What's All the Hype About? // Teenage Engineering EP-133 K.O. II

video upload by Jorb

"Post upload, I realize I never mentioned patterns...within a scene, each group can have multiple patterns, hold a group letter, then + and - to cycle that groups patterns.

I think this got lost in editing because I called it redundant, than back pedaled because I realized it makes things a lot more flexible for improvising scenarios, then back pedaled because it seemed cumbersome to remember which pattern was which without any on-screen visuals...its 3am I am not editing any more.

This video feels too long, but everything I said feels important, so its not getting cut.

0:00 Intro
1:45 Hands on / getting started
8:36 Fader Parameters
12:30 Send FX
14:18 Scenes
17:11 Example Performance Scenario
23:30 Sampling from Vinyl
28:32 NO RESAMPLING SUCKS
31:18 Mic Sampling
32:30 Single Note Synth Samples
33:36 Workflow Complaints
34:29 LEGO compatibility???
35:36 FaderGate & Build Quality Comments
37:30 What's it Good for?"

Making music by DRAWING - Oramics Reinvented

video upload by Hack Modular

Patreon: https://www.patreon.com/hackmodular
Hack Shop: https://www.tindie.com/stores/hackmod...

See the Oramics label below for related posts.

Befaco Introduces VOLTIO voltage source and precision adder eurorack module

video upload by Befacosynth

"An accurate voltage source and precision adder. Voltio fits somewhere between a music tool and a piece of electronics lab gear.It generates voltages equivalent to all the notes on the 12-tone equal temperament scale throughout a ten-octave range, with an intuitive two-knob interface.The Precision Adder In, lets you sum Voltio’s Out with external voltages.Additionally, the front panel banana connectors let you plug standard multimeter probes for hands-free operation on electronics lab.Use it to transpose Oscillators and sequences in a musical way or as a reference to calibrate your analog gear.

Available in assembled and DIY Kit versions.

FEATURES
Easily adjust your oscillators in known intervals.
Transpose Musical phrases from sequencers, arpeggiators, or any other notes source.
Calibrate oscillators and filters on your DIY projects or during analog gear maintenance.

SPECS
Current needs: +12V: 35mA, -12V: 15mA
Width: 6 HP
Depth: 30mm including power connector
Designed, kits prepared and assembled in Barcelona."

via Befaco

Destiny+ 16 psyche czochralski cells chatter

video upload by Petajaja

"been experimenting with how to get the two communicating back and forth so that rhythm influences tonal stuff and vice versa in a feedback loop."

More noise!

video upload by Alexander Zolotov

"New app is coming..."

296t feedback critters

video upload by Todd Barton

"I love feedback patching, hope you enjoy this.

My Patreon: https://www.patreon.com/synthtodd"

Erica Synths Perkons HD-01 and Syntrx 2 - Super Glitch Madness

video upload by Acid Techno Man

"Glitchie Havens stopped by and we glitched out."

When Mathematics & Physics Influence Eurorack Modular // New Systems Instruments at Knobcon 2023

video upload by DivKid

"It was great to see New Systems Instruments at Knobcon 2023 and learn about some of their modules. They caught my eye around their release and their "a bit like Serge but from a mathematical" approach certainly fascinates me. We look at Inertia, a function generator that has inertia, an resonance like overshoot of voltage travelling as well as the oscillators."

NSI are here // https://nsinstruments.com

Albers - Stepped tones.

video upload by DecadeBridge

"Using audio rate oscillators patched into Albers' pitch inputs and then using the LFOs to create stepped tones. In the first part I use all four of Albers' oscillators as stepped tone generators and then have a little jam with the patch. In the second part I use a VCO to create two stepped tone generators with oscillators A and B and then use the other two as sustained notes. This is followed by another small jam with the patch.

00:00 - Patching Pam's pro workout (outputs 5 - 8) to Albers' pitch inputs.
02:58 - Adding more elements to the patch whilst having a jam. Delay has been added in Ableton.
07:38 - Using the square and saw wave outputs from the Moritz Klein VCO patched to Albers' oscillators A and B whilst using C and D to add static notes. Stepped tones and drones.
09:11 - Adding more elements to the patch whilst having a jam. Delay has been added in Ableton."

ALAN R. PEARLMAN FOUNDATION ANNOUNCES GIVING TUESDAY INDIEGOGO CAMPAIGN KICKOFF

Press release follows.

The Foundation Announces the First Publicly-Accessible ARP 2500 in the USA

STONE RIDGE, NY, November 28, 2023: Thanks to a generous donation by former ARP employee Bruce McLendon, the Alan R. Pearlman Foundation is welcoming a 2508 Wing Cabinet into its collection of legendary ARP synthesizers.

This 2508 cabinet was assembled as a complete self-contained 2500 synthesizer featuring original oscillator, filter, sequencer, envelope and mix-sequencer modules, all linked by the flexible 2500 patch matrix system. It also contains a new oscillator module designed and built for the Foundation by Phil Cirocco of CMS (Discrete Music Systems).

The ARP Foundation is launching an IndieGogo campaign to raise funds to complete the restoration of what will become the only publicly-accessible ARP 2500 synthesizer in the USA, and to bolster its ARPs For All Program in preparation for the 2500’s arrival.

View the Campaign!

About the Alan R. Pearlman Foundation:

The ARP Archives & The Alan R. Pearlman Foundation is a 501(c)(3) non-profit organization.

Its mission is to celebrate the legacy of inventor, musician, entrepreneur and engineer Alan R. Pearlman, by making his innovative inventions publicly accessible, and by inspiring future generations to imagine and create. Alan R. Pearlman was a pioneer in the electronic music world, and the founder of ARP Synthesizers, a leading synthesizer manufacturer in the 1970s. The Foundation is dedicated to preserving his legacy, and is committed to creating opportunities for emerging artists, sound designers and electronic music entrepreneurs.

Among their missions is enabling artists and designers to use rare, vintage ARP synthesizers, as well as recording and production equipment - which they’ve successfully accomplished with the ARPs For All Program in cooperation with their partners at The Record Co. in Boston, MA

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Side note for synth history's sake: The New England Synthesizer Museum supposedly had the first ARP 2500 on display, but it was non functional when I visited, and the museum no longer around. The owner/curator David Hillel Wilson passed away back in 2010.