Big Sur • Ambient Eurorack Modular Synthesizer

video upload by Lightbath

"On October 11, 2021—two days after I played my 'Golden Hour in Joshua Tree' set and one day after my Morro Bay piece—I was driving north on HWY 1 through scenic Big Sur and had to stop at one of my favorite overlooks and play the synth. I like to think of these three videos as my 'Fall 2021 West Coast tour' 😏

Patch notes and lossless downloads are available through Patreon.

A Patreon membership gives you access to my private Club Lightbath Discord community, patch notes, and educational resources archive, plus optional group and one-on-one lessons through my Creative Mentorship program → / lightbath"

Endorphines Queen of Pentacles Review

video upload by Molten Music Technology

"The Queen of Pentacles is a 7-channel drum module mixing analogue circuits with samples and a very performable interface. I didn't gel with it when I bought it a couple of years ago, but I've come back to give it another go and I'm so glad I did."

Index:
Intro - 0:00
Overview - 11:24
Analogue Section - 11:46
Sample Section - 16:21
Some Sample Library Examples - 20:03
The Filter - 21:03
Effects Section - 24:09
Other bits and pieces - 28:41
Sticking in your own samples - 31:25
Some other examples - 44:05
Conclusions - 49:01

UDO Super 8 - Resonance self-oscillation

video upload by UDO Audio

"Welcome back for another useful UDO hack! This time, Hazel is demonstrating how you can use the filter as an oscillator on your UDO instrument.

Hazel expertly demonstrates this on our new Super 8, but it’s also possible on any of our 'Super Series' synthesizers using the same method—give it a try!

More from Hazel here:
https://www.hazelmills.com/"

MazeRunner | Moog Labyrinth as a controller and processor

video upload by Cinematic Laboratory

"I can appreciate that some of you had enough of that new Moog. But it's such a fun and amazing machine and it opens up new possibilities every day I use it. In this video, it will drive MakeNoise DPO - which is a trick or treat by itself - but there's more. You can patch anything into the VCF input of the patchbay, and when it's clocked, you can animate the filter with the shift registers. When used on a simple drum pattern, you can mute, sculpt, resonate and modulate one or more drum events and turn it into a live drummer that can improvise, and bring the beat back when it's time for the drop. I'll be using Tesseract Tukra for both drum patterns and sounds. Don't let the hieroglyphs fool you, it's super easy to use when there's a Labyrinth nearby.

And while we're at it, why not go full industrial? Because we're civilized people. But not today."

natural park #4 / ambient eurorack with mutable instrument in the wild

video upload by Tom Leclerc

"recorded in Auvergne, France

// instagram //
@tom__leclerc

no external processing

thanks for listening"

Bass Bot.mod with BA662

video upload by Alexey Taber

via AMSynths:

"The BA662 is a custom made DC controlled variable transconductance amplifier (or OTA) that Roland had manufactured by Rohm from 1978 and is now obsolete and very expensive. There are two types of chip with different suffices; the A version has been selected for lower offset than the B version. They are further classified by gain/gm. The BA662B can only replace another BA662B, whilst an A can be used in either application.

To quote Roland from the 100M Service Manual: 'color has great importance in the circuits of some models'. However there is nothing mystical about the sound of the BA662, it is just a reasonable good OTA chip which is often carefully matched and selected."

And via Sunshine Jones:

"The Roland BA662A VCA chip is the Voltage Control Amplifier IC from the Roland SH-101, TB-303, Juno-60, JX-3P etc. which is a part of what makes it sound so wonderful. These can also be found in the Jupiter-4, the Jupiter-8, and MKS-30,50 and 80. They have counterparts – The Roland BA662B (B stock versions of the A) and also a cousin IC the BA6110 which is similar, and looks virtually identical under a scope, but the power comes from negative rather than positive, and so it won’t work exactly the same way."

Isobutane - Fogfields, 2006

video upload by Isobutane

"There were times when my only piece of equipment was the Yamaha RM1x. While going through some old floppy discs I’ve came across some really old tracks from around 2005-2007. I was surprised how playful and full of energy these are. Technically and soundwise they are all pretty funky but I was really stunned by the liveliness of these old projects. So I’m like…yeah let’s share em. Maybe some people will even remember some of these from the past live shows. Shees that was ages ago… Ok, let’s go. 3/7

This one is called Fogfields and it was made in 2006. Back in the day, I used to play this one live a lot. The beat is an Aphex Twin ripoff...well kind of. The kick and zap sounds are taken directly from a track called Isoprophlex and are included within the RM1x sound bank. He mentioned Yamaha sampling these sounds for this machine in one of his interviews. Enjoy."

ST Modular - CONTROLLER (Four Channel CV Controller)

video upload by Stefan Tretau

"The sound examples are not meant to be musical compositions, but rather provide a rapid overview of the module's control capabilities.

Further information on this module can be found at www.st-modular.de.

00:00 Intro
00:24 Features
01:35 Controlling Singer
03:39 Controlling Ghost 1
05:23 Controlling Ghost 2"



"The CONTROLLER module is a versatile four-channel CV control unit designed for precise management of up to four external CV parameters. Serving as a centralized control hub, it eliminates the need to individually access each control destination, streamlining the control process and enhancing workflow efficiency.

Four slider potentiometers are provided, each offering a travel length of 45mm. These sliders enable the application of unipolar voltages ranging from +0V to either +5V or +10V, which can be selected via a jumper located on the module's rear. Adjusting the slider upwards increases the voltage applied to its respective OUT socket, with the slider LED indicating the voltage level.

In addition to the sliders, each channel features a STRIKE button, allowing for the immediate application of a predetermined voltage on top of the voltage set by the slider. The maximum additional voltage that can be applied via the strike button is adjustable using the S MAX controls, ensuring seamless customization. This feature enables users to effortlessly set the desired voltage level to be activated with a simple button press.

The Controller utility is a convenient tool specifically crafted to manage multiple parameters of various modules, enhancing their accessibility during live performances.

key features
Four Channels with CV Output
Slide Potentiometers with LEDs
Strike-Buttons for immediate CV Changes
Control over max. Strike-Voltage
+5V or +10V max. Voltage Output
Skiff friendly
Wrong polarity protection
​
specs & downloads
width: 12 HP
depth: 30 mm
power: 45 mA @ +12V / 35 mA @ -12V

Resonance Studios - New Studio Featuring Vintage Synths Opens in Stockport, UK

Press Release follows

**Revolutionary Music Studio Opens in Stockport, UK: Preserving Musical Heritage for Future Generations**

**Stockport, UK, 8th August 2024** – A ground breaking music recording studio is set to open in Stockport, offering musicians from all backgrounds access to some of the most elite and rare music equipment ever made. This state-of-the-art facility, set less than 500m from Strawberry Studios (10cc, Joy Division), is dedicated to preserving musical heritage and ensuring future generations can experience and utilise these exceptional instruments.

The studio features over 250 pieces of new and vintage music equipment, including legendary items such as the Roland Jupiter 8, Synclavier II, Linn LM1, 2 Arp 2600s, a Yamaha CS50 and CS60, and the Voyetra 8. Additionally, it houses extremely rare instruments like The Waldorf Wave, Baloran The River and The Pool, Knas The Ekdahl Polygamist, and the elusive Yamaha DX1, with fewer than 150 of each still inexistence.

As the third largest studio of its kind globally, this new facility not only provides musicians with access to these extraordinary instruments but also offers comprehensive recording, MIDI sync and tracking capabilities. The sampling station, equipped with twin Technics 1210 turntables, Emu SP12 (Public Enemy, Beastie Boys), Akai MPC60 (DJ Premier, DJ Shadow), and a library of over3,000 LPs and singles, providing an authentic and diverse sampling experience.

The studio's mixing and mastering setup features elite level equipment such as Neve 1073DPX Preamps and 8816 Summing Mixer, Shadow Hills Master Compressor,2 Distressors and iconic effects including the Publison Infernal Machine 90,Lexicon 224 and Eventide H3000 which are enhanced by excellent listening and monitoring capabilities, thanks to the support from a partnership with Focal. This ensures that every project attains the highest audio standards, providing artists with label-ready quality recording.

In alignment with a commitment to the community and musical preservation, 3% of all profits are donated to the charity Shelter, supporting efforts to combat homelessness. The remaining profits are reinvested into maintaining and expanding the studio's collection, ensuring that this invaluable resource continues to grow and thrive.

Resonance Studios are also proud to announce a collaboration with local institutions to offer free studio sessions, making this incredible facility accessible to musicians who might otherwise never have the opportunity to work with such high-calibre music equipment. Further details to be announced.

This new music studio in the vibrant Stockport, UK embodies a unique blend of historical preservation and cutting-edge technology, creating a haven for creativity and innovation. Musicians, producers, and enthusiasts alike are invited to explore and utilise this exceptional space, ensuring that the legacy of these remarkable instruments continues for generations to come.

**About the Studio:** Located in the heart of Stockport, UK, our music studio is a creative space for musicians and producers. With a collection of over 250 pieces of elite and vintage music equipment, top-tier recording and mastering capabilities, and a commitment to preserving musical history, we aim to inspire and empower artists from all walks of life.

https://resonancestudios.co.uk

Van Halen - Why Can't This Be Love? Sound Design Tutorial

video upload by Inasimplerhyme

"In this video, I'll show you how to get the the sounds of Van Halen's "Why Can't This Be Love?" on an Oberheim OB-8, the same synth used on the original song.

The upper patch, ABC 8, is called, 'Rock Unison.'
The lower patch, C7, is 'Farr's Funk.'"