"We'll showcase two new modules this week at Superbooth 2024. Bagài is an analog S&H/bitcrusher/downsampler/random voltage and clock. 411 is a quadruple linear VCA, mixer, and multiple for audio and CV. They are ready and we'll ship them to our resellers next week as we'll be back!"
00:00 Introduction
00:23 Bagài
00:35 Sample and hold
00:56 8-bit quantizer
01:16 Random clocks
01:32 Clock bursts
01:51 Fluctuating random voltages
02:11 30 kHz audio downsampler
02:42 Audio bitcrusher
02:56 411 Quadruple VCA
03:13 Fake sequential switch
03:22 Modulating and mixing multiple signals
03:46 Unpatched output
04:23 -6 dB switches
04:36 Outro
BAGÀI Multipurpose Thingamabob
bagài / baˈgaːi / s.m. [modenese dialect, from a late Latin bagagium ‘baggage’, formed after the late Latin baga, deriving presumably from the Anglo-Saxon bag (see ancient French bague, Provençal bàgua, ‘bundle’), whose root may be traced down to the Indo-European *pac, ‘to tie,’ from which also ‘package,’ ‘pact’] – ‘thing,’ ‘thingamabob.’ A term used when the actual name of a thing or a person does not come to mind.
A module that is at the same time a clock burst, S&H, audio bitcrush, or fluctuating random voltage generator is indeed a bit elusive to describe in a single word. Even if one tries, some aspects will always be missing.
Why bother, then? Let us just call it “that thingamabob,” or better, “that bagài.”
The 411 is a quadruple linear VCA, mixer, and multiple for audio and CV.
It consists of four linear VCAs with semi-normalled inputs and CV inputs, −6 dB attenuation switches, a mixed output, and an unpatched output.
The 411’s architecture allows to use it in many ways, for example: processing four signals independently; modulating one signal with four CVS and sending it to four different destinations; mixing up to four signals and modulating them with the same CV; mixing two audio signals and modulating them with a modulated CV…
Thank you for watching.
My name is Meska of the statik collective . I've been making mostly "dark and expérimental" music for more than ten years now, i'v learn so much online, now it's time for me to share my knoledge, my exploration and this channel is a place to talk about the tools, sound design and techniques to make music with.
This is a very common question I am asked by owners. and curious potential buyers of the moog one, "Can it do realistic piano sounds?"
Obviously the best thing for these type of sounds is either the real thing or romplers.
but me being me, I thought I'd try and see how close I could get it. And not surprisingly, the Moog One gets quite close bearing in mind it is fully analog.
the musical piece, I composed while programming this patch, I have aptly named it 'ONE'
"If you like this kind of Dub Techno, maybe consider picking up my huge 'Dub Spectrum' sound pack for the Tracker Mini. Over 4,400 samples and loops! (The samples will also work in any other hardware sampler or DAW.)
MeldaProduction pushes PowerStrings as MSoundFactory instrument tailored towards quickly crafting symphonic strings for modern pop or cinematic productions
PRAGUE, CZECH REPUBLIC: following in the must-have footsteps of its DreamMachines (so-called VIRTUAL ANALOG DRUM DESIGNER) and Meldway Grand (software grand piano) as premium instruments for MSoundFactory, itself held in high regard as arguably the most powerful modular virtual instrument platform out there today by effectively allowing users to create their own instruments (alternatively available as MSoundFactory LE — providing access to all the sounds and instruments included with its bigger brother, but without access to the editing screen — and also for free as the self-explanatory MSoundFactory Player with only a few sounds included, although users can choose to purchase premium instruments), music production and audio processing advanced tools-maker MeldaProduction is proud to announce availability of PowerStrings — pushed as its next MSoundFactory premium instrument, this time tailored towards quickly crafting symphonic strings suited to the fast-paced production world of modern pop or cinematic music — as of May 13...
Orchestral Manoeuvres in the DAW As an orchestral powerhouse, PowerStrings represents MeldaProduction’s latest MSoundFactory premium instrument, this time tailored towards quickly crafting symphonic strings suited to the fast-paced production world of modern pop or cinematic music. The timeless elegance of symphonic strings are creatively combined with a contemporary twist — to deliver rich and vibrant string sounds designed to instantly elevate tracks. Indeed, its streamlined interface and intuitive controls allow users to effortlessly add lush string arrangements to their compositions without slowing down their creative flow.
An assortment of ARTICULATIONS PowerStrings proffers an assortment of ARTICULATIONS, ranging from smooth SOFT LEGATO to crisp SPICCATO settings, so users can achieve the perfect expression for any musical idea. It is possible to speedily switch between them during a live performance using a controller keyboard’s lower keys, or even enable multiple articulations at the same time. The premium instrument in question also allows for independent pitch and volume per articulation, which is ideal for extremely easy layering, while all ARTICULATIONS have access to detailed — Attack, Hold, Decay, Sustain, and Release — envelope settings.
Get CREATIVE Strings should not necessarily always sound like strings — certainly in the context of modern pop or cinematic music production. PowerStrings’ CREATIVE ‘tab’ takes its users into a brave new world of sound, one where they can, for example, make the strings sound like a synth using the CONVOLUTION settings. Similarly, FM (Frequency Modulation) controls are also available, as is control over HARMONICS. Applying a pleasant-sounding DIFFUSION to the proceedings is, likewise, all part of getting creative.
"Like nearly all the high end vintage analog synths we sell, this item has been METICULOUSLY disassembled, cleaned inside and out, FULLY serviced by professionals who’ve been servicing and selling vintage synths for more than the last 3 decades, and systematically tested multiple times over a long period to ensure it’s working exactly as it should. No BS. No ebay surprises. We’re perfectionists and don’t cut corners. Although this instrument came to us in relatively good shape, we want our items to be better than the rest and invested *many* hours of tech time plus parts costs to fully overhaul this unit so it would be clean, working like new again and as reliable as possible for its next owner. This was a serious investment of time, love, and money, and was definitely worth the effort and is of course reflected in the higher than usual price. If you’re looking for a great sounding example of this model that works just like it should without needing to invest hundreds or thousands of dollars in tech fees and waiting from weeks to years, this one should make you very happy.
Our tech did the following work to this unit to make it better than the rest / promote longevity:
Power supply capacitors replaced. Battery replaced. Patches reloaded. Cleaned all switch contacts. Cleaned unit inside and out. Installed new encoders to prevent the usual glitchiness one often experiences with original 40 year old encoders (changed ceramic caps in circuit for compatibility). Cleaned key contacts and PCB. Cleaned sensor. Replaced pitch and mod lever potentiometers with new ones since the originals are often problematic these days. Multiple systematic burn in tests to ensure stability.
OS ROM 1.1, voice 1.6.
Selling fees here are over $1000, and professional servicing by perfectionists and future-proofing is costly."