Sunday, January 28, 2024
Jamuary: Acid Techno with TB-303 Devilfish + TR-606 + Syntakt + Pulsar23
video upload by Honeysmack
"One of my little hot jams for Jamuary 2024. Acid Techno with TB-303 Devilfish + TR-606 + Syntakt + Pulsar23. Had the Pulsar23 sequenced by the Syntakt, also the audio from the Pulsar23 fed into the Syntakt too. Improvised jam recored in a single take. Audio all through the Playdifferently Model1 mixer and the Elektron Analog Heat (not pictured) on the master bus for that extra little something. Octatrack not in use.
📡 This channel is supported by my Patreon supporters who get a first look, join here: https://www.patreon.com/honeysmack
📸 Follow me here: https://www.instagram.com/_honeysmack_/
"
"I'll Have The Kebab, Please!" - Arabic Themed Adventure
video upload by Electronisounds Audio
"This piece came about from the Hardware Jams Facebook Group's pretty epic challenge this week, which was:
'Good night out, just got back from that your favourite music gig. You're in the kebaby drooling over that spit of Donner meat (chicken or falafel options available), contemplating if you're pissed/stupid/both enough to steal that spit of meat/falafel and run it home and a song comes on the radio that stops you. Make that song!'
I used the Ableton Push 3, some samples sourced from Loopcloud, the Erica Synths Perkons drum machine and the Roland TR8s drum machine to create this.
Whatever kind of music you are making - KEEP IT UP, Friends!
Don't stop making *YOUR MUSIC*!!
▼CONNECT with me / SUPPORT creativity and good content▼
WEBSTORE ► https://www.electronisounds.com/
PATREON ► https://www.patreon.com/DeanDaughters"
Yamaha SY99 tutorial - a patch from scratch and a history lesson (feat. @VultureCulture )
video upload by Floyd Steinberg
"In this video, I create a 'patch from scratch' on the Yamaha SY99, highlighting some of it's unique features. Thanks to @VultureCulture for the introduction and @WoodyPianoShack for letting me sample his classic synth videos.
Table of contents:
00:00 preview
00:17 hello
00:33 a history lesson by @VultureCulture !
03:41 tech- and user interface overview
05:38 initialize a patch
06:01 voice mode
06:18 naming and storing a patch
06:36 editing the FM voice
06:56 select an algorithm
07:30 working on indidual operators, waveforms
08:06 fixed frequency / "zero-hertz" operators
08:23 operator levels
09:07 detuning carrier operators
09:27 operator envelopes
10:30 editing the AWM (subtractive synth/"ROMpler") voice, wave selection
11:18 amplitude envelopes for AWM
11:42 velocity sensitivity
12:02 dynamic resonant filters
12:29 filter envelopes
12:52 voice mixer
13:06 "injecting" samples and noise into the FM voice
14:11 load your own samples
14:26 effects (delay, reverb...)
14:57 pitch randomisation
15:35 finished patch demo
17:16 conclusion
AWAVE sample converter for vintage Yamaha Workstations https://www.fmjsoft.com/awavestudio.html"
Vulture Culture Roland D-50 Videos
Oberheim TVS-Pro
GS Music Blue GS e7 SN 0069
Minimal Jam: Chance Delay & Entropic Doom - random gates, melodic noise, analogue percussion
video upload by AJH Synth Official
"A minimal jam using 2 Chance Delay modules, triggered by a sequencer clock, with the Entropic Doom to create both percussive and melodic noise-based sounds. Also a simple dual-oscillator analogue bass line using 2 Vintage Transistor Core VCOs and the Transistor Ladder Filter. Turn on Subtitles/Captions for an explanation of what's going on.
The Chance Delay generates randomness with its 'Chance' control, which determines the probability of gates occurring. It also uses its Length control to divide the frequency of the incoming clock signal - this is done by forcing the gate lengths to exceed the interval between clock pulses, and not producing further gates until the current gate cycle has finished. It also has a gate-delay function, and all three of these features can be voltage-controlled.
The Entropic Doom is a noise generator with a built-in, voltage-controlled, low-pass filter. This VCF has 2, 3 and 4-pole modes, and is resonant, producing significant self-oscillation in 4-pole mode, whilst also tracking 1V/Oct. This means it can be used melodically, extending it's usefulness beyond just noise washes or percussion. Additionally, it includes an audio input to add other signals into the pre-filter feedback loop, and it can sync it's noise frequency to an external source. To top it off it also features a CMOS ring modulator and XOR VCA, both of which can be used with or without the rest of the module. This thing can go from subtle and pretty timbres to crushing, mangled, distorted chaos.
CHANCE DELAY Introduction video: https://youtu.be/f4weiEGeOvQ CHANCE DELAY & Sequencer: https://youtu.be/MiOPo6XKgY0 ENTROPIC DOOM used melodically: https://youtu.be/FPfBpyFm_tM ENTROPIC DOOM for percussion: https://youtu.be/l17z82qy5Vs TRIPLE CROSS Introduction video: https://youtu.be/Y1G4Cgka1l8
The AJH SYNTH Eurorack range consists of high-end modules, all hand-made in the UK, most of which are based on classic, vintage designs, authentically recreating the circuitry of much sought-after analogue instruments and technologies of the past, whilst greatly expanding them, and bringing them to modern Eurorack levels of convenience, limitless flexibility, and reliability. Official website page: https://ajhsynth.com
Check out the AJH Synth playlists for module 'User Guides', and 'Patch of The Week' videos, which will be either performances or 'how to' guides, detailing functions/methods, and a range of sounds, some familiar, some less so, containing a patch sheet at the end to show you how to construct it for yourself.
Video by @DreamsOfWires"
Endless Woodland
video upload by Uncertain Music Corps
"Created as a response to a question about how the Endless Processor worked with field recordings. Using recordings made in woodlands local to me as the only audio source.
I'm using an (offscreen) touchpad to trigger the sampling on the EP because I found it quicker and simpler than using the on panel button when trying to capture short bursts of birdsong. Around the 4 minute mark I introduce an LFO to control the amplitude of channel 2.
Recorded direct to the camera. The Disting is used to bring the line level audio feed up to modular levels."
Furthrrrr Generator: is it still relevant in 2024?
video upload by Endorphin.es
"Unbelievable or Outdated? After 12 years on the market we have made a fresh look on the FURTHRRRR GENERATOR and its controlling companion - SHUTTLE CONTROL - our classics and never our of fashion.
Video by @SONWU"
Noise + Chaos | MakeNoise Spectraphon & Mimeophon
video upload by Cinematic Laboratory
"I made this video on the 26th, 27th and today the 28th, so it's not a jam but a regular video. The main subject of this video is patching from scratch. With infinite possibilities, where do you begin? For me it's often a patchpoint I haven't used much or don't understand well. I had just finished the Mysteresis video and new ideas pop in when you're done and doing something completely different like cooking or cleaning. Since I've been working with Echophon feedback, I wondered if I could do something different with Mimeophon. Feedback doesn't really work, but how about clocking Mimeophon with Wogglebug, which is clocked by Mimeophon? I call it a clock feedback loop but don't know if there's a name for it. The fun obviously begins when you're going audio rate. The results were interesting, but not as spectacular as I hoped for. Second subject of this video is the Spectraphon Noise + Chaos mode which was added in the lastest firmware. The clock feedback delay and the SP were a nice combo and at the end of the session I finally got something worth sharing. I ended the video with a stock scene from a tibetan bowl player because it looked interesting and it had this relaxing vibe. This morning I patched up the Spectraphon to make bowls, so the stock video makes sense. It sounded very nice! So here's how one idea leads to another and adds up to your knowledge and experience. It's something you can't really learn from a book, you just need to let it happen and learn as you go. So it's noise and chaos from both Mimeophon and Spectraphon, and definitely in the patching process :).
Without a goal and without expectations, because a modular will always take a different route. So always keep that recorder running...."
BAF 2024: Noise Engineering - Alia Series Modules
video upload by sonicstate
"We Met Marcus from Noise Engineering at Buchla And Friends 2024 and he gave us an overview of their new products, including the Alia series of oscillators. The Alia series features their four classic oscillators - Basimilus Iteritas, Manis Iteritas, Cursus Iteritas, and Ataraxic Iteritas - all redesigned with the ability to swap firmwares. This allows users to try any of the six available firmwares and easily switch between them on their website. Marcus also demonstrated the Debel Iteritas and Incus Iteritas modules, offering FM and percussive-oriented sounds respectively.
In addition to the Alia series, Noise Engineering also presented two prototype modules. The first is Pax Digitalis, a quantized random source with four channels, allowing users to create randomized sequences with adjustable deviation and direction, as well as the ability to loop and change scale. The second prototype is Sinc Seq, an arpeggiator that provides the flexibility to build custom arpeggios, save them, and cycle through them with triggers. Release dates and prices for these prototypes are yet to be announced
Alia Modules Price: 389 USD
https://noiseengineering.us/"
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MATRIXSYNTH - EVERYTHING SYNTH
© Matrixsynth - All posts are presented here for informative, historical and educative purposes as applicable within fair use.
MATRIXSYNTH is supported by affiliate links that use cookies to track clickthroughs and sales. See the privacy policy for details.
MATRIXSYNTH - EVERYTHING SYNTH

























