Access Virus B Desktop Virtual Analog Synthesizer SN E 10003211

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Roland D550 Linear Synthesizer Sound Module SN 810436

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Ensoniq SD-1 32 Voice Synthesizer SN SD-12101

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Korg SQ-64 Polyphonic Sequencer

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Critter & Guitari Bolsa Bass

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Stefan Torto - From Dreadbox Erebus to Light (Analog Ambient)

video upload by Stefan Torto

Jamming with Dreadbox Erebus through Korg NTS-1and sequenced by Arturia Keystep mk2.
My music : https://stefantorto.bandcamp.com/
Get my sample packs : https://www.stefantorto.com/sample-packs
Website : https://www.stefantorto.com"

"Special thanks to Vasilis and Stelios Oikonomou for the hospitality and for helping on the video"

Polyend Drums - Composition for Eight Toms

video upload by Polyend

"Pan Ra - Compsition for Eight Tom

An experiment using just eight tom drums with the Polyend Drums.

The first batch of Drums has officially sold out for direct orders, reserve at one of our retail partners now."

Jeannie 2 - Test with 12 Voices and Bequad-Filter

video upload by Rolf Degen

"DIY blog : https://www.sequencer.de/synthesizer/..."

TTMC Analog Rhythm Card prototype , Buchla Easel Command

video upload by Tokyo Tape Music Center

https://tokyo-tape-music-center.com

Synth post-rock and ambient | Three songs with delay and reverb

video upload by Jay Hosking

"Please support my work on Patreon: / jayhosking
Three different songs focusing on the inspiration of delay and reverb.

MAS Distribution sent over the GFI Solis Ventus, a delay and reverb pedal, for me to try for free. Take that for what you will.

I've already used the Solis Ventus in other video here, so there was no particular need to create a video focused on it. However, I usually explore new gear by just placing it on the table and seeing what comes out. I thought maybe nothing would come of it, or maybe I'd make a single song. In the end, I kept writing more and more with it, all in different styles and genres. The reverbs in the Solis Ventus are fine, but there's some real weirdness and magic in the delays, and they kept delighting and surprising me. In the end, I decided to share three songs with you from these explorations, although there's some more on my Patreon.

00:00 - Post-rock with synths instead of guitar
03:52 - Pure ambient with Pluto
06:17 - Rock starting with L1

Ultimately, what I hope comes through is that effects aren't something simply to colour or smooth over a sound; effects can be the very thing that inspires the songwriting process. That's what happened in all of these instances, and more.

Gear used:
Arturia Astrolab 37 (keys)
GFI Solis Ventus (delay and reverb)
Squier Bass VI (bass-guitar hybrid)
Line 6 Pod Express Bass (for bass amp sim)
Moog Subsequent 37 (mono synth melody)
Novation AFX Station (mono synth lead)
Modern Sounds Pluto (mini euro synth sandbox)
Donner L1 (mono synth random arp)
Godin Session Custom '59 (guitar)
Strymon Iridium (for guitar amp sim)
Union Tone & Transistor Lab (compressor for guitar)
Electro-Voice RE-20 (vocal mic)
Probably more I'm forgetting

Multi-tracked, mixed in the box (except the Pluto song, which was live to stereo out, with EQ, compression, and limiting on the master).

https://jayhosking.bandcamp.com"