"Recently serviced and tested, everything is in working order. Classic ensemble synth for the 80's that emulates Strings, Organ, and Brass instruments. Its fully polyphonic and has a quite pretty sounding chorus. There are some different filtering capabilities, but not the typical Moog filter you are used. Which isn't necessarily a bad thing, just different. It was designed by Moog with collaboration from the legendary Herb Deutsch."
"God’s own original vintage Moog Memorymoog analog poly monster in amazing condition!
Fully serviced, recapped, and calibrated, EVERY voice, memory location, and function works flawlessly, tuning and scaling are rock solid and SUPER stable.
She sounds absolutely massive. Amazing modulation possibilities, and just the thickest, nastiest, most urgent tone.
Absolute holy grail, end of the rainbow synth. You will not find a finer example."
"Here's my stab at the famous violin air from Jules Massenet's 1894 opera, THAIS, using my Biopower Axe & Razor #eurorack #modular #synthesizer ribbon controller.
The ribbon controller is pressure sensitive, which I'm using to control a Plum Audio Jove filter cutoff. Two further pressure points on the stock of the instrument provide an injection of vibrato (both the frequency and amplitude of an LFO to the timbre parameter on a Plaits oscillator) and a pitch bend, mainly to get notes outside the D Major scale, which I quantized. The accompaniment is an emulated Juno 106.
I designed this instrument to bring convenient Rick Wakeman shredding within reach of all synth players -- but it can play sweetly and precisely too!
Available for purchase as built modules and DIY kits at https://www.biopoweraudio.com"
See the Biopower Modular label below for more. It looks like they switched their name from Biopower Modular to Biopower Audio. The Biopower Audio label will be used for future posts, considering.
"My first version of the OBXone went on to save an Original 4VS OBX. But when I got a Rosen motherboard as part of a trade I thought I'd make a nicer one, 2U rackmount, with double sub oscillators and all the extras."
Looks like an SEM in rack form, but appears to be based an OBX voice board according to the description above. The OB-X filter is based on the 12db Lowpass disctrete SEM filter (it's missing the variable LP -> Notch -> HP knob), while the OB-Xa switched to Curtis based filters.
0:00 opening and why I got another one
1:40 lets start with the patch I made and standard series mode
3:00 Stereo modulation
2:25 testing out the stereo
5:15 stereo ping pong mode
9:30 tap tempo for arps
14:28 lets make a pad and make it sound good !
17:53 my closing thoughts
"Here, I used the 5-pin MIDI out of the M-Audio Keystation 61 Mk3 to control the Sequential Prophet Rev2, and used the Keystation's USB MIDI out to control a number of plug-ins at the same time. What you're hearing here is a single MIDI line that's being split to multiple instruments that get layered on top of each other. I'm really happy with the final result.
This song was inspired by exploring the Walrus Qi Etherealizer, which is adding granular, reverb, and delay to the Prophet Rev2. Once I had the basic idea on the Rev2, I realized that I could use the Keystation's USB MIDI out to control software instruments at the same time. Mostly what you're hearing are a collection of Spitfire plug-ins (piano, strings, mandolin) being stacked on top of the Rev2, using the same live MIDI data that I'm sending to the Rev2. It's a neat effect.
"Recoded directly to Tascam DR-05X at 24bit/48Khz.
Sequential prophet-6 specifications:
49 velocity-sensitive keys with after-touch
6 Voice polyphony
Analogue signal path
Two discrete VCOs and Filter per voice
Multi mode arpeggiator
Step-Sequenzer with up to 64 steps
Dual digital effects (Reverb, delay, chorus and phase shifter)
Analogue stereo distortion
500 Factory presets and 500 User presets
