I never noticed what looks like guitar strap screw holes on the side panels. Interesting.
"A lovely, sweet sounding synth with a very flexible filter, allied with one of the best studio- and performance-oriented sequencers out there - 4 tracks, capable of sequence notes alongside internal parameters and external CV. Also a great device for distributing USB/MIDI clock to a Eurorack system, or as a more general MIDI to CV converter."
"Work list: Change all elec. caps, tant caps and poly caps with new ones. Change all power regulators and rectifier diodes with new ones DAC adjustment Change all buffer Opamps and multiplexors with new ones Keys, knobs, switches and jacks cleaning.
gligli firmware 2.00 installed factory 100 sound data installed"
"The Kurzweil K250 by Ray Kurzweil, manufactured by Kurzweil Music Systems was developed 1983 together with Stevie Wonder, Robert Moog and Alan Pearlman and introduced 1984. It was the first Workstation ever made, the first ROM-Player with sampled sounds compressed in ROM, maybe with one of the first inbuilt sequencer and one of the first Samplers. It had 12 voices and also 12 separate Digital Audio converters and analog envelopes. The later K1200 and K1000 series didn't have this technology. Later in 1990 the K2000 used a new technology, the VAST Synthesis.
The price of the original K250 was around 14.000 British Pound. The K250 had fantastic nature sounds, which were not heard anyware in a keyboard before. All such orchestral, piano, drum and other sampled sounds were the fist time found in an electronic instrument. Besides the ROM with around 80 sounds, there were 4 Soundblocks established which are all built in in mine.
I play here a very little palette of some sounds of the factory ROM and 4 Soundblocks in this demo. Everything is played life into the audio interface without midi and without any effects. The frist example is adopted by SAGA the Song Images (LP Images at twilight from 1979). Take care and thanks for watching this video. Rüdiger"
"This is a complex patch, with a lot of disparate timbres fed into a sequential switch (The Qu-Bit Synapse). The audible source and its position in the stereo field is always changing.
What I know about contrast as a cinematographer seeps into my music as well: that contrast gives depth and significance. So, I like to wire up voices with large amounts of chill, and then switch to a gnarly wavetable. That’s what I like, you might like something different.
Sources here are Chord, Braids, guitar through Microcosm and Julianna, and a captured loop on the Tyme Sefari. Data Bender is mangling two taps of Chord.
Synapse is so great for this kind of thing, because you’re only ever hearing two of these voices. So it doesn’t overwhelm.
0-ctrl is stepping between different voicing on the Chord so that it’s always slightly different.
I let this run for a long time, purely for your listening pleasure. The footage just repeats after a while."
"The Legend of Zelda: Link's Awakening on Gameboy is the first Zelda game I ever played and it holds a very special place in my heart. In this video, I play tunes from the game as well as some improvisations using the Moog Matriarch and an awesome reverb pedal I just got called the CXM 1978 (by Chase Bliss Audio and Meris).
Get high quality WAV files of all these on my Patreon: https://www.patreon.com/glasys
Tunes: 0:00 Sword Search 0:49 Mabe Village 1:40 Cave 2:14 Nice Chords 2:59 Zelda Inspired Improv 3:56 Inside A House 5:28 Odd Time Improv 6:06 Dream Shrine 7:18 More Nice Chords 8:11 Spooky Stuff 8:58 Southern Face Shrine 10:21 Zelda's Lullaby"
