"Much like a Juno 106, but less tamed and more wild. Thanks to its filter and VCO based architecture, this is one unique and true analog synthesizer. While still capable of warm and soft tones, the resonance on this filter is one of the most aggressive I’ve ever heard, and it doesn’t take too much push to get it to sound mean. Really one of the more fun and intuitive analog polysynths to program sounds on."
"Looking to get started with your Seaboard RISE 2? Join producer Taetro in this in-depth walkthrough and make infinitely expressive music. From perfecting your MPE settings; to mastering 5D Touch; to recording tracks in your DAW, this deep dive has all you need to begin. You'll also learn how to get the most from your included ROLI Studio and Equator2 software.
▬▬ Contents ▬▬ 0:00 — Introduction 0:37 — Getting Started 1:23 — Connecting and Charging 3:51 — 5D Touch 6:30 — Expressive Settings 9:20 — Touch Faders & Side Panel Controls 10:15 — ROLI Dashboard 13:49 — MIDI Mapping 21:55 — ROLI Studio 32:42 — Equator2 36:32 — Setting up RISE 2 in LIVE 11 37:07 — Playing Techniques 38:00 — Caring for your RISE 2"
"With a massive increase in available filters, Firmware v2 for COBALT8 offers more creative tools to sound designers and performers. In this Modal Minute, we show some of the unique features of these new filters and explain the cutoff scaling options.
"Entre deux migraines, je prends du plaisir...
Késako Player & Reverb for the beat.
Késako ex0ex sent to 'res' input of 1979 MSV.
259e sent to 'exc' input of 1979 MSV.
261e for the modulated high pitch note."
"This video shows how to return your V-Scale's trimmers back to 'factory default' settings - basically, so that all adjustable outputs are back in their central, accurate 1V/Oct positions. If you've previously adjusted any of the outputs to compensate for another module not tracking accurately, or if you acquired the module from someone else and it's already been adjusted, then it's likely that at some point you'll want to use the module simply as a buffered multiple, for distributing accurate 1V/Oct CV signals to VCO's or other modules. The video shows 2 easy ways of doing this. For musical use it might not always be needed or desired to have VCO's close to perfectly tuned, but the more time spent on adjusting the closer it is possible to get, it really depends on preference. However, tracking across a range of octaves is generally not something that can be compromised too much, and the V-Scale is a purpose-made tool for combatting this problem.
There'll be a full user guide video showing what this module can do very soon, but in the meantime, check out the following video for an example:" [posted here]
"The slow build of 'Paperoga', my newer portable DotCom, ancillary to Brigitta (but also great standalone). Paperoga (Fethry Duck) was one of my favorite characters of 'Topolino' (Mickey Mouse), a popular Italian cartoon magazine from when I was a kid in the '70s. Here in this video we are testing some oscillators, filter, envelopes. Drums from Cubase DAW."
Note the sequencer is a SYNTHETIC SOUND LABS - MINI SEQUENCER II. Some info via Noisebug:
"An upgraded version of our popular 1651 with greatly improved features. A collaboration with our friends at Division-6.
Feature enhancements over the 1650 include:
7 sequence memories 5 song memories (string sequences together) SLUR- change pitch between steps without firing gate Variable gate timing (including ratcheting) ACC can be set to drop or not drop between steps, or follow gate timing for that step Auto-advance step when programming Live transpose (use the keyboard to shift entire sequence up or down while running) Live edit (buttons you push while running get saved to the sequence) 1X mode (disable to use XP IN as a reset without requiring an external gate mixer) Clock out (use ACC out jack to output clock if using internal clock) The 1651 gives you standard CV and pulse out, plus an ACC out (Accent? Accessory?) Use the ACC output to open up a filter, enable a glide, trigger a drum, or whatever you can think of.
It has its own internal clock to get you up and running in a hurry, but you can connect an external clock if you need greater control of tempo or want to sync with other devices.
The module can store up to 5 songs of 16 sequences each, and 7 sequences of up to 16 steps each. Wow!"
"Sebelumnya saya sudah berbagi skema dan program data tetapi hasil keluaran suara stereo masih terlalu banyak kebisingan dari tampilan oled dan catu daya, sekarang saya mengubahnya ke tampilan Hi-fi dengan keluaran mono itu terdengar lebih baik. Jika kalian ingin membuatnya saya sudah menyiapkan data dan skema baru di google drive saya
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Link data dan skema : https://drive.google.com/file/d/1-f2K...
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Modul ini di buat dengan micro controller ESP32 dengan keluaran suara PWM mode Hi-fi tanpa penguat operasional saya rasa sudah cukup
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Gunakan catu daya 5V / 1Amper di pin Vin jika inging menggunakan adaptor jika port micro usb cukup charger smartphone saja"
SEM is a long form drone made using a single instance of the GForce SEM - a faithful recreation of the 1974 Oberheim monophonic analog synthesizer, reinstated on the occasion of Tom Oberheim's birthday. Not completely familiar with the machine prior to this session, but previously having played with other Oberheim designs such as the Matrix 6R and XPander, Burraston opted to simply explore it without any additional machines or effects processors, in order to allow the SEM to illustrate its personality naturally, which resulted in the gorgeous pillar of tone that sits before you now. Thematically, SEM relates to prior NYZ recordings such as OSC2 at Superpang and the independently released BS2::DRN4, although avid listeners will appreciate the uniqueness of SEM even when aligned with earlier work. SEM was made possible with the generous assistance of Jerome Meunier at GForce & AFX, and is offered as the twenty-first recording issued in the NYZ subcatalog at Psoma, continuing a rich lineage of vivid synthesizer music and unmapped experimentation."
