woodwind stop (square) at 8'. Multiple stops and waveforms can be simultaneously engaged to create more complex tones. These waveform sections, as well as the Bass Guitar section, have independent volume controls to balance their mix.

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Ritm-2 Soviet Synthesizer

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Video posted here.

"Ritm-2 is a legendary Soviet synthesizer.A rare Golden hue. All tuned to specification, it was checked and serviced before sales in the best Moscow workshop. OUT sockets replaced to standard Jack (TRS) socket. The lot includes a synthesizer and power cable. Watch my home video.

From the manufacturer's description:

This synthesizer was manufactured by Kirovsky musical instruments' factory in 1984, designer - Viktor Nikulin. The EMI Ritm 2 is an one-voice keyboard synthesizer designed for solo, ensembles and orchestral playing musical compositions of any genre. It can be used both for educational needs and creating different musical effects. This synthesizer can be used with an acoustic amplifier which has a response of 0,775. There is a possibility to use a low frequency amplifier such as radio receiver, TV and tape recorder. The quality of the sounding depends on an acoustic amplifier.

The synthesizer Ritm-2 can play soundings of the other classical instruments (keyboard, strings, reed and percussion instruments). It is intended for creating some specific sounds (wind, noise of surf, train, gun and whine). Using this instrument one can play some compositins with a random pitch and a timbre.

Control parametrs name: pitch wheel, modulation slider, modulation frequency, registers (4'8'16'32'), tuning modulation on, modulation amount, modulation waveform, noise, square waveform level, select waveform, wave level, cutoff, key track (1/1-1/2), resonance, modulation form/depth, phone, contour osc, output, memory, filter - attack, decay, sustain, release.

Specifications: Keyboard's volume, octave2,5Total audible range, octave5,5 from 'F' contra-octave to 'C' fourth octaveThe error of pitch in module, %0,2generator drift over 4 hours of continuous work in module, max1,0Frequency change of the main generator, tone+/- 1,0output amplitude, min, V0,775Volume range control, dB60Mains voltage, V, frequency 50 Hz220 within +/- 10%Power consumption, max, W10Dimensions, mm600е400е200Weight, kg9"

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Seiko DS1000 Vintage Midi Sequencer w/ Original Box

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This appears to be the first one featured on the site.

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Sonic Freaks Moog Cluster Flux Software Editor

Sonic Freaks

"The Cluster Flux Editor is an editor software for the Moog™ Cluster Flux MF-108m pedal. The Cluster Flux is a flange/chorus pedal with a lot of hidden features under its hood. We have created the Cluster Flux Editor to control all parameters and features of the Cluster Flux including all the hidden ones. With our editor you will discover a whole new set of parameters and sound possibilities.

For more info click here: https://tinyurl.com/yxblrwk9"

SynthScaper LE and Classic FX apps

Igor Vasiliev

"SynthScaper LE - Multitimbral atmospheric synth. Lush pads, psychedelic synths and atmospheric soundscapes in an easy to use app with a powerful sound engine.
Classic FX - Reworked classic audio effects. Complete sound effects processor and a mono to stereo enhancer with equalizer, effects and reverb, based on specially designed high-quality processing algorithms and suitable for any kind of audio sources."

CME WIDI Jack Production Sample in Action!

Failed Muso

"Here’s CME’s latest addition to the WIDI Bluetooth MIDI family, the WIDI Jack.

This literally just arrived direct from the factory and worked right out of the box. Excuse my chaotic desk and presentation but this is a very exciting development. WIDI Jack brings Bluetooth 5 wireless MIDI functionality to devices that don’t have powered MIDI ports or use either 2.5mm or 3.5mm (yes, I know I said 2.5 inch in the video!) TRS MIDI ports. It can also connect to regular 5-pin DIN MIDI or 6-pin DIN Mini MIDI ports with the correct cables. These cables can be chosen when you order your WIDI Jack. You get one cable choice included in the price, which will be $59 (or $29 if you register you interest now!)

https://www.cme-pro.com/widi-jack/"

Prophet 10 using Low Frequency Expander (Yorick Tech LFE) for Release Aftertouch (RAT)

Steve Hunt

"The LFE captures the after touch value just before the last key is released and uses this to control any parameter on the synth (or midi CC-enabled effects). It can be used a lot like Release Velocity to affect things after the key has been released, often Release times, FX depths etc. Here, an LFE customer is using RAT to bring in extra filter modulation after the note has been released, but only when he gives the note a quick push before letting go."

DRONEBEAT Session Three Samples [ m i n i m a l ]

alternatingbitmusic

"Broke out a modular box for this one... two brief samples from last night's session."

Update:

DRONEBEAT Session Four [ m i n i m a l ]
alternatingbitmusic

"Drone-based vibes with percussion.
Featuring the Vermona DRM1 MKIII triggered by a Korg Electribe, plus a 5U modular system, TC Electronic Brainwaves, Mackie 1202 VLZ mixer & Strymon's Blue Sky & DIG effect pedals."