"While not technically brand new, it’s as close as you can get. The unit has no discoloration or significant wear, a rarity for TR-909s. I’ve owned several, and none have been in this exceptional condition.
Included Accessories:
• Original styrofoam
• Manual
• Foot switch
• Power cable
"Dtronics DT7 – controller for Yamaha FM synths such as DX-7, DX-5, TX-7, TX-802 & TX-816.
Functions and layout are modelled after the legendary 1980s Jellinghaus controller. Please refer to the manufacturer's manual and site for any questions about what this does and which synths it will work with. The latest firmware can be downloaded there too."
"This listing is for a vintage Steiner Master's Touch which uses the filter and performance features from the Steiner Parker EVI (Electronic Valve Instrument).
This device can be used as a performance breath controller processing audio through its Steiner filter from an external source as well as generating CVs for use with a modular synthesizer.
Supports breath and bite.
The filter on this unit has been modified with an additional knob for wider dynamics."
3.5 EPROM, fully serviced power section, new op amps and DAC, filter tuning all within range. Keybed cleaned and body scrubbed. Missing a couple screws and rocking a couple scars, but aren’t we all?"
"In this video, we explore some unique functions and modes of the Sealegs delay module to create micro-loops, glitchy fx, drones and self-oscillation sounds. This demo is fully captioned so you can hear all that delay goodness."
MIXSPLIT is new to the site. See the Synthernet label for additional posts.
Google translated:
"MIXSPLIT is a small, power-free, passive utility that combines a 3.5mm mini jack mixer with stereo to mono x2 conversion. It can be used to connect line-level input and output devices.
Main features
・ Input/output terminals: 3.5mm stereo mini jack (1/8" TRS) ・ Mixing/distribution resistance: 10kΩ ・ Size: W31mm x L54mm x H11mm ・ Weight: 22g *Cable not included.
⚠️ Special notes on product specifications and quality
・ Headphones cannot be connected. ・ Signal level will be attenuated as it does not have an amplifier function. ・ Since the circuit board is used for the exterior panel, small scratches and blurred printing may occur during manufacturing. ・ Parts may be changed without notice depending on the production lot.
"I love the Omnichord, so when I was asked to give feedback on the prototype of the Minichord, an instrument very much inspired by it, I could not say no. Spoiler: its a fantastic little synthesizer that goes beyond what was and is possible with its venerable Japanese ancestors."
"'Undertones' is a collection of 50 patches for the semi-modular synthesizer Behringer Spice: chords, sequences, basses, leads, plucks, drones, percussion, and FXs. 📀 The presets feature various colors: warm, clean, soft, deep as well as punchy, dark, bright, noisy, detuned, and distorted.
🗄 All patches are divided into three groups: SEQ (32 patches), KBD (10 patches), and TRG (8 patches). SEQ patches use the Spice sequencer with an internal or external clock. This group contains melodic patterns, chords, and bass lines. The play button is on. KBD patches are designed for use with an external sequencer/arpeggiator, DAW, or MIDI keyboard. This group includes leads, plucks, chords, and drones. The play button is off. TRG patches use the Spice sequencer, but sound is only heard when the TRIGGER button is pressed. These patches don’t trigger envelopes for each step (EG button is off), so envelopes must be launched manually. This group contains FXs and experimental timbres. The play button is on.
"Introducing four re-issues of classic Hexinverter drum modules – the Mutant Bass Drum, Mutant Snare, Mutant Clap and Mutant Hihats! These modules are perfect for anyone with a taste for classic TR808/909 sounds, but with a greatly expanded tonal range with voltage control over parameters and, of course, optional high distortion."
Timeline:
00:00 - Take 1 / Jam 1 with all Mutant drums, Hot Glue and BH DSP on the send
02:16 - Take 2 / Mutant Bassdrum sounds
03:11 - Take 3 / Jam 2 with all drums and Bassdrum sequenced with 1v/oct CV
04:55 - Take 4 / Mutant Snare sounds
06:55 - Take 5 / Jam 3 with Bassdrum and Snare processed with Nightverb
07:25 - Take 6 / Mutant Clap sounds
08:26 - Take 7 / Jam 4 with Mutant all drums, Hot Glue and BH DSP on the send
10:53 - Take 8 / Mutant Hihats sounds
11:45 - Take 9 / Jam 11 with all Mutant drums and Sample Drum
"I had a go at what I think is the 'Berlin School' of sequencing a patch. Did I miss the point entirely or is this considered canon in the Berlin School lore?"
