Thursday, January 19, 2023
Using CV to Trigger a Synth's Envelope | Sound Recipes #56
video upload by Reverb
"For this week's Sound Recipe, we spiced up a synth sound by using a CV sequencer to trigger a synth's envelope."
RYK Vector Wave | 4 Operator mono/polyphonic vector synth with 16 VCO's, 8 Env/LFO's and a Joystick.
video upload by Cinematic Laboratory
"I started working on this video three days ago, right after I got the RYK.
Since I have committed to making a video every day in January, I had to work ahead a bit and study. It's hard enough to make a video under pressure, but working on a module you don't know is even harder. RYK's Vector Wav is so deep it makes it virtually impossible to make something decent. But I learned a lot while/after making this video and I think it's an enjoyable watch.
The RYK is an amazing machine and it can produce the biggest sound I've ever heard coming from a single eurorack module. In short, it's a 4 operator FM voice, but it goes much deeper. A voice is a wavebank of four oscillators, so there are 16 voices to play with. Each wavebank has two envelopes, two LFO's and six modulation targets. You can use it in unison and polyphonic with midi. With the expander you can drive three more gates and melodies in 'multi timbral' mode. There's just one word for the RYK and that is WOW.
#jamuary2023 | Day 19 | Thursday"
HOHNER Electra Melodica 1966-1967 * RARE monophonic synth *
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
This is only the 2nd one to be featured on the site; the 1st one being here.
"Rare Hohner Electra Melodica which is a monophonic windsynthesizer produced by Hohner in 1966-67. Obviously this instrument was so far ahead of its time that they only produced 500 pieces until it was discontinued.
The melodica has 6 sounds to choose from - clarinet (1 octave lower than the rest), brass, strings, oboe/bassoon, flute, saxophone, there are also three "formants" for the wau-wau effect that you can choose from and manipulate with the pushbutton on the left side of the instrument. The melodica has a vibrato that can be altered in amplitude and frequency and two pots for finetune and coarsetune. The octaveswitch allows to choose between five octaveranges. The manual has 3 octaves, using the octave switches you can play notes from "f" below the lowest note on a piano to the "e" above the highest c on the piano.
The power supply has new fresh electrolytic caps and a bulb has been changed on the inside of the instrument. The melodica has also been tuned properly.
The package contains the original power supply, the power cord, a connection cable from power supply to the melodica (same as the 'MIDI'-cables we use today), 1x3-pole-DIN/3-pole-DIN and 1x3-pole-Din/jack cable to connect the melodica via the power supply to the amp. It also contains two mouthpieces.
The original case has suffered a little bit throughout the years and the melodica has a crack on the downside which has been glued (check pictures)."
via this auction
This is only the 2nd one to be featured on the site; the 1st one being here.

The melodica has 6 sounds to choose from - clarinet (1 octave lower than the rest), brass, strings, oboe/bassoon, flute, saxophone, there are also three "formants" for the wau-wau effect that you can choose from and manipulate with the pushbutton on the left side of the instrument. The melodica has a vibrato that can be altered in amplitude and frequency and two pots for finetune and coarsetune. The octaveswitch allows to choose between five octaveranges. The manual has 3 octaves, using the octave switches you can play notes from "f" below the lowest note on a piano to the "e" above the highest c on the piano.
The power supply has new fresh electrolytic caps and a bulb has been changed on the inside of the instrument. The melodica has also been tuned properly.
The package contains the original power supply, the power cord, a connection cable from power supply to the melodica (same as the 'MIDI'-cables we use today), 1x3-pole-DIN/3-pole-DIN and 1x3-pole-Din/jack cable to connect the melodica via the power supply to the amp. It also contains two mouthpieces.
The original case has suffered a little bit throughout the years and the melodica has a crack on the downside which has been glued (check pictures)."
Sequential Circuits Prophet T8
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"One of only 500 or so."
via this auction
"One of only 500 or so."
Moog Minimoog Voyager Aluminum Edition SN 088
via this auction
"This listing is for serial #88 of 100 of the Moog Minimoog Voyager Aluminum Edition.
It has had a brand new power supply installed, and is running the latest firmware (2017-v3.6)."
Destiny Plus 16 Psyche
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
You can find demos in previous posts here.
"16 PSYCHE manifolds a structureless structure at infinite convergence of causal invariance in the frequency domain.
The core 16 configurations of 16 PSYCHE expose the diversity of the proto core* and the rich experimentation to gain using the 5 pillars of its foundation in depth. The infinity function groupoids, quadrilateral non linear transfer functions, twisted division ring of fractions, through zero phase modulation and non linear resonant feedback windows.
Although not limited to 16 configurations the evolution of the chosen system is a kin to a multiway infinity, defined only by the isomorphic relationship of user and machine, however it should be noted that 16 PSYCHE obtains suitable nodes for trajectories towards complex feedback and modulation far beyond previously known orbits."
via this auction
You can find demos in previous posts here.

Although not limited to 16 configurations the evolution of the chosen system is a kin to a multiway infinity, defined only by the isomorphic relationship of user and machine, however it should be noted that 16 PSYCHE obtains suitable nodes for trajectories towards complex feedback and modulation far beyond previously known orbits."
Metasonix R-54
Note: Auction links are affiliate links for which the site may be compensated.
via this auction
"This is an impossible module to find and it was just luck that I was able to get it so I’m selling it with great reluctance. It kicks ass. Blast and blast, it’s got power and intensity. Grab it before I change my mind.
It uses a triode-pentode in a unique Wien-bridge circuit, to provide clean sine-wave oscillation. Using a Vactrol, the pitch of the R-54 is sweepable from less than 20 Hz to more than 5 kHz, continuously, via front-panel control or a CV input. By adjusting the waveshape/resonance control, the sinewave signal produced by the R-54 can be trimmed to less than 10% THD (depending on operating pitch)---with NONE of the problems inherent in solid-state oscillators and sine waveshapers. Because the Wien bridge contains no piecewise sine shaper or amplitude-control circuit or component. The tube itself performs that job. So the distortion products are entirely low-order, unlike the "sine waves" that solid-state VCOs or samplers produce.
Turn up the overdrive control, and the oscillator output clips the output amplifier pentode tube, for a unique soft-clipped square-wave sound. The simplicity of the R-54 will fool you--its behavior is odd and radical, and it will take you months or years to fully explore all of its quirks.
Now for the special trick. Plug an audio signal into the audio input. Instantly, the R-54 transforms from a VCO into a bandpass resonant voltage-controlled filter, with the same range as in VCO operation -- 20 Hz to 5 kHz. Its behavior and sound are unique. Again, you will be kept busy for years exploring all of its strangeness.
And now, it's got two new tricks. A VCA CV input allows you to control the output level of the R-54 as well as the amount of clipping in the output tube. Plus, a HARSH switch introduces a feedback loop into the CV control. Turn up the output level and the R-54 does very strange things.
CV response: Hz/v. Use a suitable MIDI/CV interface, or use our R-60 interface to obtain perfect equal-tempered tuning every time. Maximum output signal, 12 v p-p. Power requirement: +-12v dc, approx 150 mA. (All specifications are approximate and may vary from sample to sample.) Tubes used: 19KG8, 6AK5.
WARNING THIS MODULE USES 400mA FOR START UP!"
via this auction
"This is an impossible module to find and it was just luck that I was able to get it so I’m selling it with great reluctance. It kicks ass. Blast and blast, it’s got power and intensity. Grab it before I change my mind.
It uses a triode-pentode in a unique Wien-bridge circuit, to provide clean sine-wave oscillation. Using a Vactrol, the pitch of the R-54 is sweepable from less than 20 Hz to more than 5 kHz, continuously, via front-panel control or a CV input. By adjusting the waveshape/resonance control, the sinewave signal produced by the R-54 can be trimmed to less than 10% THD (depending on operating pitch)---with NONE of the problems inherent in solid-state oscillators and sine waveshapers. Because the Wien bridge contains no piecewise sine shaper or amplitude-control circuit or component. The tube itself performs that job. So the distortion products are entirely low-order, unlike the "sine waves" that solid-state VCOs or samplers produce.
Turn up the overdrive control, and the oscillator output clips the output amplifier pentode tube, for a unique soft-clipped square-wave sound. The simplicity of the R-54 will fool you--its behavior is odd and radical, and it will take you months or years to fully explore all of its quirks.
Now for the special trick. Plug an audio signal into the audio input. Instantly, the R-54 transforms from a VCO into a bandpass resonant voltage-controlled filter, with the same range as in VCO operation -- 20 Hz to 5 kHz. Its behavior and sound are unique. Again, you will be kept busy for years exploring all of its strangeness.
And now, it's got two new tricks. A VCA CV input allows you to control the output level of the R-54 as well as the amount of clipping in the output tube. Plus, a HARSH switch introduces a feedback loop into the CV control. Turn up the output level and the R-54 does very strange things.
CV response: Hz/v. Use a suitable MIDI/CV interface, or use our R-60 interface to obtain perfect equal-tempered tuning every time. Maximum output signal, 12 v p-p. Power requirement: +-12v dc, approx 150 mA. (All specifications are approximate and may vary from sample to sample.) Tubes used: 19KG8, 6AK5.
WARNING THIS MODULE USES 400mA FOR START UP!"
Yamaha SY85 Floppy Disks Including Factory Set & Demonstration Disks
Jamming with Moog Source, Arturia CS-80V, and Akai MPC X
video upload by Bata
"This is the A section of one of my unreleased tracks. Just improvising some lead lines over top. Playing the Moog Source through a Roland SBX-1."
The Robots (Part I) 1st Intro Sound. #kraftwerk #massive #patches
video upload by LastRecall
"First sound of the song programmed in Massive. As Massive is a subtractive synth it can be replicated in any other subtractive synth.
You can find at the end of the video integrated in the final Mix.
All the sounds in the mix were programmed by scratch and will the uploaded shortly."
The Robots (Part 2) 1st three sounds. #kraftwerk #massive #patches
PREVIOUS PAGE
NEXT PAGE
HOME
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH













© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH