GTR ORGATRON 1 w/ Original Display Carton Box

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You can find a demo of one posted here.

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Bronski Beat - Smalltown Boy (1984) Instrumental Cover

video upload by KOSmusic

"This is my version of an unforgettable great classic from the mid 80s: Smalltown Boy by Bronski Beat (of 1984).

I've always loved how this song starts with those pads and the DX7's signature harp... it always gave me goosebumps!! Furthermore, Sommerville's voice is truly fantastic with his unmistakable timbre.

I recreated the track by making some changes to the sounds and in particular to the management of the instruments, creating more stereo effect. I used the CS1x for brass, strings and synthesized trumpet. For the harp, I used the VST Dexed and the VST Jupiter-8 for the bass.

For the graphics of the video, I was inspired by the artwork of their first album 'The Age Of Consent'.

I hope you like the work I did on this track :)"

Icehouse - Electric Blue - Synthesizer Cover

video upload by Luke Million

"Here's a tribute to one of Australia's best rock / synth pop bands - Icehouse. One of my favourite songs of theirs is "Electric Blue" and it was written by Iva Davies and John Oats. 🎹🔌💙

Synths - Moog Multimoog, Roland SH2, Roland Jupiter 4, SCI Sequential Circuits Prophet 5 Rev 3, Roland Juno 6 Vocoder - Roland VP330 Vocoder Plus
Drums - Linndrum (programmed in Ableton)"

Korg Polysix: Inner workings

video upload by MIDERA

"Pulled out the Polysix - Always wonder whether I like it more than the Prophet 10. I'm strange. Something so simple about the Polysix that's just lots of fun. Relax - I probably don't like it more than the P10...

I guess the synth I like most is the synth that's sitting in front of me. Except the synths I don't have fun sitting in front of. I'm looking at you Roland D50."

Noisebug’s 4ms Sound-on-Sound System

video upload by NOISEBUG

https://www.noisebug.net/

"Running guitar through the 4ms Sound-on-Sound System, a Noisebug Exclusive! The 4ms Sound on Sound System was designed here at Noisebug to offer a small, compact sampling system that can be used in a variety of different situation, using a variety of different instruments. The Percussion Interface (PI) and PI Expander are a pair of Eurorack modules that generate gates and envelopes from acoustic drums, samplers, drum machines, and virtually any audio source that is plugged into its input, making this system a true sampling powerhouse! Next is the Stereo Triggered Sampler, a high fidelity, two-channel stereo sample recorder and playback module. The STS can record high quality stereo files, while simultaneously playing two different stereo files. A maximum of 600 samples can be loaded from the removable/swappable microSD card, in a variety of formats up to 96kHz/32-bit/stereo WAV. All sample parameters (1V/oct pitch, sample file selection, length, and start position) are CV controllable and can be controller directly from your incoming audio's amplitude using the envelope outputs on the Percussion Interface. Just to the right of the STS is the Dual Looping Delay. A modern looping devices grew directly from hardware digital delays of the late 70s and early 80s. A looping delay, modeled on units such as the classic Lexicon PCM42, has the very long storage times associated with dedicated looping, but without triggered record and playback functions. By default, a looping delay records and plays continuously, though recording can be suspended at any time with Infinite Repeat. Sustain of delays and loops is mainly accomplished with regeneration, allowing an organic, evolving approach to sound creation as new material replaces old, more or less gradually. The 4ms Dual Looping Delay also provides advanced clock input and output facilities that allow for locking delayed and looped material with sequencers and rhythmic devices. The final stage in this system is the Listen Four Quarters, a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.

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Dove Audio - D502 Multimode VCF

video upload by NOISEBUG

"The D502 Multimode filter is based on the SSI2140 VCF chip. This chip has a unique stucture and gives it a different sound to most 4 pole filters.

You are able to select which of the 4 poles is fed to the output, giving you instant access to 4pole low pass, 3 pole low pass, 2 pole low pass and 1 pole low pass at the flick of a switch!

However it doesn’t stop there, you are able to make the first two poles into high pass poles, allowing all kinds of interesting filter topologies, for example you can easily get the following filter modes.

1 pole low pass
2 pole low pass
3 pole low pass
4 pole low pass
1 pole high pass + 1 pole low pass (1 pole bandpass)
1 pole high pass + 3 pole low pass
1 pole high pass + 2 pole low pass
2 pole high pass + 1 pole low pass
2 pole high pass + 2 pole low pass (2 pole bandpass)
2 pole high pass
1 pole low pass with special resoance drive
1 pole high pass with special resoance drive + 1 pole low pass (1 pole bandpass with a gnarly sound)"

https://www.noisebug.net/

Crunchy beats patch of the day Pulsar 23

video upload by Dj Puzzle

"Liven 8 Bit Warps. Also in the mix Simmons SDS9, Pulsar 23, Korg Volca Modular, and Volca Kick. 1010music Bluebox and Korg SQ-64 at the hub."

Allinaire Jondent - HARD MOOG

video upload by Allinaire

"Some '4 on the floor' from Moog featuring the DFAM, Subharmonicon and Matriarch. About 95% of the track is all MOOG goodness (with some additional percussion and processing in Ableton). A collaboration between Allinaire and Jondent, put together from 2 live jams in Sydney and Wollongong during Feb 2022."

Hexinverter Mutant Bassdrum

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"2 Steps Back" | Ambient Eurorack Patch

video upload by Electronisounds Audio

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"'2 Steps Back' | Ambient Eurorack Patch

Nothing very special this time, sorry...

Just me having a less than stellar time experimenting with the new Reverbs in the 1010 Bluebox Beta Firmware. They sounded great, but it kept on crashing during recording.... :(

So, what you are hearing here is the older Bluebox reverb from an older firmware.

It sounds ok, but nothing near as magical as the "Cloud Reverb" I was trying to use from the newer Firmware that would not record.... :(

Whatever kind of music you are making - KEEP IT UP, Friends!
Don't stop making *YOUR MUSIC*!!"